CROSSTOWN Books

Konservierungswissenschaft schreibt Geschichte - Inhalt, Kategorie und bibliografische Infos

23/06/2026

Lesedauer: 13 min

Konservierungswissenschaft schreibt Geschichte von Elisabeth Krack im Überblick mit Inhalt, Buchdaten und Einordnung. Klicke für klare Fakten statt vager Kurztexte.

Konservierungswissenschaft schreibt Geschichte - Inhalt, Kategorie und bibliografische Infos

Konservierungswissenschaft schreibt Geschichte im Überblick

Mit Konservierungswissenschaft schreibt Geschichte liegt ein Buch von Elisabeth Krack vor, das der Kategorie Sachbuch zugeordnet wird und sich für alle eignet, die gezielt nach Literatur mit diesem Schwerpunkt suchen. Konservierungswissenschaft schreibt Geschichte wird in der Beschreibung wie folgt charakterisiert: An overview of the academic courses of study and vocational trainings offered in the conservation and restoration of objects of decorative arts and metal in German-speaking countries points to a lack of continuity and identity. This is due to the fact that this field is a relatively young one and many universities have only offered degree courses since the 1990s. In Austria there are two Universities, the "Akademie der bildenden Künste" and the "Universität für angewandte Kunst". Both are located in Vienna and have a old-established academic experience. The long tradition particular to the field of restoration of objects of decorative arts at the University of Applied Arts Vienna is exceptionally. Early conservation and preservation research and restoration work started in the late 19th century. This is a distinctive feature, as other institutions with a similarly long history put their focus on the restoration of paintings and painting technique research instead. The "Kunstgewerbemuseum", todays Museum of Applied Arts Vienna, was founded 1863. In 1868 the school called "Kunstgewerbeschule" was attached. It is famous for its leading design-position during art nouveau an developed into todays University of Applied Arts Vienna. Both stood in close contact with the "K.K. Centralcommission". This historic preservation agency, established in 1850, concentrated in the preservation of monuments and historic buildings of the large Habsburg Empire. During the 19th century new emerging ideas of conservation where well known at "Kunstgewerbeschule" and "Kunstgewerbemuseum". Teaching staff at the school made in their annual reports notes of early restoration. But they did it as an additional business and therefore more detailed information is not given. Women in the studios for enamelwork (Adele von Stark) and the studio for textile work (Rosalia Rothansl) were about 1900 pioneers in field of object conservation. The first official class for conservation existed 1902 - 1910, named "Atelier für Kunstweberei und Restaurierung". A lot of information about the astonishing mordern ethics and methods in Conservation at that time can be extracted from two conferences that took place in Vienna: The First Arthistorical Congress in 1873 and the Enquete about Conservation of Art in 1904. Curators of the Museum of applied Arts and to a certain extent teaching staff of the "Kunstgewerbeschule" were involved with organisation and speeches. A new era for the conservation at University of Applied Arts Vienna started after World War Two. Otto Nedbal, a conservator experienced in metal crafts, was appointed at the university. He at first assumed the existing class for enamelwork. In 1964 he founded a new master class for restoration of metals and objects of enamel. But the content of teaching and the requirements for diploma thesis changed significant during the following forty years and this class evolved into today's Institute for Conservation and Restoration. The specialization of painting conservation was established by Nedbals successor Hubert Dietrich in 1980. In the course of a reorganization of the university in 2000 and the appointment of Gabriela Krist as head of the new conservation department, the new specializations of conservation of stone and textile were arranged Bibliografisch ist Konservierungswissenschaft schreibt Geschichte mit dem Erscheinungsdatum 2012, dem Verlag Böhlau und dem Ort xx erfasst.

Relevante Merkmale auf einen Blick

Wer Literatur aus dem Bereich Sachbuch sucht, findet in Konservierungswissenschaft schreibt Geschichte einen gut klassifizierbaren Titel. Mit der Sprache Deutsch lässt sich Konservierungswissenschaft schreibt Geschichte auch im internationalen oder mehrsprachigen Kontext präzise filtern. Konservierungswissenschaft schreibt Geschichte ist besonders für Leserinnen und Leser interessant, die sich gezielt mit Veröffentlichungen von Elisabeth Krack beschäftigen möchten. Auch das Veröffentlichungsdatum 2012 macht Konservierungswissenschaft schreibt Geschichte für zeitlich eingegrenzte Suchen besonders interessant. Der Verlag Böhlau und der Verlagsort xx liefern zusätzliche Orientierung bei der Einordnung dieser Ausgabe.

Inhalt und thematische Schwerpunkte

Konservierungswissenschaft schreibt Geschichte lässt sich inhaltlich innerhalb von Sachbuch verorten und wird in der Beschreibung wie folgt umrissen: An overview of the academic courses of study and vocational trainings offered in the conservation and restoration of objects of decorative arts and metal in German-speaking countries points to a lack of continuity and identity. This is due to the fact that this field is a relatively young one and many universities have only offered degree courses since the 1990s. In Austria there are two Universities, the "Akademie der bildenden Künste" and the "Universität für angewandte Kunst". Both are located in Vienna and have a old-established academic experience. The long tradition particular to the field of restoration of objects of decorative arts at the University of Applied Arts Vienna is exceptionally. Early conservation and preservation research and restoration work started in the late 19th century. This is a distinctive feature, as other institutions with a similarly long history put their focus on the restoration of paintings and painting technique research instead. The "Kunstgewerbemuseum", todays Museum of Applied Arts Vienna, was founded 1863. In 1868 the school called "Kunstgewerbeschule" was attached. It is famous for its leading design-position during art nouveau an developed into todays University of Applied Arts Vienna. Both stood in close contact with the "K.K. Centralcommission". This historic preservation agency, established in 1850, concentrated in the preservation of monuments and historic buildings of the large Habsburg Empire. During the 19th century new emerging ideas of conservation where well known at "Kunstgewerbeschule" and "Kunstgewerbemuseum". Teaching staff at the school made in their annual reports notes of early restoration. But they did it as an additional business and therefore more detailed information is not given. Women in the studios for enamelwork (Adele von Stark) and the studio for textile work (Rosalia Rothansl) were about 1900 pioneers in field of object conservation. The first official class for conservation existed 1902 - 1910, named "Atelier für Kunstweberei und Restaurierung". A lot of information about the astonishing mordern ethics and methods in Conservation at that time can be extracted from two conferences that took place in Vienna: The First Arthistorical Congress in 1873 and the Enquete about Conservation of Art in 1904. Curators of the Museum of applied Arts and to a certain extent teaching staff of the "Kunstgewerbeschule" were involved with organisation and speeches. A new era for the conservation at University of Applied Arts Vienna started after World War Two. Otto Nedbal, a conservator experienced in metal crafts, was appointed at the university. He at first assumed the existing class for enamelwork. In 1964 he founded a new master class for restoration of metals and objects of enamel. But the content of teaching and the requirements for diploma thesis changed significant during the following forty years and this class evolved into today's Institute for Conservation and Restoration. The specialization of painting conservation was established by Nedbals successor Hubert Dietrich in 1980. In the course of a reorganization of the university in 2000 and the appointment of Gabriela Krist as head of the new conservation department, the new specializations of conservation of stone and textile were arranged Über die Schlagwörter Art, Antiquities, Art objects, Conservation and restoration, Collection and preservation, Historic preservation, Universität für Angewandte Kunst Wien, Museum conservation methods, Universität für Angewandte Kunst Wien. Institut für Konservierung und Restaurierung lässt sich Konservierungswissenschaft schreibt Geschichte auch in größeren Beständen gezielt auffinden.

Wichtige Kennzeichen dieser Ausgabe

Für weiterführende bibliografische Verknüpfungen sind die Kennungen OL20933593W und OL28360683M besonders hilfreich. Die verlegerische und zeitliche Einordnung wird durch Böhlau, xx und 2012 präzise ergänzt.

Die zentralen Metadaten zu Konservierungswissenschaft schreibt Geschichte

  1. Verfügbare Sprache dieser Ausgabe: Deutsch
  2. Kurzbeschreibung: An overview of the academic courses of study and vocational trainings offered in the conservation and restoration of objects of decorative arts and metal in German-speaking countries points to a lack of continuity and identity. This is due to the fact that this field is a relatively young one and many universities have only offered degree courses since the 1990s. In Austria there are two Universities, the "Akademie der bildenden Künste" and the "Universität für angewandte Kunst". Both are located in Vienna and have a old-established academic experience. The long tradition particular to the field of restoration of objects of decorative arts at the University of Applied Arts Vienna is exceptionally. Early conservation and preservation research and restoration work started in the late 19th century. This is a distinctive feature, as other institutions with a similarly long history put their focus on the restoration of paintings and painting technique research instead. The "Kunstgewerbemuseum", todays Museum of Applied Arts Vienna, was founded 1863. In 1868 the school called "Kunstgewerbeschule" was attached. It is famous for its leading design-position during art nouveau an developed into todays University of Applied Arts Vienna. Both stood in close contact with the "K.K. Centralcommission". This historic preservation agency, established in 1850, concentrated in the preservation of monuments and historic buildings of the large Habsburg Empire. During the 19th century new emerging ideas of conservation where well known at "Kunstgewerbeschule" and "Kunstgewerbemuseum". Teaching staff at the school made in their annual reports notes of early restoration. But they did it as an additional business and therefore more detailed information is not given. Women in the studios for enamelwork (Adele von Stark) and the studio for textile work (Rosalia Rothansl) were about 1900 pioneers in field of object conservation. The first official class for conservation existed 1902 - 1910, named "Atelier für Kunstweberei und Restaurierung". A lot of information about the astonishing mordern ethics and methods in Conservation at that time can be extracted from two conferences that took place in Vienna: The First Arthistorical Congress in 1873 and the Enquete about Conservation of Art in 1904. Curators of the Museum of applied Arts and to a certain extent teaching staff of the "Kunstgewerbeschule" were involved with organisation and speeches. A new era for the conservation at University of Applied Arts Vienna started after World War Two. Otto Nedbal, a conservator experienced in metal crafts, was appointed at the university. He at first assumed the existing class for enamelwork. In 1964 he founded a new master class for restoration of metals and objects of enamel. But the content of teaching and the requirements for diploma thesis changed significant during the following forty years and this class evolved into today's Institute for Conservation and Restoration. The specialization of painting conservation was established by Nedbals successor Hubert Dietrich in 1980. In the course of a reorganization of the university in 2000 and the appointment of Gabriela Krist as head of the new conservation department, the new specializations of conservation of stone and textile were arranged
  3. Externe Editionsreferenzen: OL28360683M
  4. Open-Library-Work-ID: OL20933593W
  5. Thematische Tags: Art, Antiquities, Art objects, Conservation and restoration, Collection and preservation, Historic preservation, Universität für Angewandte Kunst Wien, Museum conservation methods, Universität für Angewandte Kunst Wien. Institut für Konservierung und Restaurierung
  6. ISBN-13: 9783205788591
  7. Ort der Veröffentlichung: xx
  8. Titel: Konservierungswissenschaft schreibt Geschichte
  9. Autor beziehungsweise Autoren: Elisabeth Krack
  10. Verlag: Böhlau
  11. Primäre Kategorie: Sachbuch
  12. Veröffentlicht am: 2012
  13. Umfang: 257 Seiten

Auffindbarkeit und bibliografische Präzision

Konservierungswissenschaft schreibt Geschichte profitiert für die Auffindbarkeit besonders von der Verbindung zwischen Elisabeth Krack, Sachbuch und den Tags Art, Antiquities, Art objects, Conservation and restoration, Collection and preservation, Historic preservation, Universität für Angewandte Kunst Wien, Museum conservation methods, Universität für Angewandte Kunst Wien. Institut für Konservierung und Restaurierung, weil dadurch eine starke semantische Einordnung entsteht.

Fragen und Antworten rund um diese Ausgabe

Gibt es eine inhaltliche Zusammenfassung?

Ja, die Beschreibung fasst die Ausrichtung des Buches so zusammen: An overview of the academic courses of study and vocational trainings offered in the conservation and restoration of objects of decorative arts and metal in German-speaking countries points to a lack of continuity and identity. This is due to the fact that this field is a relatively young one and many universities have only offered degree courses since the 1990s. In Austria there are two Universities, the "Akademie der bildenden Künste" and the "Universität für angewandte Kunst". Both are located in Vienna and have a old-established academic experience. The long tradition particular to the field of restoration of objects of decorative arts at the University of Applied Arts Vienna is exceptionally. Early conservation and preservation research and restoration work started in the late 19th century. This is a distinctive feature, as other institutions with a similarly long history put their focus on the restoration of paintings and painting technique research instead. The "Kunstgewerbemuseum", todays Museum of Applied Arts Vienna, was founded 1863. In 1868 the school called "Kunstgewerbeschule" was attached. It is famous for its leading design-position during art nouveau an developed into todays University of Applied Arts Vienna. Both stood in close contact with the "K.K. Centralcommission". This historic preservation agency, established in 1850, concentrated in the preservation of monuments and historic buildings of the large Habsburg Empire. During the 19th century new emerging ideas of conservation where well known at "Kunstgewerbeschule" and "Kunstgewerbemuseum". Teaching staff at the school made in their annual reports notes of early restoration. But they did it as an additional business and therefore more detailed information is not given. Women in the studios for enamelwork (Adele von Stark) and the studio for textile work (Rosalia Rothansl) were about 1900 pioneers in field of object conservation. The first official class for conservation existed 1902 - 1910, named "Atelier für Kunstweberei und Restaurierung". A lot of information about the astonishing mordern ethics and methods in Conservation at that time can be extracted from two conferences that took place in Vienna: The First Arthistorical Congress in 1873 and the Enquete about Conservation of Art in 1904. Curators of the Museum of applied Arts and to a certain extent teaching staff of the "Kunstgewerbeschule" were involved with organisation and speeches. A new era for the conservation at University of Applied Arts Vienna started after World War Two. Otto Nedbal, a conservator experienced in metal crafts, was appointed at the university. He at first assumed the existing class for enamelwork. In 1964 he founded a new master class for restoration of metals and objects of enamel. But the content of teaching and the requirements for diploma thesis changed significant during the following forty years and this class evolved into today's Institute for Conservation and Restoration. The specialization of painting conservation was established by Nedbals successor Hubert Dietrich in 1980. In the course of a reorganization of the university in 2000 and the appointment of Gabriela Krist as head of the new conservation department, the new specializations of conservation of stone and textile were arranged

Welche Verlagsangaben sind vorhanden?

Hinterlegt sind das Erscheinungsdatum 2012, der Verlag Böhlau und der Verlagsort xx.

Wer sollte sich für Konservierungswissenschaft schreibt Geschichte interessieren?

Besonders relevant ist Konservierungswissenschaft schreibt Geschichte für Leserinnen und Leser, die nach Literatur aus dem Bereich Sachbuch suchen oder gezielt Veröffentlichungen von Elisabeth Krack betrachten möchten.

Wie lässt sich das Buch sprachlich und thematisch filtern?

Über die Sprache Deutsch und die Schlagwörter Art, Antiquities, Art objects, Conservation and restoration, Collection and preservation, Historic preservation, Universität für Angewandte Kunst Wien, Museum conservation methods, Universität für Angewandte Kunst Wien. Institut für Konservierung und Restaurierung kann die Ausgabe gezielt in Such- und Katalogsystemen eingegrenzt werden.

Weitere Artikel zu
diesem Thema