Werner Büttner | Ausgabe und Verlagsinfos

Werner Büttner im Überblick

Mit Werner Büttner liegt ein Buch von Werner Büttner, Georg Herold, Thomas Groetz, Galerie Max Hetzler vor, das der Kategorie Sachbuch zugeordnet wird und sich für alle eignet, die gezielt nach Literatur mit diesem Schwerpunkt suchen. Der Untertitel undichte Schlüssellöcher ergänzt den Haupttitel Werner Büttner sinnvoll und gibt bereits früh einen konkreten Hinweis auf die inhaltliche Ausrichtung des Buches. Werner Büttner wird in der Beschreibung wie folgt charakterisiert: Has Werner Büttner's world of images indeed grown funnier, more colorful? Or should one, following Kristian Vistrup Madsen's observations, consider it to be invariably gloomy and oppressive? The latter certainly applies to a work such as "Brüder (Kain + Abel)" from 1983, but no longer in such exclusivity to his most recent works. Here, the bitter singing of "No-Future" by the protagonists of the 1980s is accompanied by a good portion of ironic melancholy and caustic mockery. His use of color has also changed, the earthy tones giving way to a certain signal-like quality, yet without severing the connection to his earlier works. But what led to such a melancholy softening of his worldview? Is it a general consequence of getting older? Or is it based on the more specific consciousness of now actually being too old for the "not-wanting-to-become-like-the-old-folk" (in the 1980s)? Or does everything have its rather simple reason in the realization: "Alcohol (dis-)solves everything," as Rainald Goetz's protagonist Raspe says in his novel "Irre" from 1983? Incidentally, he added to this a consideration that muddled up Nietzsche ("Become who you are") and a former advertising slogan ("You can stay as you are!"): "I don't want to become who I am!" Self-knowledge outshines everything, but still can hardly prevent that madness and confusion continue to play their games with us. Exhibition: CFA Contemporary Fine Arts Berlin, Germany (30.07. - 29.08.2020) Werner Büttner wurde am 2020 publiziert und dem Verlag Contemporary Fine Arts mit Verlagsort Berlin zugeordnet.

Was diese Ausgabe besonders interessant macht

Werner Büttner spricht besonders Nutzer an, die sich für Bücher rund um Sachbuch interessieren. Mit der Sprache Deutsch lässt sich Werner Büttner auch im internationalen oder mehrsprachigen Kontext präzise filtern. Gerade wer nach Werken von Werner Büttner, Georg Herold, Thomas Groetz, Galerie Max Hetzler sucht, sollte Werner Büttner näher betrachten. Mit dem Erscheinungszeitpunkt 2020 lässt sich Werner Büttner sauber in einen bibliografischen Kontext einordnen. Mit Contemporary Fine Arts in Berlin ist die verlegerische Zuordnung der Ausgabe klar nachvollziehbar.

Inhalt und thematische Schwerpunkte

Im thematischen Kontext von Sachbuch setzt Werner Büttner laut Beschreibung auf folgende Schwerpunkte: Has Werner Büttner's world of images indeed grown funnier, more colorful? Or should one, following Kristian Vistrup Madsen's observations, consider it to be invariably gloomy and oppressive? The latter certainly applies to a work such as "Brüder (Kain + Abel)" from 1983, but no longer in such exclusivity to his most recent works. Here, the bitter singing of "No-Future" by the protagonists of the 1980s is accompanied by a good portion of ironic melancholy and caustic mockery. His use of color has also changed, the earthy tones giving way to a certain signal-like quality, yet without severing the connection to his earlier works. But what led to such a melancholy softening of his worldview? Is it a general consequence of getting older? Or is it based on the more specific consciousness of now actually being too old for the "not-wanting-to-become-like-the-old-folk" (in the 1980s)? Or does everything have its rather simple reason in the realization: "Alcohol (dis-)solves everything," as Rainald Goetz's protagonist Raspe says in his novel "Irre" from 1983? Incidentally, he added to this a consideration that muddled up Nietzsche ("Become who you are") and a former advertising slogan ("You can stay as you are!"): "I don't want to become who I am!" Self-knowledge outshines everything, but still can hardly prevent that madness and confusion continue to play their games with us. Exhibition: CFA Contemporary Fine Arts Berlin, Germany (30.07. - 29.08.2020) Für die thematische Suche und semantische Zuordnung sind insbesondere diese Tags relevant: Catalogs, Exhibitions, Collage, Painting, german, Painting, catalogs

Ausgabe, Identifikatoren und Referenzen

Die Ausgabe ist über den Verlag Contemporary Fine Arts, den Ort Berlin und das Datum 2020 klar kontextualisiert. Für die eindeutige Identifikation der Ausgabe sind sowohl die ISBN-10 3864423287 als auch die ISBN-13 9783864423284 hinterlegt. Auch externe Referenzen sind vorhanden: Die Work-ID lautet OL3393411W, die zugehörigen Editions-IDs sind OL43845665M, OL16321604M, OL59778466M, OL22599753M.

Bibliografische Daten auf einen Blick

1. Erscheinungsdatum: 2020
2. Autor beziehungsweise Autoren: Werner Büttner, Georg Herold, Thomas Groetz, Galerie Max Hetzler
3. Seitenzahl: 55
4. Externe Editionsreferenzen: OL43845665M, OL16321604M, OL59778466M, OL22599753M
5. Open-Library-Work-ID: OL3393411W
6. Verlag: Contemporary Fine Arts
7. ISBN-13: 9783864423284
8. Buchtitel: Werner Büttner
9. Ergänzender Titelzusatz: undichte Schlüssellöcher
10. Inhaltliche Kurzcharakteristik: Has Werner Büttner's world of images indeed grown funnier, more colorful? Or should one, following Kristian Vistrup Madsen's observations, consider it to be invariably gloomy and oppressive? The latter certainly applies to a work such as "Brüder (Kain + Abel)" from 1983, but no longer in such exclusivity to his most recent works. Here, the bitter singing of "No-Future" by the protagonists of the 1980s is accompanied by a good portion of ironic melancholy and caustic mockery. His use of color has also changed, the earthy tones giving way to a certain signal-like quality, yet without severing the connection to his earlier works. But what led to such a melancholy softening of his worldview? Is it a general consequence of getting older? Or is it based on the more specific consciousness of now actually being too old for the "not-wanting-to-become-like-the-old-folk" (in the 1980s)? Or does everything have its rather simple reason in the realization: "Alcohol (dis-)solves everything," as Rainald Goetz's protagonist Raspe says in his novel "Irre" from 1983? Incidentally, he added to this a consideration that muddled up Nietzsche ("Become who you are") and a former advertising slogan ("You can stay as you are!"): "I don't want to become who I am!" Self-knowledge outshines everything, but still can hardly prevent that madness and confusion continue to play their games with us. Exhibition: CFA Contemporary Fine Arts Berlin, Germany (30.07. - 29.08.2020)
11. Schlagwörter: Catalogs, Exhibitions, Collage, Painting, german, Painting, catalogs
12. Thematische Hauptkategorie: Sachbuch
13. Verfügbare Sprache dieser Ausgabe: Deutsch
14. Ort der Veröffentlichung: Berlin
15. ISBN-10: 3864423287

Auffindbarkeit und bibliografische Präzision

Werner Büttner profitiert für die Auffindbarkeit besonders von der Verbindung zwischen Werner Büttner, Georg Herold, Thomas Groetz, Galerie Max Hetzler, Sachbuch und den Tags Catalogs, Exhibitions, Collage, Painting, german, Painting, catalogs, weil dadurch eine starke semantische Einordnung entsteht. Eindeutige Referenzdaten wie 3864423287, 9783864423284 und OL3393411W verbessern die bibliografische Verlässlichkeit zusätzlich.

Fragen und Antworten rund um diese Ausgabe

Hier findest du weitere ausgewählte Links.