Death in Rome - Worum geht es im Buch?

Alles Wichtige zu Death in Rome

Death in Rome von Wolfgang Koeppen ist ein Titel aus dem Bereich Sachbuch, der thematisch klar positioniert ist und für Leserinnen und Leser mit Interesse an diesem Fach- oder Themengebiet besonders relevant sein kann. a novel fungiert als präzisierende Ergänzung zu Death in Rome und macht die Zielsetzung des Buches schneller erfassbar. Die vorhandene Beschreibung macht deutlich, worauf Death in Rome den Fokus legt: Death in Rome deals with the careers of former National Socialists after World War II. The novel is sharply critical of Germany's past, post-war reality and future, sounding a warning and a prophetic note.[2] Koeppen targets German militarism, revealing the dangerous influence of fascist ideology on certain West German social strata. The story, of victims and perpetrators from the time of National Socialism meeting during the post-war period, takes place against the backdrop of Rome. The city also functions as a metaphor, its ancient monuments predisposing the reader to reflect on the fate of the world, the nature of good and evil, war and peace, the past and the future, wealth and poverty, justice and social oppression. The author composes new groups from the members of two families and their surroundings, and choreographs their story in several parallel lines of action. Through a network of dialogues and inner monologues, the present is problematized and the past uncovered. The characters embody the opportunism and adaptability of the followers; the unbroken violence of the perpetrators; and the devastation and escapism of the next generation. In the background is the unresolved problem of overcoming the past of National Socialism in the time of the Wirtschaftswunder. The novel has a particular connection with Thomas Mann's Death in Venice (German: Der Tod in Venedig, 1912), most notably in addressing the problems of artistic creativity against a background of moral decay.[2] Stylistically, Death in Rome is similar to Koeppen's two other novels, characterized by a mastery of metaphorical, associative prose and use of the devices of cinema. These include the staging, constant changes in point of view and distance to the depicted event, and the simultaneously unfolding action. Epic narrative is coupled with the characters' internal monologue, which, according to the author, "best suits our perception, our consciousness, and our bitter experience Die Ausgabe erschien am 1994 bei Penguin Books und ist dem Verlagsstandort enk zugeordnet.

Relevante Merkmale auf einen Blick

Innerhalb von Sachbuch bietet Death in Rome eine klar erkennbare thematische Zuordnung. Für Recherchen nach Veröffentlichungszeitraum ist Death in Rome mit dem Datum 1994 eindeutig zuordenbar. Death in Rome liegt in Deutsch vor, was für die inhaltliche Nutzung ebenso wichtig ist wie für die bibliografische Suche. Der Verlag Penguin Books und der Verlagsort enk liefern zusätzliche Orientierung bei der Einordnung dieser Ausgabe. Im Kontext des Gesamtwerks von Wolfgang Koeppen lässt sich Death in Rome gezielt bibliografisch und thematisch einordnen.

Thematische Einordnung von Death in Rome

Death in Rome lässt sich inhaltlich innerhalb von Sachbuch verorten und wird in der Beschreibung wie folgt umrissen: Death in Rome deals with the careers of former National Socialists after World War II. The novel is sharply critical of Germany's past, post-war reality and future, sounding a warning and a prophetic note.[2] Koeppen targets German militarism, revealing the dangerous influence of fascist ideology on certain West German social strata. The story, of victims and perpetrators from the time of National Socialism meeting during the post-war period, takes place against the backdrop of Rome. The city also functions as a metaphor, its ancient monuments predisposing the reader to reflect on the fate of the world, the nature of good and evil, war and peace, the past and the future, wealth and poverty, justice and social oppression. The author composes new groups from the members of two families and their surroundings, and choreographs their story in several parallel lines of action. Through a network of dialogues and inner monologues, the present is problematized and the past uncovered. The characters embody the opportunism and adaptability of the followers; the unbroken violence of the perpetrators; and the devastation and escapism of the next generation. In the background is the unresolved problem of overcoming the past of National Socialism in the time of the Wirtschaftswunder. The novel has a particular connection with Thomas Mann's Death in Venice (German: Der Tod in Venedig, 1912), most notably in addressing the problems of artistic creativity against a background of moral decay.[2] Stylistically, Death in Rome is similar to Koeppen's two other novels, characterized by a mastery of metaphorical, associative prose and use of the devices of cinema. These include the staging, constant changes in point of view and distance to the depicted event, and the simultaneously unfolding action. Epic narrative is coupled with the characters' internal monologue, which, according to the author, "best suits our perception, our consciousness, and our bitter experience Die vorhandenen Tags verdichten die inhaltliche Einordnung des Buches zusätzlich: Fiction, Germans, Fiction, mystery & detective, general, Fiction, suspense, Fiction, thrillers, suspense, German language materials, Italy, fiction, LGBTQ fiction before Stonewall

Ausgabe, Identifikatoren und Referenzen

Die Ausgabe ist über den Verlag Penguin Books, den Ort enk und das Datum 1994 klar kontextualisiert. Auch externe Referenzen sind vorhanden: Die Work-ID lautet OL903921W, die zugehörigen Editions-IDs sind OL1234497M.

Bibliografische Daten auf einen Blick

1. ISBN-10: 0140187901
2. Untertitel: a novel
3. Verlag: Penguin Books
4. Schlagwörter: Fiction, Germans, Fiction, mystery & detective, general, Fiction, suspense, Fiction, thrillers, suspense, German language materials, Italy, fiction, LGBTQ fiction before Stonewall
5. Externe Editionsreferenzen: OL1234497M
6. Titel: Death in Rome
7. Ort der Veröffentlichung: enk
8. Veröffentlicht am: 1994
9. Seitenzahl: 202
10. Verfügbare Sprache dieser Ausgabe: Deutsch
11. Verfasst von: Wolfgang Koeppen
12. Primäre Kategorie: Sachbuch
13. Kurzbeschreibung: Death in Rome deals with the careers of former National Socialists after World War II. The novel is sharply critical of Germany's past, post-war reality and future, sounding a warning and a prophetic note.[2] Koeppen targets German militarism, revealing the dangerous influence of fascist ideology on certain West German social strata. The story, of victims and perpetrators from the time of National Socialism meeting during the post-war period, takes place against the backdrop of Rome. The city also functions as a metaphor, its ancient monuments predisposing the reader to reflect on the fate of the world, the nature of good and evil, war and peace, the past and the future, wealth and poverty, justice and social oppression. The author composes new groups from the members of two families and their surroundings, and choreographs their story in several parallel lines of action. Through a network of dialogues and inner monologues, the present is problematized and the past uncovered. The characters embody the opportunism and adaptability of the followers; the unbroken violence of the perpetrators; and the devastation and escapism of the next generation. In the background is the unresolved problem of overcoming the past of National Socialism in the time of the Wirtschaftswunder. The novel has a particular connection with Thomas Mann's Death in Venice (German: Der Tod in Venedig, 1912), most notably in addressing the problems of artistic creativity against a background of moral decay.[2] Stylistically, Death in Rome is similar to Koeppen's two other novels, characterized by a mastery of metaphorical, associative prose and use of the devices of cinema. These include the staging, constant changes in point of view and distance to the depicted event, and the simultaneously unfolding action. Epic narrative is coupled with the characters' internal monologue, which, according to the author, "best suits our perception, our consciousness, and our bitter experience
14. Open-Library-Work-ID: OL903921W

Relevanz für Suche und Einordnung

Death in Rome profitiert für die Auffindbarkeit besonders von der Verbindung zwischen Wolfgang Koeppen, Sachbuch und den Tags Fiction, Germans, Fiction, mystery & detective, general, Fiction, suspense, Fiction, thrillers, suspense, German language materials, Italy, fiction, LGBTQ fiction before Stonewall, weil dadurch eine starke semantische Einordnung entsteht.

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