Monika Marons autobiografische Fiktion | ISBN, Verlag und Beschreibung

Monika Marons autobiografische Fiktion von Alma Christova - Informationen zur Ausgabe

Monika Marons autobiografische Fiktion ist ein Werk von Alma Christova, das innerhalb der Kategorie Sachbuch eingeordnet wird und bereits durch seine klare thematische Ausrichtung überzeugt. Der Zusatz Leben und Schreiben auf Dem Deutsch-Deutschen Bindestrich schärft das Profil von Monika Marons autobiografische Fiktion und unterstützt die thematische Einordnung bereits auf den ersten Blick. Die vorhandene Beschreibung macht deutlich, worauf Monika Marons autobiografische Fiktion den Fokus legt: Monika Maron's debut Flugasche was censored in the German Democratic Republic and was published 1981 in West Germany instead. With Maron's decision to stay in the capital of her communist homeland she became a German-German author "living and writing on the hyphen of the Berlin Wall". This dissertation takes a novel approach to Maron's Pawels Briefe, Flugasche, and Stille Zeile Sechs by interpreting them as "autobiographical fiction on the German-German hyphen". It situates these texts on the border between autobiography and fiction, or the "documentary" and the fictional; within the discourse of memory; and within German-German discourse both before and after the Unification in 1990. Beyond this the dissertation focuses on the retrospective character of Maron's narratives and her participation in re-negotiating cultural memory in unified Germany after the fall of the Berlin Wall. Maron's hyphenated position in this "third space" accentuates the crossroad between East and West, between capitalism and communism, where many German bi-cultural "comings to terms with the past" are accumulated and many dualities become apparent: the schizophrenia between public and private, the identity crisis in real socialism, the internal conflict between victim and perpetrator, the tension between post-memory and "real" memory, the generation conflict, etc. Through close readings of Maron's texts in a reverse chronological order starting with the explicitly autobiographical Pawels Briefe (1999), the thesis offers intertextual readings of Maron's earlier fictional works, where the term autobiographical fiction serves to highlight biographical aspects and textual strategies that come into view only when read through the autobiographical lens provided by Pawels Briefe.The theoretical matrix includes: the concept of post-memory developed by Marianne Hirsch; theories of autobiographical writing developed by Azade Seyhan; and Philippe Lejeune's theory of the autobiographical pact between the writer and the reader. This triad of approaches can further capture a quality of Maron's "life-writing on the hyphen" that goes beyond its German context to participate in what Seyhan calls 'diasporic writing', sharing its new poetics of memory with other authors of the world displaced in different ways in the new Millennium, but never losing sight of a most turbulent 20th century Die Ausgabe erschien am 2005 bei und ist dem Verlagsstandort onc zugeordnet.

Relevante Merkmale auf einen Blick

Für alle, die Bücher von Alma Christova recherchieren oder vergleichen, ist Monika Marons autobiografische Fiktion eine relevante Ausgabe. Das hinterlegte Publikationsdatum 2005 unterstützt dabei, Monika Marons autobiografische Fiktion zeitlich korrekt zu klassifizieren. Die Ausgabe ist in Deutsch verfügbar und damit gezielt für Leserinnen und Leser mit entsprechender Sprachpräferenz interessant. Innerhalb von Sachbuch bietet Monika Marons autobiografische Fiktion eine klar erkennbare thematische Zuordnung. Mit in onc ist die verlegerische Zuordnung der Ausgabe klar nachvollziehbar.

Inhalte, Themen und Relevanz

Wer wissen möchte, worauf Monika Marons autobiografische Fiktion inhaltlich abzielt, findet in dieser Zusammenfassung einen ersten Ansatzpunkt: Monika Maron's debut Flugasche was censored in the German Democratic Republic and was published 1981 in West Germany instead. With Maron's decision to stay in the capital of her communist homeland she became a German-German author "living and writing on the hyphen of the Berlin Wall". This dissertation takes a novel approach to Maron's Pawels Briefe, Flugasche, and Stille Zeile Sechs by interpreting them as "autobiographical fiction on the German-German hyphen". It situates these texts on the border between autobiography and fiction, or the "documentary" and the fictional; within the discourse of memory; and within German-German discourse both before and after the Unification in 1990. Beyond this the dissertation focuses on the retrospective character of Maron's narratives and her participation in re-negotiating cultural memory in unified Germany after the fall of the Berlin Wall. Maron's hyphenated position in this "third space" accentuates the crossroad between East and West, between capitalism and communism, where many German bi-cultural "comings to terms with the past" are accumulated and many dualities become apparent: the schizophrenia between public and private, the identity crisis in real socialism, the internal conflict between victim and perpetrator, the tension between post-memory and "real" memory, the generation conflict, etc. Through close readings of Maron's texts in a reverse chronological order starting with the explicitly autobiographical Pawels Briefe (1999), the thesis offers intertextual readings of Maron's earlier fictional works, where the term autobiographical fiction serves to highlight biographical aspects and textual strategies that come into view only when read through the autobiographical lens provided by Pawels Briefe.The theoretical matrix includes: the concept of post-memory developed by Marianne Hirsch; theories of autobiographical writing developed by Azade Seyhan; and Philippe Lejeune's theory of the autobiographical pact between the writer and the reader. This triad of approaches can further capture a quality of Maron's "life-writing on the hyphen" that goes beyond its German context to participate in what Seyhan calls 'diasporic writing', sharing its new poetics of memory with other authors of the world displaced in different ways in the new Millennium, but never losing sight of a most turbulent 20th century

ISBN, Revision und weitere Referenzdaten

Im Open-Library-Kontext ist das Werk über OL12776794W sowie die Editionszuordnungen OL19475085M referenzierbar. Durch die Kombination aus , onc und 2005 lässt sich die Ausgabe sauber verorten.

Bibliografische Daten auf einen Blick

1. Internationale Standardbuchnummer (ISBN-10): 0494027878
2. Open-Library-Work-ID: OL12776794W
3. Externe Editionsreferenzen: OL19475085M
4. Sprache: Deutsch
5. Seitenzahl: 276
6. Titel: Monika Marons autobiografische Fiktion
7. Autor beziehungsweise Autoren: Alma Christova
8. Erscheinungsdatum: 2005
9. Inhaltliche Kurzcharakteristik: Monika Maron's debut Flugasche was censored in the German Democratic Republic and was published 1981 in West Germany instead. With Maron's decision to stay in the capital of her communist homeland she became a German-German author "living and writing on the hyphen of the Berlin Wall". This dissertation takes a novel approach to Maron's Pawels Briefe, Flugasche, and Stille Zeile Sechs by interpreting them as "autobiographical fiction on the German-German hyphen". It situates these texts on the border between autobiography and fiction, or the "documentary" and the fictional; within the discourse of memory; and within German-German discourse both before and after the Unification in 1990. Beyond this the dissertation focuses on the retrospective character of Maron's narratives and her participation in re-negotiating cultural memory in unified Germany after the fall of the Berlin Wall. Maron's hyphenated position in this "third space" accentuates the crossroad between East and West, between capitalism and communism, where many German bi-cultural "comings to terms with the past" are accumulated and many dualities become apparent: the schizophrenia between public and private, the identity crisis in real socialism, the internal conflict between victim and perpetrator, the tension between post-memory and "real" memory, the generation conflict, etc. Through close readings of Maron's texts in a reverse chronological order starting with the explicitly autobiographical Pawels Briefe (1999), the thesis offers intertextual readings of Maron's earlier fictional works, where the term autobiographical fiction serves to highlight biographical aspects and textual strategies that come into view only when read through the autobiographical lens provided by Pawels Briefe.The theoretical matrix includes: the concept of post-memory developed by Marianne Hirsch; theories of autobiographical writing developed by Azade Seyhan; and Philippe Lejeune's theory of the autobiographical pact between the writer and the reader. This triad of approaches can further capture a quality of Maron's "life-writing on the hyphen" that goes beyond its German context to participate in what Seyhan calls 'diasporic writing', sharing its new poetics of memory with other authors of the world displaced in different ways in the new Millennium, but never losing sight of a most turbulent 20th century
10. Thematische Hauptkategorie: Sachbuch
11. Untertitel: Leben und Schreiben auf Dem Deutsch-Deutschen Bindestrich
12. Verlagsort: onc
13. Verlag:

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