Tschaikowsky für Cello | Inhalt, Autor und bibliografische Daten
05/07/2026
Lesedauer: 7 min
Tschaikowsky für Cello von Peter Ilich Tchaikovsky im Überblick mit Inhalt, Buchdaten und Einordnung. Ideal, um Relevanz, Ausgabe und Details schnell zu prüfen.
Alles Wichtige zu Tschaikowsky für Cello
Tschaikowsky für Cello von Peter Ilich Tchaikovsky ist ein Titel aus dem Bereich Sachbuch, der thematisch klar positioniert ist und für Leserinnen und Leser mit Interesse an diesem Fach- oder Themengebiet besonders relevant sein kann. Band III fungiert als präzisierende Ergänzung zu Tschaikowsky für Cello und macht die Zielsetzung des Buches schneller erfassbar. Inhaltlich lässt sich Tschaikowsky für Cello folgendermaßen zusammenfassen: Just before his sudden death, the reason for which will perhaps never be completely clear, Tchaikovsky received a last visit to his house in Klin on 6th and 7th October 1893 from the Russian cellists Julian Poplavsky and Anatol Brandukov. Like so many other cellists, they had previously urged him to write a concert for the cello. Indeed, Tchaikovsky had already started to write some preliminary sketches, which were later found in a particle of the 6th Symphony. On 28th October Tchaikovsky conducted the world premier of his new Symphony in St. Petersburg, and died on 6th November, officially from Cholera. So the dream of the cellists was never realized. The Romances and the Meditation, which are edited in this volume, were originally written for piano. Because of their cantabile character, they are especially suited to the cello and give us a good idea about the character of the slow movement of a hypothetical Tchaikovsky cello concerto. This at least was the feeling of Gaspar Cassado, when he composed a concerto in the style of, and using works by, Tchaikovsky, especially by the use of the Meditation for the second movement. - David Geringas, on flyleaf Bibliografisch ist Tschaikowsky für Cello mit dem Erscheinungsdatum 1998, dem Verlag D. Rahter und dem Ort Hamburg erfasst.
Was diese Ausgabe besonders interessant macht
Tschaikowsky für Cello liegt in Deutsch vor, was für die inhaltliche Nutzung ebenso wichtig ist wie für die bibliografische Suche. Gerade wer nach Werken von Peter Ilich Tchaikovsky sucht, sollte Tschaikowsky für Cello näher betrachten. Wer Literatur aus dem Bereich Sachbuch sucht, findet in Tschaikowsky für Cello einen gut klassifizierbaren Titel. Die Angaben zu D. Rahter und Hamburg stärken die bibliografische Präzision des Eintrags. Mit dem Erscheinungszeitpunkt 1998 lässt sich Tschaikowsky für Cello sauber in einen bibliografischen Kontext einordnen.
Was behandelt Tschaikowsky für Cello?
Wer wissen möchte, worauf Tschaikowsky für Cello inhaltlich abzielt, findet in dieser Zusammenfassung einen ersten Ansatzpunkt: Just before his sudden death, the reason for which will perhaps never be completely clear, Tchaikovsky received a last visit to his house in Klin on 6th and 7th October 1893 from the Russian cellists Julian Poplavsky and Anatol Brandukov. Like so many other cellists, they had previously urged him to write a concert for the cello. Indeed, Tchaikovsky had already started to write some preliminary sketches, which were later found in a particle of the 6th Symphony. On 28th October Tchaikovsky conducted the world premier of his new Symphony in St. Petersburg, and died on 6th November, officially from Cholera. So the dream of the cellists was never realized. The Romances and the Meditation, which are edited in this volume, were originally written for piano. Because of their cantabile character, they are especially suited to the cello and give us a good idea about the character of the slow movement of a hypothetical Tchaikovsky cello concerto. This at least was the feeling of Gaspar Cassado, when he composed a concerto in the style of, and using works by, Tchaikovsky, especially by the use of the Meditation for the second movement. - David Geringas, on flyleaf Aus dem Inhaltsverzeichnis ergeben sich die zentralen Themenfelder und Ordnungspunkte: Romance g-moll / G minor op. 5 (original f-moll / F minor) | Meditation op. 72/5 (1893) | Romanze op. 51/5 (1882) Seitenzahl und Ausgabeform - 1 Seiten im Format pocket - liefern zusätzliche Orientierung für Kauf- und Rechercheentscheidungen. Zusätzliche Beiträge oder editorische Beteiligungen werden unter David Geringas (Editor) geführt.
ISBN, Revision und weitere Referenzdaten
Die verlegerische und zeitliche Einordnung wird durch D. Rahter, Hamburg und 1998 präzise ergänzt. Die Open-Library-Zuordnung über OL17199946W und OL25771625M verbessert die externe Nachvollziehbarkeit des Werkes.
Wichtige Buchdaten im Überblick
- Primäre Kategorie: Sachbuch
- Titel: Tschaikowsky für Cello
- Untertitel: Band III
- Umfang: 1 Seiten
- Open-Library-Editions-IDs: OL25771625M
- Weitere Beteiligte: David Geringas (Editor)
- Inhaltliche Kurzcharakteristik: Just before his sudden death, the reason for which will perhaps never be completely clear, Tchaikovsky received a last visit to his house in Klin on 6th and 7th October 1893 from the Russian cellists Julian Poplavsky and Anatol Brandukov. Like so many other cellists, they had previously urged him to write a concert for the cello. Indeed, Tchaikovsky had already started to write some preliminary sketches, which were later found in a particle of the 6th Symphony. On 28th October Tchaikovsky conducted the world premier of his new Symphony in St. Petersburg, and died on 6th November, officially from Cholera. So the dream of the cellists was never realized. The Romances and the Meditation, which are edited in this volume, were originally written for piano. Because of their cantabile character, they are especially suited to the cello and give us a good idea about the character of the slow movement of a hypothetical Tchaikovsky cello concerto. This at least was the feeling of Gaspar Cassado, when he composed a concerto in the style of, and using works by, Tchaikovsky, especially by the use of the Meditation for the second movement. - David Geringas, on flyleaf
- Autor beziehungsweise Autoren: Peter Ilich Tchaikovsky
- Verzeichnetes Inhaltsverzeichnis: Romance g-moll / G minor op. 5 (original f-moll / F minor) | Meditation op. 72/5 (1893) | Romanze op. 51/5 (1882)
- Verlagsort: Hamburg
- ISBN-13: 9790221100542
- Verlag: D. Rahter
- Veröffentlicht am: 1998
- Abmessungen: 31 x x cm
- Ausgabeform: pocket
- Sprache: Deutsch
- Externe Work-Referenz: OL17199946W
Häufige Fragen zu Tschaikowsky für Cello
Gibt es eine inhaltliche Zusammenfassung?
Ja, die Beschreibung fasst die Ausrichtung des Buches so zusammen: Just before his sudden death, the reason for which will perhaps never be completely clear, Tchaikovsky received a last visit to his house in Klin on 6th and 7th October 1893 from the Russian cellists Julian Poplavsky and Anatol Brandukov. Like so many other cellists, they had previously urged him to write a concert for the cello. Indeed, Tchaikovsky had already started to write some preliminary sketches, which were later found in a particle of the 6th Symphony. On 28th October Tchaikovsky conducted the world premier of his new Symphony in St. Petersburg, and died on 6th November, officially from Cholera. So the dream of the cellists was never realized. The Romances and the Meditation, which are edited in this volume, were originally written for piano. Because of their cantabile character, they are especially suited to the cello and give us a good idea about the character of the slow movement of a hypothetical Tchaikovsky cello concerto. This at least was the feeling of Gaspar Cassado, when he composed a concerto in the style of, and using works by, Tchaikovsky, especially by the use of the Meditation for the second movement. - David Geringas, on flyleaf
Welche Rolle spielt der Untertitel von Tschaikowsky für Cello?
Der Untertitel Band III präzisiert die thematische Stoßrichtung des Buches und ergänzt den Haupttitel sinnvoll.
Gibt es Informationen zum Inhaltsverzeichnis?
Ja, folgende Inhaltsübersicht ist hinterlegt: Romance g-moll / G minor op. 5 (original f-moll / F minor) | Meditation op. 72/5 (1893) | Romanze op. 51/5 (1882)
Wann und wo wurde die Ausgabe veröffentlicht?
Die Ausgabe erschien am 1998 bei D. Rahter und ist dem Veröffentlichungsort Hamburg zugeordnet.
Externe Links
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