Teufel in Blau von Walter Mosley - Informationen zur Ausgabe
Mit Teufel in Blau liegt ein Buch von Walter Mosley vor, das der Kategorie Krimi zugeordnet wird und sich für alle eignet, die gezielt nach Literatur mit diesem Schwerpunkt suchen. Der Untertitel Roman ergänzt den Haupttitel Teufel in Blau sinnvoll und gibt bereits früh einen konkreten Hinweis auf die inhaltliche Ausrichtung des Buches. Inhaltlich lässt sich Teufel in Blau folgendermaßen zusammenfassen: Walter Mosley's Easy Rawlins has few illusions about the world--at least not about the world of a young black veteran in the late 1940s in Southern California. His stint in the Army didn't do anything to dissuade him from his belief that justice doesn't come cheap, especially for men like him. "I thought there might be some justice for a black man if he had money to grease it," Easy says. Fired from his job on the line at an aircraft plant, he's in danger of losing his home, symbol of his tenuous hold on middle class status. That's a good enough reason to accept a white man's offer to pay him for finding a beautiful, mysterious Frenchwoman named Daphne Monet, last seen in the company of a well-known gangster. Easy's search takes the reader to an L.A. few writers have shown us before--the mean streets of South Central, the after-hours joints in dirty basement clubs, the cheap hotels and furnished rooms, the places people go when they don't want to be found. Evocative of a past time, and told in a style that's reminiscent of Hammet and Chandler, yet uniquely his own, Mosley's depiction of an inherently decent man in a violent world of intrigue and corruption rang up big sales when it was published in 1990 (although the movie version, with Denzel Washington as Easy, never found the audience it deserved). The minor characters are deftly and brilliantly developed, especially Mouse, who saves Easy's life even as he draws him deeper into the mystery of Daphne Monet. Like many of Mosley's characters, Mouse makes a return appearance in the succeeding Easy Rawlins mysteries, such as A Red Death, Black Betty, and White Butterfly, every one of which is as good as Devil in a Blue Dress, his first. --Jane Adams --This text refers to an out of print or unavailable edition of this title Die Ausgabe erschien am 1995 bei Goldmann und ist dem Verlagsstandort München zugeordnet.
Was diese Ausgabe besonders interessant macht
Wer Literatur aus dem Bereich Krimi sucht, findet in Teufel in Blau einen gut klassifizierbaren Titel. Teufel in Blau liegt in Deutsch vor, was für die inhaltliche Nutzung ebenso wichtig ist wie für die bibliografische Suche. Gerade wer nach Werken von Walter Mosley sucht, sollte Teufel in Blau näher betrachten. Für Recherchen nach Veröffentlichungszeitraum ist Teufel in Blau mit dem Datum 1995 eindeutig zuordenbar. Der Verlag Goldmann und der Verlagsort München liefern zusätzliche Orientierung bei der Einordnung dieser Ausgabe.
Inhalt und thematische Schwerpunkte
Teufel in Blau lässt sich inhaltlich innerhalb von Krimi verorten und wird in der Beschreibung wie folgt umrissen: Walter Mosley's Easy Rawlins has few illusions about the world--at least not about the world of a young black veteran in the late 1940s in Southern California. His stint in the Army didn't do anything to dissuade him from his belief that justice doesn't come cheap, especially for men like him. "I thought there might be some justice for a black man if he had money to grease it," Easy says. Fired from his job on the line at an aircraft plant, he's in danger of losing his home, symbol of his tenuous hold on middle class status. That's a good enough reason to accept a white man's offer to pay him for finding a beautiful, mysterious Frenchwoman named Daphne Monet, last seen in the company of a well-known gangster. Easy's search takes the reader to an L.A. few writers have shown us before--the mean streets of South Central, the after-hours joints in dirty basement clubs, the cheap hotels and furnished rooms, the places people go when they don't want to be found. Evocative of a past time, and told in a style that's reminiscent of Hammet and Chandler, yet uniquely his own, Mosley's depiction of an inherently decent man in a violent world of intrigue and corruption rang up big sales when it was published in 1990 (although the movie version, with Denzel Washington as Easy, never found the audience it deserved). The minor characters are deftly and brilliantly developed, especially Mouse, who saves Easy's life even as he draws him deeper into the mystery of Daphne Monet. Like many of Mosley's characters, Mouse makes a return appearance in the succeeding Easy Rawlins mysteries, such as A Red Death, Black Betty, and White Butterfly, every one of which is as good as Devil in a Blue Dress, his first. --Jane Adams --This text refers to an out of print or unavailable edition of this title Für die thematische Suche und semantische Zuordnung sind insbesondere diese Tags relevant: Fiction, Ficción, American literature, Fiction, mystery & detective, general, Large type books, Mystery, California, fiction, Novela policíaca, Detective, Los angeles (calif.), fiction, Private investigators, African americans, fiction, Mystery and detective stories, Kriminalfall, Investigadores privados, Novela de misterio, Schwarze, California, African American men, Fiction, african american & black, mystery & detective, Rawlins, easy (fictitious character), fiction, Easy Rawlins (Fictitious character), Rawlins, Easy (Personaje literario), Hombres afronorteamericanos
Wichtige Kennzeichen dieser Ausgabe
Verlag, Ort und Datum - Goldmann, München und 1995 - bilden zusammen einen wichtigen bibliografischen Kern dieses Datensatzes. Für die eindeutige Identifikation der Ausgabe sind sowohl die ISBN-10 3442428238 als auch die ISBN-13 9783442428236 hinterlegt. Die Open-Library-Zuordnung über OL115528W und OL35616147M verbessert die externe Nachvollziehbarkeit des Werkes.
Bibliografische Daten auf einen Blick
Open-Library-Editions-IDs: OL35616147M
Inhaltliche Kurzcharakteristik: Walter Mosley's Easy Rawlins has few illusions about the world--at least not about the world of a young black veteran in the late 1940s in Southern California. His stint in the Army didn't do anything to dissuade him from his belief that justice doesn't come cheap, especially for men like him. "I thought there might be some justice for a black man if he had money to grease it," Easy says. Fired from his job on the line at an aircraft plant, he's in danger of losing his home, symbol of his tenuous hold on middle class status. That's a good enough reason to accept a white man's offer to pay him for finding a beautiful, mysterious Frenchwoman named Daphne Monet, last seen in the company of a well-known gangster. Easy's search takes the reader to an L.A. few writers have shown us before--the mean streets of South Central, the after-hours joints in dirty basement clubs, the cheap hotels and furnished rooms, the places people go when they don't want to be found. Evocative of a past time, and told in a style that's reminiscent of Hammet and Chandler, yet uniquely his own, Mosley's depiction of an inherently decent man in a violent world of intrigue and corruption rang up big sales when it was published in 1990 (although the movie version, with Denzel Washington as Easy, never found the audience it deserved). The minor characters are deftly and brilliantly developed, especially Mouse, who saves Easy's life even as he draws him deeper into the mystery of Daphne Monet. Like many of Mosley's characters, Mouse makes a return appearance in the succeeding Easy Rawlins mysteries, such as A Red Death, Black Betty, and White Butterfly, every one of which is as good as Devil in a Blue Dress, his first. --Jane Adams --This text refers to an out of print or unavailable edition of this title
Schlagwörter: Fiction, Ficción, American literature, Fiction, mystery & detective, general, Large type books, Mystery, California, fiction, Novela policíaca, Detective, Los angeles (calif.), fiction, Private investigators, African americans, fiction, Mystery and detective stories, Kriminalfall, Investigadores privados, Novela de misterio, Schwarze, California, African American men, Fiction, african american & black, mystery & detective, Rawlins, easy (fictitious character), fiction, Easy Rawlins (Fictitious character), Rawlins, Easy (Personaje literario), Hombres afronorteamericanos
Durch die Kombination aus Titel, Autorenschaft, Kategorie und Schlagwörtern - also Teufel in Blau, Walter Mosley, Krimi und Fiction, Ficción, American literature, Fiction, mystery & detective, general, Large type books, Mystery, California, fiction, Novela policíaca, Detective, Los angeles (calif.), fiction, Private investigators, African americans, fiction, Mystery and detective stories, Kriminalfall, Investigadores privados, Novela de misterio, Schwarze, California, African American men, Fiction, african american & black, mystery & detective, Rawlins, easy (fictitious character), fiction, Easy Rawlins (Fictitious character), Rawlins, Easy (Personaje literario), Hombres afronorteamericanos - ist der Datensatz sowohl für Suchmaschinen als auch für Nutzerinnen und Nutzer sehr gut interpretierbar. Eindeutige Referenzdaten wie 3442428238, 9783442428236 und OL115528W verbessern die bibliografische Verlässlichkeit zusätzlich.
FAQ zu Teufel in Blau
Wie ist die Ausgabe verlegerisch einzuordnen?
Bibliografisch wird die Ausgabe über Goldmann, München und das Datum 1995 beschrieben.
Gibt es externe Referenzdaten für das Werk?
Ja, das Werk ist über die Open-Library-Work-ID OL115528W sowie die Editions-IDs OL35616147M referenzierbar.
Wer sollte sich für Teufel in Blau interessieren?
Besonders relevant ist Teufel in Blau für Leserinnen und Leser, die nach Literatur aus dem Bereich Krimi suchen oder gezielt Veröffentlichungen von Walter Mosley betrachten möchten.
Welche Inhalte beschreibt die Kurzbeschreibung?
Die vorhandene Beschreibung lautet: Walter Mosley's Easy Rawlins has few illusions about the world--at least not about the world of a young black veteran in the late 1940s in Southern California. His stint in the Army didn't do anything to dissuade him from his belief that justice doesn't come cheap, especially for men like him. "I thought there might be some justice for a black man if he had money to grease it," Easy says. Fired from his job on the line at an aircraft plant, he's in danger of losing his home, symbol of his tenuous hold on middle class status. That's a good enough reason to accept a white man's offer to pay him for finding a beautiful, mysterious Frenchwoman named Daphne Monet, last seen in the company of a well-known gangster. Easy's search takes the reader to an L.A. few writers have shown us before--the mean streets of South Central, the after-hours joints in dirty basement clubs, the cheap hotels and furnished rooms, the places people go when they don't want to be found. Evocative of a past time, and told in a style that's reminiscent of Hammet and Chandler, yet uniquely his own, Mosley's depiction of an inherently decent man in a violent world of intrigue and corruption rang up big sales when it was published in 1990 (although the movie version, with Denzel Washington as Easy, never found the audience it deserved). The minor characters are deftly and brilliantly developed, especially Mouse, who saves Easy's life even as he draws him deeper into the mystery of Daphne Monet. Like many of Mosley's characters, Mouse makes a return appearance in the succeeding Easy Rawlins mysteries, such as A Red Death, Black Betty, and White Butterfly, every one of which is as good as Devil in a Blue Dress, his first. --Jane Adams --This text refers to an out of print or unavailable edition of this title
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