Gustav Mahler | Inhalt & Buchinfos

Alles Wichtige zu Gustav Mahler

Gustav Mahler ist ein Werk von Constantin Floros, das innerhalb der Kategorie Sachbuch eingeordnet wird und bereits durch seine klare thematische Ausrichtung überzeugt. Der Zusatz Visionär und Despot ; Porträt einer Persönlichkeit schärft das Profil von Gustav Mahler und unterstützt die thematische Einordnung bereits auf den ersten Blick. Die Kurzbeschreibung von Gustav Mahler zeigt, welche Inhalte Leserinnen und Leser erwarten dürfen: Gustav Mahler thought of his symphonic writing as being based on personal experience, as autobiographical, and as an expression of his philosophy of life. Thus his symphonies deal with profound existential questions and with programmatic ideas that the composer was at first willing to reveal but later preferred to keep to himself. Important references to musical meaning in Mahler's symphonies can be found in numerous sources - sketches, drafts, autograph scores, and printers' proofs. These references take the form of programmatic titles, cues, and mottos, and include literary allusions, outcries of grief, and other emotional expressions; they demonstrate that his symphonies cannot be classified as absolute music but rather as music with personal, biographical, literary, and philosophical meanings. With this thesis in mind, Constantin Floros undertakes a precise and detailed exploration of each of Mahler's ten symphonies and Das Lied von der Erde, bringing to light for the first time various aspects of the works. Professor Floros examines their history and autobiographical origins and discusses the events that profoundly influenced the composer's symphonic writing. For example, Mahler's meeting with Alma Schindler (later to become Alma Mahler) in November 1901 and the tragic events of 1907 - the death of the composer's older daughter and the diagnosis of his heart trouble - profoundly changed Mahler's attitude toward life and subsequently his music. The compositional techniques employed by Mahler in each symphony are analyzed and related to stylistic and semantic aspects to decode the composer's symbolic musical language. The author is thus able to identify certain basic qualities of these works: tragic irony, the sense of the grotesque, and the affirmation of Mahler's belief both in life after death and in the power of love to transcend death. Understanding this language leads to a more profound understanding of Mahler the symphonist. Gustav Mahler: The Symphonies is the third book in Professor Floros' monumental study of Mahler, his spiritual world, and his position in relation to nineteenth-century symphonic writing in general. The first and second books have not yet been translated into English Die Ausgabe erschien am 1998 bei Arche und ist dem Verlagsstandort Zürich zugeordnet.

Einordnung nach Autor, Thema und Ausgabe

Für alle, die Bücher von Constantin Floros recherchieren oder vergleichen, ist Gustav Mahler eine relevante Ausgabe. Auch das Veröffentlichungsdatum 1998 macht Gustav Mahler für zeitlich eingegrenzte Suchen besonders interessant. Wer Literatur aus dem Bereich Sachbuch sucht, findet in Gustav Mahler einen gut klassifizierbaren Titel. Verlagsname und Verlagsort - Arche und Zürich - helfen dabei, die Ausgabe eindeutig zu identifizieren. Gustav Mahler liegt in Deutsch vor, was für die inhaltliche Nutzung ebenso wichtig ist wie für die bibliografische Suche.

Thematische Einordnung von Gustav Mahler

Gustav Mahler lässt sich inhaltlich innerhalb von Sachbuch verorten und wird in der Beschreibung wie folgt umrissen: Gustav Mahler thought of his symphonic writing as being based on personal experience, as autobiographical, and as an expression of his philosophy of life. Thus his symphonies deal with profound existential questions and with programmatic ideas that the composer was at first willing to reveal but later preferred to keep to himself. Important references to musical meaning in Mahler's symphonies can be found in numerous sources - sketches, drafts, autograph scores, and printers' proofs. These references take the form of programmatic titles, cues, and mottos, and include literary allusions, outcries of grief, and other emotional expressions; they demonstrate that his symphonies cannot be classified as absolute music but rather as music with personal, biographical, literary, and philosophical meanings. With this thesis in mind, Constantin Floros undertakes a precise and detailed exploration of each of Mahler's ten symphonies and Das Lied von der Erde, bringing to light for the first time various aspects of the works. Professor Floros examines their history and autobiographical origins and discusses the events that profoundly influenced the composer's symphonic writing. For example, Mahler's meeting with Alma Schindler (later to become Alma Mahler) in November 1901 and the tragic events of 1907 - the death of the composer's older daughter and the diagnosis of his heart trouble - profoundly changed Mahler's attitude toward life and subsequently his music. The compositional techniques employed by Mahler in each symphony are analyzed and related to stylistic and semantic aspects to decode the composer's symbolic musical language. The author is thus able to identify certain basic qualities of these works: tragic irony, the sense of the grotesque, and the affirmation of Mahler's belief both in life after death and in the power of love to transcend death. Understanding this language leads to a more profound understanding of Mahler the symphonist. Gustav Mahler: The Symphonies is the third book in Professor Floros' monumental study of Mahler, his spiritual world, and his position in relation to nineteenth-century symphonic writing in general. The first and second books have not yet been translated into English Ergänzend helfen die hinterlegten Schlagwörter dabei, Gustav Mahler thematisch schneller einzuordnen: Psychology, Symphonies, Symphonies (Mahler, Gustav)

Wichtige Kennzeichen dieser Ausgabe

Die verlegerische und zeitliche Einordnung wird durch Arche, Zürich und 1998 präzise ergänzt. Für weiterführende bibliografische Verknüpfungen sind die Kennungen OL940425W und OL124894M, OL4325933M besonders hilfreich.

Bibliografische Eckdaten dieser Ausgabe

1. Verfügbare Sprache dieser Ausgabe: Deutsch
2. Ort der Veröffentlichung: Zürich
3. Ergänzender Titelzusatz: Visionär und Despot ; Porträt einer Persönlichkeit
4. Verfasst von: Constantin Floros
5. Internationale Standardbuchnummer (ISBN-10): 3716039012
6. Kurzbeschreibung: Gustav Mahler thought of his symphonic writing as being based on personal experience, as autobiographical, and as an expression of his philosophy of life. Thus his symphonies deal with profound existential questions and with programmatic ideas that the composer was at first willing to reveal but later preferred to keep to himself. Important references to musical meaning in Mahler's symphonies can be found in numerous sources - sketches, drafts, autograph scores, and printers' proofs. These references take the form of programmatic titles, cues, and mottos, and include literary allusions, outcries of grief, and other emotional expressions; they demonstrate that his symphonies cannot be classified as absolute music but rather as music with personal, biographical, literary, and philosophical meanings. With this thesis in mind, Constantin Floros undertakes a precise and detailed exploration of each of Mahler's ten symphonies and Das Lied von der Erde, bringing to light for the first time various aspects of the works. Professor Floros examines their history and autobiographical origins and discusses the events that profoundly influenced the composer's symphonic writing. For example, Mahler's meeting with Alma Schindler (later to become Alma Mahler) in November 1901 and the tragic events of 1907 - the death of the composer's older daughter and the diagnosis of his heart trouble - profoundly changed Mahler's attitude toward life and subsequently his music. The compositional techniques employed by Mahler in each symphony are analyzed and related to stylistic and semantic aspects to decode the composer's symbolic musical language. The author is thus able to identify certain basic qualities of these works: tragic irony, the sense of the grotesque, and the affirmation of Mahler's belief both in life after death and in the power of love to transcend death. Understanding this language leads to a more profound understanding of Mahler the symphonist. Gustav Mahler: The Symphonies is the third book in Professor Floros' monumental study of Mahler, his spiritual world, and his position in relation to nineteenth-century symphonic writing in general. The first and second books have not yet been translated into English
7. Open-Library-Editions-IDs: OL124894M, OL4325933M
8. Verlag: Arche
9. Seitenzahl: 315
10. Veröffentlicht am: 1998
11. Primäre Kategorie: Sachbuch
12. Titel: Gustav Mahler
13. Schlagwörter: Psychology, Symphonies, Symphonies (Mahler, Gustav)
14. Externe Work-Referenz: OL940425W

Auffindbarkeit und bibliografische Präzision

Die Verbindung aus Gustav Mahler, Constantin Floros, Sachbuch und Psychology, Symphonies, Symphonies (Mahler, Gustav) schafft eine solide Grundlage für eine präzise thematische Suche.

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