Christoph Knecht - Welche Ausgabe, welcher Verlag, welche ISBN?
29/06/2026
Lesedauer: 7 min
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Christoph Knecht - Buchbeschreibung, Ausstattung und ISBN
Christoph Knecht gehört zur Kategorie Sachbuch und stammt von Jens Asthoff, Nicole Fritz - eine Kombination, die den Titel sowohl fachlich als auch bibliografisch interessant macht. Die vorhandene Beschreibung macht deutlich, worauf Christoph Knecht den Fokus legt: Painting, drawing, sculpture, and installation comprise the work of Christoph Knecht (born 1983 in Karlsruhe; lives and works in Dusseldorf). The motifs of his works are multifaceted and disparate; the age of meta-narratives seems bygone. As a representative of the younger generation of digital natives, the artist is guided by this notion. Knecht?s wide-ranging selection of motifs reflects the will to cognize: he unravels signs, explores ideas of cultural belonging, and pushes toward engagement by reiterating and modifying symbolisms. The series Plant of Opportunities shows amorphous plant people that even the Surrealists could not have drawn any better. Knecht adds an anthropomorphic plant boy carrying a smartphone to this supposedly dreamy and introspective scenario. Blue-painted, glazed tile works in the style of the Portuguese Azulejos form a 360-degree tiled wall panorama?they depict globally spread symbols, such as metal hard shell suitcases, ancient star constellations, or YouTube icons. In the series Yad Chen, the artist entwines Israeli beauty products with Islamic, religious quotes; he paints these on canvas in the Cubist style using Arabic characters. Yet Knecht also draws inspiration from what is less foreign and distant: he considers both his bronze kebab sculpture and etchings of copulating deer on cardboard lace doilies as part of his German narrative.00The book shows a first, extensive cross-section of Knecht?s work over the last ten years. The texts were written by Jens Asthoff, Ory Dessau, and Nicole Fritz Als Veröffentlichungsdatum ist 2019 hinterlegt; verlegt wurde der Titel von Distanz Verlag in Berlin.
Was diese Ausgabe besonders interessant macht
Die Ausgabe ist in Deutsch verfügbar und damit gezielt für Leserinnen und Leser mit entsprechender Sprachpräferenz interessant. Der Verlag Distanz Verlag und der Verlagsort Berlin liefern zusätzliche Orientierung bei der Einordnung dieser Ausgabe. Das hinterlegte Publikationsdatum 2019 unterstützt dabei, Christoph Knecht zeitlich korrekt zu klassifizieren. Wer Literatur aus dem Bereich Sachbuch sucht, findet in Christoph Knecht einen gut klassifizierbaren Titel. Gerade wer nach Werken von Jens Asthoff, Nicole Fritz sucht, sollte Christoph Knecht näher betrachten.
Inhalt und thematische Schwerpunkte
Christoph Knecht lässt sich inhaltlich innerhalb von Sachbuch verorten und wird in der Beschreibung wie folgt umrissen: Painting, drawing, sculpture, and installation comprise the work of Christoph Knecht (born 1983 in Karlsruhe; lives and works in Dusseldorf). The motifs of his works are multifaceted and disparate; the age of meta-narratives seems bygone. As a representative of the younger generation of digital natives, the artist is guided by this notion. Knecht?s wide-ranging selection of motifs reflects the will to cognize: he unravels signs, explores ideas of cultural belonging, and pushes toward engagement by reiterating and modifying symbolisms. The series Plant of Opportunities shows amorphous plant people that even the Surrealists could not have drawn any better. Knecht adds an anthropomorphic plant boy carrying a smartphone to this supposedly dreamy and introspective scenario. Blue-painted, glazed tile works in the style of the Portuguese Azulejos form a 360-degree tiled wall panorama?they depict globally spread symbols, such as metal hard shell suitcases, ancient star constellations, or YouTube icons. In the series Yad Chen, the artist entwines Israeli beauty products with Islamic, religious quotes; he paints these on canvas in the Cubist style using Arabic characters. Yet Knecht also draws inspiration from what is less foreign and distant: he considers both his bronze kebab sculpture and etchings of copulating deer on cardboard lace doilies as part of his German narrative.00The book shows a first, extensive cross-section of Knecht?s work over the last ten years. The texts were written by Jens Asthoff, Ory Dessau, and Nicole Fritz Die vorhandenen Tags verdichten die inhaltliche Einordnung des Buches zusätzlich: Art
ISBN, Revision und weitere Referenzdaten
Mit 3954763125 und 9783954763122 stehen zwei zentrale ISBN-Varianten zur Verfügung, die die Ausgabe eindeutig beschreiben. Im Open-Library-Kontext ist das Werk über OL32327501W sowie die Editionszuordnungen OL44078058M referenzierbar. Die verlegerische und zeitliche Einordnung wird durch Distanz Verlag, Berlin und 2019 präzise ergänzt.
Bibliografische Eckdaten dieser Ausgabe
- Verlag: Distanz Verlag
- Sprache: Deutsch
- Externe Editionsreferenzen: OL44078058M
- ISBN-13: 9783954763122
- Buchtitel: Christoph Knecht
- Verlagsort: Berlin
- Verfasst von: Jens Asthoff, Nicole Fritz
- Externe Work-Referenz: OL32327501W
- ISBN-10: 3954763125
- Inhaltliche Kurzcharakteristik: Painting, drawing, sculpture, and installation comprise the work of Christoph Knecht (born 1983 in Karlsruhe; lives and works in Dusseldorf). The motifs of his works are multifaceted and disparate; the age of meta-narratives seems bygone. As a representative of the younger generation of digital natives, the artist is guided by this notion. Knecht?s wide-ranging selection of motifs reflects the will to cognize: he unravels signs, explores ideas of cultural belonging, and pushes toward engagement by reiterating and modifying symbolisms. The series Plant of Opportunities shows amorphous plant people that even the Surrealists could not have drawn any better. Knecht adds an anthropomorphic plant boy carrying a smartphone to this supposedly dreamy and introspective scenario. Blue-painted, glazed tile works in the style of the Portuguese Azulejos form a 360-degree tiled wall panorama?they depict globally spread symbols, such as metal hard shell suitcases, ancient star constellations, or YouTube icons. In the series Yad Chen, the artist entwines Israeli beauty products with Islamic, religious quotes; he paints these on canvas in the Cubist style using Arabic characters. Yet Knecht also draws inspiration from what is less foreign and distant: he considers both his bronze kebab sculpture and etchings of copulating deer on cardboard lace doilies as part of his German narrative.00The book shows a first, extensive cross-section of Knecht?s work over the last ten years. The texts were written by Jens Asthoff, Ory Dessau, and Nicole Fritz
- Seitenzahl: 255
- Schlagwörter: Art
- Erscheinungsdatum: 2019
- Thematische Hauptkategorie: Sachbuch
Auffindbarkeit und bibliografische Präzision
Die Verbindung aus Christoph Knecht, Jens Asthoff, Nicole Fritz, Sachbuch und Art schafft eine solide Grundlage für eine präzise thematische Suche. Eindeutige Referenzdaten wie 3954763125, 9783954763122 und OL32327501W verbessern die bibliografische Verlässlichkeit zusätzlich.
Wichtige Fragen zu Inhalt und Ausgabe
Wofür sind die Open-Library-IDs hilfreich?
Mit OL32327501W und OL44078058M lässt sich das Werk auch in externen bibliografischen Zusammenhängen besser verknüpfen.
Welche Sprache und Schlagwörter sind hinterlegt?
Verzeichnet sind die Sprache Deutsch sowie die Tags Art, die die thematische Zuordnung erleichtern.
Wie ist die Ausgabe verlegerisch einzuordnen?
Bibliografisch wird die Ausgabe über Distanz Verlag, Berlin und das Datum 2019 beschrieben.
Gibt es eine inhaltliche Zusammenfassung?
Ja, die Beschreibung fasst die Ausrichtung des Buches so zusammen: Painting, drawing, sculpture, and installation comprise the work of Christoph Knecht (born 1983 in Karlsruhe; lives and works in Dusseldorf). The motifs of his works are multifaceted and disparate; the age of meta-narratives seems bygone. As a representative of the younger generation of digital natives, the artist is guided by this notion. Knecht?s wide-ranging selection of motifs reflects the will to cognize: he unravels signs, explores ideas of cultural belonging, and pushes toward engagement by reiterating and modifying symbolisms. The series Plant of Opportunities shows amorphous plant people that even the Surrealists could not have drawn any better. Knecht adds an anthropomorphic plant boy carrying a smartphone to this supposedly dreamy and introspective scenario. Blue-painted, glazed tile works in the style of the Portuguese Azulejos form a 360-degree tiled wall panorama?they depict globally spread symbols, such as metal hard shell suitcases, ancient star constellations, or YouTube icons. In the series Yad Chen, the artist entwines Israeli beauty products with Islamic, religious quotes; he paints these on canvas in the Cubist style using Arabic characters. Yet Knecht also draws inspiration from what is less foreign and distant: he considers both his bronze kebab sculpture and etchings of copulating deer on cardboard lace doilies as part of his German narrative.00The book shows a first, extensive cross-section of Knecht?s work over the last ten years. The texts were written by Jens Asthoff, Ory Dessau, and Nicole Fritz
Externe Links
Hier findest du weitere ausgewählte Links.
