Aesthetica - Bibliografische Daten und Buchbeschreibung

Aesthetica - Details zu Inhalt, Autor und Veröffentlichung

Mit Aesthetica liegt ein Buch von Bense, Max vor, das der Kategorie Sachbuch zugeordnet wird und sich für alle eignet, die gezielt nach Literatur mit diesem Schwerpunkt suchen. Der Zusatz Einführung in die neue Aesthetik schärft das Profil von Aesthetica und unterstützt die thematische Einordnung bereits auf den ersten Blick. Aesthetica wird in der Beschreibung wie folgt charakterisiert: his main work on aesthetics. The fist volume has the title "Aesthetica [I]. Metaphysical observations on beauty" [Aestetica [I]. Metaphysische Beobachtungen am Schönen (1954)]. Max Bense presents there "observations, experiences, considerations and conclusions" in literature and painting. He divides aesthetics in three parts: 1) aesthetical object, 2) aesthetical judgment, and 3) aesthetical existence. The old conception of beauty is now understood as a modality of works of art, technical products and products of industrial design, and he distinguishes also between beauty of art, beauty of technique and beauty of nature. Here, we meet for the first time George David Birkhoff's "aesthetical measure" which is the quotient of "order and complexity". By all these considerations, Max Bense proceeds from metaphysical aesthetics through mathematical aesthetics to informational or statistical aesthetics. Aesthetic communication is elaborated in Volume 3 of "Aesthetica" (1958) with the subtitle "Theory of aesthetical communication" [Aes channel - receiver. In aesthetics it becomes: sender - aesthetical object - observer, and is understood as "play" in the sense of Friedrich Schiller or "play theory" by John von Neumann. In "Aesthetica 4", with the subtitles "Programming of Beauty. General Text Theory and Text Aesthetics" [Programmierung des Schönen. Allgemeine Texttheorie und Textästhetik (1960)], Max Bense investigates the works of art as "vehicles of aesthetical information". He determines the aesthetic process as sign process and replaces the concept of literature by the concept of text, because the latter comprises literature, and all other kinds of possible "linear and non-linear texts", he maintains. The discussion of text, metatext, and context leads to the classification of texts of all kinds. His "text theory" consists also of text materiality, text phenomenality, text statistics, text logic, and so on. But only in his book "Theory of Texts" [Theorie der Texte. Eine Einführung in neuere Auffassungen und Methoden (1962)], he develops his methods more exactly and presents them more didactically. He speaks more comprehensively about sign theory, but also about "sign beauty", a term which the German philosopher Johann Augsut Eberhard published in 1806. The development of Bense's Aesthetics is shown best in "Aesthetica. Introduction to New Aesthetics" [Aesthetica. Einführuung in die neue Aesthetik (1965)] which comprises the foregoing four volumes together with a new fifth part. He demands here of aesthetical "minimal conditions": extensionality, materiality, realization thematics, process thematics, and communication, and for aesthetical "maximal conditions": triadic sign function, order relation, aesthetical uncertainty relation, and value relation. But only in the paperback "Introduction to Informational Aesthetics" [Einführung in die informationstheoretische Aesthetik (1969)], Max Bense represents the Peircean semiotics in formalizing his only verbal given conceptions. The Peircean triadic sign relation consisting of M or medium relation, O or object relation, and I or interpretant relation, is written down as a function or relation of M, O, I which were divided by Peirce in three parts or trichotomies, so that three subsigns (an expression of Bense) result which were called by Peirce for M: qualisign, sinsign, legisign; for O: icon, index, symbol; and for I: rhema, dicent, argument Aesthetica wurde am 1982 publiziert und dem Verlag AGIS Verlag mit Verlagsort Baden-Baden zugeordnet.

Verlagsname und Verlagsort - AGIS Verlag und Baden-Baden - helfen dabei, die Ausgabe eindeutig zu identifizieren. Aesthetica ist besonders für Leserinnen und Leser interessant, die sich gezielt mit Veröffentlichungen von Bense, Max beschäftigen möchten. Dass Aesthetica in Deutsch erschienen ist, erleichtert die gezielte Auswahl für sprachspezifische Recherchen. Innerhalb von Sachbuch bietet Aesthetica eine klar erkennbare thematische Zuordnung. Mit dem Erscheinungszeitpunkt 1982 lässt sich Aesthetica sauber in einen bibliografischen Kontext einordnen.

Worum geht es in Aesthetica?

Wer wissen möchte, worauf Aesthetica inhaltlich abzielt, findet in dieser Zusammenfassung einen ersten Ansatzpunkt: his main work on aesthetics. The fist volume has the title "Aesthetica [I]. Metaphysical observations on beauty" [Aestetica [I]. Metaphysische Beobachtungen am Schönen (1954)]. Max Bense presents there "observations, experiences, considerations and conclusions" in literature and painting. He divides aesthetics in three parts: 1) aesthetical object, 2) aesthetical judgment, and 3) aesthetical existence. The old conception of beauty is now understood as a modality of works of art, technical products and products of industrial design, and he distinguishes also between beauty of art, beauty of technique and beauty of nature. Here, we meet for the first time George David Birkhoff's "aesthetical measure" which is the quotient of "order and complexity". By all these considerations, Max Bense proceeds from metaphysical aesthetics through mathematical aesthetics to informational or statistical aesthetics. Aesthetic communication is elaborated in Volume 3 of "Aesthetica" (1958) with the subtitle "Theory of aesthetical communication" [Aes channel - receiver. In aesthetics it becomes: sender - aesthetical object - observer, and is understood as "play" in the sense of Friedrich Schiller or "play theory" by John von Neumann. In "Aesthetica 4", with the subtitles "Programming of Beauty. General Text Theory and Text Aesthetics" [Programmierung des Schönen. Allgemeine Texttheorie und Textästhetik (1960)], Max Bense investigates the works of art as "vehicles of aesthetical information". He determines the aesthetic process as sign process and replaces the concept of literature by the concept of text, because the latter comprises literature, and all other kinds of possible "linear and non-linear texts", he maintains. The discussion of text, metatext, and context leads to the classification of texts of all kinds. His "text theory" consists also of text materiality, text phenomenality, text statistics, text logic, and so on. But only in his book "Theory of Texts" [Theorie der Texte. Eine Einführung in neuere Auffassungen und Methoden (1962)], he develops his methods more exactly and presents them more didactically. He speaks more comprehensively about sign theory, but also about "sign beauty", a term which the German philosopher Johann Augsut Eberhard published in 1806. The development of Bense's Aesthetics is shown best in "Aesthetica. Introduction to New Aesthetics" [Aesthetica. Einführuung in die neue Aesthetik (1965)] which comprises the foregoing four volumes together with a new fifth part. He demands here of aesthetical "minimal conditions": extensionality, materiality, realization thematics, process thematics, and communication, and for aesthetical "maximal conditions": triadic sign function, order relation, aesthetical uncertainty relation, and value relation. But only in the paperback "Introduction to Informational Aesthetics" [Einführung in die informationstheoretische Aesthetik (1969)], Max Bense represents the Peircean semiotics in formalizing his only verbal given conceptions. The Peircean triadic sign relation consisting of M or medium relation, O or object relation, and I or interpretant relation, is written down as a function or relation of M, O, I which were divided by Peirce in three parts or trichotomies, so that three subsigns (an expression of Bense) result which were called by Peirce for M: qualisign, sinsign, legisign; for O: icon, index, symbol; and for I: rhema, dicent, argument Für die thematische Suche und semantische Zuordnung sind insbesondere diese Tags relevant: Aesthetics, Semiology, Communication Theory

ISBN, Revision und weitere Referenzdaten

Die Open-Library-Zuordnung über OL2123621W und OL3250097M verbessert die externe Nachvollziehbarkeit des Werkes. Durch die Kombination aus AGIS Verlag, Baden-Baden und 1982 lässt sich die Ausgabe sauber verorten. Sowohl die ISBN-10 387007017X als auch die ISBN-13 9783870070175 erleichtern das Auffinden und Vergleichen dieser Ausgabe erheblich.

Wichtige Buchdaten im Überblick

1. Inhaltliche Kurzcharakteristik: his main work on aesthetics. The fist volume has the title "Aesthetica [I]. Metaphysical observations on beauty" [Aestetica [I]. Metaphysische Beobachtungen am Schönen (1954)]. Max Bense presents there "observations, experiences, considerations and conclusions" in literature and painting. He divides aesthetics in three parts: 1) aesthetical object, 2) aesthetical judgment, and 3) aesthetical existence. The old conception of beauty is now understood as a modality of works of art, technical products and products of industrial design, and he distinguishes also between beauty of art, beauty of technique and beauty of nature. Here, we meet for the first time George David Birkhoff's "aesthetical measure" which is the quotient of "order and complexity". By all these considerations, Max Bense proceeds from metaphysical aesthetics through mathematical aesthetics to informational or statistical aesthetics. Aesthetic communication is elaborated in Volume 3 of "Aesthetica" (1958) with the subtitle "Theory of aesthetical communication" [Aes channel - receiver. In aesthetics it becomes: sender - aesthetical object - observer, and is understood as "play" in the sense of Friedrich Schiller or "play theory" by John von Neumann. In "Aesthetica 4", with the subtitles "Programming of Beauty. General Text Theory and Text Aesthetics" [Programmierung des Schönen. Allgemeine Texttheorie und Textästhetik (1960)], Max Bense investigates the works of art as "vehicles of aesthetical information". He determines the aesthetic process as sign process and replaces the concept of literature by the concept of text, because the latter comprises literature, and all other kinds of possible "linear and non-linear texts", he maintains. The discussion of text, metatext, and context leads to the classification of texts of all kinds. His "text theory" consists also of text materiality, text phenomenality, text statistics, text logic, and so on. But only in his book "Theory of Texts" [Theorie der Texte. Eine Einführung in neuere Auffassungen und Methoden (1962)], he develops his methods more exactly and presents them more didactically. He speaks more comprehensively about sign theory, but also about "sign beauty", a term which the German philosopher Johann Augsut Eberhard published in 1806. The development of Bense's Aesthetics is shown best in "Aesthetica. Introduction to New Aesthetics" [Aesthetica. Einführuung in die neue Aesthetik (1965)] which comprises the foregoing four volumes together with a new fifth part. He demands here of aesthetical "minimal conditions": extensionality, materiality, realization thematics, process thematics, and communication, and for aesthetical "maximal conditions": triadic sign function, order relation, aesthetical uncertainty relation, and value relation. But only in the paperback "Introduction to Informational Aesthetics" [Einführung in die informationstheoretische Aesthetik (1969)], Max Bense represents the Peircean semiotics in formalizing his only verbal given conceptions. The Peircean triadic sign relation consisting of M or medium relation, O or object relation, and I or interpretant relation, is written down as a function or relation of M, O, I which were divided by Peirce in three parts or trichotomies, so that three subsigns (an expression of Bense) result which were called by Peirce for M: qualisign, sinsign, legisign; for O: icon, index, symbol; and for I: rhema, dicent, argument
2. Umfang: 384 Seiten
3. Sprache: Deutsch
4. Thematische Hauptkategorie: Sachbuch
5. Publiziert bei: AGIS Verlag
6. Erscheinungsdatum: 1982
7. Verfasst von: Bense, Max
8. Internationale Standardbuchnummer (ISBN-13): 9783870070175
9. Internationale Standardbuchnummer (ISBN-10): 387007017X
10. Titel: Aesthetica
11. Ort der Veröffentlichung: Baden-Baden
12. Schlagwörter: Aesthetics, Semiology, Communication Theory
13. Externe Editionsreferenzen: OL3250097M
14. Abmessungen: 20,5 x 14,5 cm
15. Untertitel: Einführung in die neue Aesthetik
16. Externe Work-Referenz: OL2123621W

Auffindbarkeit und bibliografische Präzision

Durch die Kombination aus Titel, Autorenschaft, Kategorie und Schlagwörtern - also Aesthetica, Bense, Max, Sachbuch und Aesthetics, Semiology, Communication Theory - ist der Datensatz sowohl für Suchmaschinen als auch für Nutzerinnen und Nutzer sehr gut interpretierbar. Zusätzliche Präzision entsteht durch Identifikatoren wie 387007017X, 9783870070175 und OL2123621W, die die Ausgabe in verschiedenen Katalog- und Suchkontexten eindeutig referenzierbar machen.

Wichtige Fragen zu Inhalt und Ausgabe

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