Dangerous Crossroads - Beschreibung, ISBN und Ausgabe

Dangerous Crossroads - Details zu Inhalt, Autor und Veröffentlichung

Dangerous Crossroads ist ein Werk von George Lipsitz, das innerhalb der Kategorie Sachbuch eingeordnet wird und bereits durch seine klare thematische Ausrichtung überzeugt. Popmusik, Postmoderne, und die Poesie des Lokalen fungiert als präzisierende Ergänzung zu Dangerous Crossroads und macht die Zielsetzung des Buches schneller erfassbar. Inhaltlich lässt sich Dangerous Crossroads folgendermaßen zusammenfassen: In cities around the globe, immigrant populations are finding their identity by making music which combines their own experiences with the forms of the mainstream culture they have come to inhabit. Dangerous Crossroads surveys an extraordinary range of these musical fusions: Puerto Rican Bugalu in New York; Algerian rai in Paris; Chicano punk in Los Angeles; Indigenous rock in Australia; chanson Quebecois in Montreal; swamp pop in Houston and New Orleans; reggae, bhangra, and juju in London; and zouk, rap, and jazz in Europe, Africa, and the Americas. Throughout, Lipsitz highlights the issues that unite inter-ethnic music fusions across geographic boundaries. He demonstrates that what might be interpreted as a postmodern process of meaningless juxtapositions of musical forms ripped from their original contexts may actually be a redeployment of traditional music to serve untraditional purposes. Lipsitz explores the ways in which ethnic difference in popular music enables musicians from aggrieved populations to enjoy the rewards of mainstream culture while boldly stating their divergence from it, and how it offers a utopian model of inter-cultural cooperation, at the same time making a spectacle out of ethnicity and reinforcing ethnic divisions. Some inter-ethnic music has become part of significant movements for social change; in other instances it has played a reactionary role. But in all the case studies in this book, inter-cultural fusion music displays the contours of ethnic anxiety in an age characterized by the rapid movement of people, capital, and images across national borders Die Ausgabe erschien am 1999 bei Hannibal und ist dem Verlagsstandort St. Andrä-Wördern [Austria] zugeordnet.

Relevante Merkmale auf einen Blick

Dangerous Crossroads liegt in Deutsch vor, was für die inhaltliche Nutzung ebenso wichtig ist wie für die bibliografische Suche. Dangerous Crossroads ist besonders für Leserinnen und Leser interessant, die sich gezielt mit Veröffentlichungen von George Lipsitz beschäftigen möchten. Dangerous Crossroads spricht besonders Nutzer an, die sich für Bücher rund um Sachbuch interessieren. Das hinterlegte Publikationsdatum 1999 unterstützt dabei, Dangerous Crossroads zeitlich korrekt zu klassifizieren. Verlagsname und Verlagsort - Hannibal und St. Andrä-Wördern [Austria] - helfen dabei, die Ausgabe eindeutig zu identifizieren.

Thematische Einordnung von Dangerous Crossroads

Dangerous Crossroads lässt sich inhaltlich innerhalb von Sachbuch verorten und wird in der Beschreibung wie folgt umrissen: In cities around the globe, immigrant populations are finding their identity by making music which combines their own experiences with the forms of the mainstream culture they have come to inhabit. Dangerous Crossroads surveys an extraordinary range of these musical fusions: Puerto Rican Bugalu in New York; Algerian rai in Paris; Chicano punk in Los Angeles; Indigenous rock in Australia; chanson Quebecois in Montreal; swamp pop in Houston and New Orleans; reggae, bhangra, and juju in London; and zouk, rap, and jazz in Europe, Africa, and the Americas. Throughout, Lipsitz highlights the issues that unite inter-ethnic music fusions across geographic boundaries. He demonstrates that what might be interpreted as a postmodern process of meaningless juxtapositions of musical forms ripped from their original contexts may actually be a redeployment of traditional music to serve untraditional purposes. Lipsitz explores the ways in which ethnic difference in popular music enables musicians from aggrieved populations to enjoy the rewards of mainstream culture while boldly stating their divergence from it, and how it offers a utopian model of inter-cultural cooperation, at the same time making a spectacle out of ethnicity and reinforcing ethnic divisions. Some inter-ethnic music has become part of significant movements for social change; in other instances it has played a reactionary role. But in all the case studies in this book, inter-cultural fusion music displays the contours of ethnic anxiety in an age characterized by the rapid movement of people, capital, and images across national borders Die vorhandenen Tags verdichten die inhaltliche Einordnung des Buches zusätzlich: Music, Political aspects, Postmodernism, Social aspects, Popular music, Social aspects of Music, Political aspects of Popular music, Popular music, history and criticism, Social aspects of Popular music, Music and society

Wichtige Kennzeichen dieser Ausgabe

Die Open-Library-Zuordnung über OL2756211W und OL60039942M verbessert die externe Nachvollziehbarkeit des Werkes. Verlag, Ort und Datum - Hannibal, St. Andrä-Wördern [Austria] und 1999 - bilden zusammen einen wichtigen bibliografischen Kern dieses Datensatzes.

Wichtige Buchdaten im Überblick

1. Open-Library-Work-ID: OL2756211W
2. Publiziert bei: Hannibal
3. Ort der Veröffentlichung: St. Andrä-Wördern [Austria]
4. Kurzbeschreibung: In cities around the globe, immigrant populations are finding their identity by making music which combines their own experiences with the forms of the mainstream culture they have come to inhabit. Dangerous Crossroads surveys an extraordinary range of these musical fusions: Puerto Rican Bugalu in New York; Algerian rai in Paris; Chicano punk in Los Angeles; Indigenous rock in Australia; chanson Quebecois in Montreal; swamp pop in Houston and New Orleans; reggae, bhangra, and juju in London; and zouk, rap, and jazz in Europe, Africa, and the Americas. Throughout, Lipsitz highlights the issues that unite inter-ethnic music fusions across geographic boundaries. He demonstrates that what might be interpreted as a postmodern process of meaningless juxtapositions of musical forms ripped from their original contexts may actually be a redeployment of traditional music to serve untraditional purposes. Lipsitz explores the ways in which ethnic difference in popular music enables musicians from aggrieved populations to enjoy the rewards of mainstream culture while boldly stating their divergence from it, and how it offers a utopian model of inter-cultural cooperation, at the same time making a spectacle out of ethnicity and reinforcing ethnic divisions. Some inter-ethnic music has become part of significant movements for social change; in other instances it has played a reactionary role. But in all the case studies in this book, inter-cultural fusion music displays the contours of ethnic anxiety in an age characterized by the rapid movement of people, capital, and images across national borders
5. Untertitel: Popmusik, Postmoderne, und die Poesie des Lokalen
6. Thematische Tags: Music, Political aspects, Postmodernism, Social aspects, Popular music, Social aspects of Music, Political aspects of Popular music, Popular music, history and criticism, Social aspects of Popular music, Music and society
7. Seitenzahl: 258
8. Open-Library-Editions-IDs: OL60039942M
9. Thematische Hauptkategorie: Sachbuch
10. Sprache: Deutsch
11. Autor beziehungsweise Autoren: George Lipsitz
12. Veröffentlicht am: 1999
13. Buchtitel: Dangerous Crossroads
14. Internationale Standardbuchnummer (ISBN-10): 3854451660

Warum sich Dangerous Crossroads gut einordnen lässt

Durch die Kombination aus Titel, Autorenschaft, Kategorie und Schlagwörtern - also Dangerous Crossroads, George Lipsitz, Sachbuch und Music, Political aspects, Postmodernism, Social aspects, Popular music, Social aspects of Music, Political aspects of Popular music, Popular music, history and criticism, Social aspects of Popular music, Music and society - ist der Datensatz sowohl für Suchmaschinen als auch für Nutzerinnen und Nutzer sehr gut interpretierbar.

Wichtige Fragen zu Inhalt und Ausgabe

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