Das Wiener Klavier bis 1850 | Buch im Überblick: Inhalt und Details

Das Wiener Klavier bis 1850: Inhalt, Einordnung und bibliografische Details

Das Wiener Klavier bis 1850 gehört zur Kategorie Sachbuch und stammt von Beatrix Darmstädter - eine Kombination, die den Titel sowohl fachlich als auch bibliografisch interessant macht. Die vorhandene Beschreibung macht deutlich, worauf Das Wiener Klavier bis 1850 den Fokus legt: The presented book, the amplified proceedings of the symposium "Das Wiener Klavier 1850", held at Neue Burg (Vienna) in 2003 combines as regards content recent organological and biographical research, answers questions concerning the original-instrument performance of the romantic period and focuses on technological features in the making of the Viennese pianoforte. In the 2nd half of the 18th century Vienna became the European centre of production of pianofortes whereas the typical Viennese pianoforte-sound, evolved from special technological and constructional parameters, acted as a stimulant on composers and interprets. Many instrument makers - some of them originally German - working and living in Vienna contributed to this uplifting evolution with their innovative work for the Austrian Court or simply as civic craftsmen. A quite impressive amount of material about their biographies and contracts was investigated and is an integral part of the publication. With the beginning of the 19th century firms in Paris and London were of utmost importance for the pianoforte industry. Broadwood and Erard for instance in an international terrain and started an early mass-production of instruments based on the English action. Beside these instruments the Viennese pianoforte with its German action could not easily compete with. The book contains the analysis of the manufacturing techniques of the Viennese pianoforte and of the company organisations respectively the corporate structures of the comparatively small businessmen in the Austrian region and the Hapsburg Crown lands particularly with regard to the interactions between the Viennese, German and Italian workshops. Moreover the variants in aesthetic design and development of the Viennese pianofortes until the time by 1850 are pointed out and results of recent dendrochronological research of instruments preserved by renowned collections are published in this book Als Veröffentlichungsdatum ist 17.04.2008 hinterlegt; verlegt wurde der Titel von Musikantiquariat und Verlag Hans Schneider in Tutzing.

Mit Musikantiquariat und Verlag Hans Schneider in Tutzing ist die verlegerische Zuordnung der Ausgabe klar nachvollziehbar. Das Wiener Klavier bis 1850 spricht besonders Nutzer an, die sich für Bücher rund um Sachbuch interessieren. Für Recherchen nach Veröffentlichungszeitraum ist Das Wiener Klavier bis 1850 mit dem Datum 17.04.2008 eindeutig zuordenbar. Für alle, die Bücher von Beatrix Darmstädter recherchieren oder vergleichen, ist Das Wiener Klavier bis 1850 eine relevante Ausgabe. Dass Das Wiener Klavier bis 1850 in Deutsch erschienen ist, erleichtert die gezielte Auswahl für sprachspezifische Recherchen.

Inhalte, Themen und Relevanz

Das Wiener Klavier bis 1850 lässt sich inhaltlich innerhalb von Sachbuch verorten und wird in der Beschreibung wie folgt umrissen: The presented book, the amplified proceedings of the symposium "Das Wiener Klavier 1850", held at Neue Burg (Vienna) in 2003 combines as regards content recent organological and biographical research, answers questions concerning the original-instrument performance of the romantic period and focuses on technological features in the making of the Viennese pianoforte. In the 2nd half of the 18th century Vienna became the European centre of production of pianofortes whereas the typical Viennese pianoforte-sound, evolved from special technological and constructional parameters, acted as a stimulant on composers and interprets. Many instrument makers - some of them originally German - working and living in Vienna contributed to this uplifting evolution with their innovative work for the Austrian Court or simply as civic craftsmen. A quite impressive amount of material about their biographies and contracts was investigated and is an integral part of the publication. With the beginning of the 19th century firms in Paris and London were of utmost importance for the pianoforte industry. Broadwood and Erard for instance in an international terrain and started an early mass-production of instruments based on the English action. Beside these instruments the Viennese pianoforte with its German action could not easily compete with. The book contains the analysis of the manufacturing techniques of the Viennese pianoforte and of the company organisations respectively the corporate structures of the comparatively small businessmen in the Austrian region and the Hapsburg Crown lands particularly with regard to the interactions between the Viennese, German and Italian workshops. Moreover the variants in aesthetic design and development of the Viennese pianofortes until the time by 1850 are pointed out and results of recent dendrochronological research of instruments preserved by renowned collections are published in this book Ergänzend helfen die hinterlegten Schlagwörter dabei, Das Wiener Klavier bis 1850 thematisch schneller einzuordnen: History, Music, Congresses, Piano, Construction, Piano makers, Toetsinstrumenten (muziek)

ISBN, Revision und weitere Referenzdaten

Die Ausgabe ist über den Verlag Musikantiquariat und Verlag Hans Schneider, den Ort Tutzing und das Datum 17.04.2008 klar kontextualisiert. Auch externe Referenzen sind vorhanden: Die Work-ID lautet OL20933629W, die zugehörigen Editions-IDs sind OL28360724M.

Die zentralen Metadaten zu Das Wiener Klavier bis 1850

1. Open-Library-Work-ID: OL20933629W
2. Open-Library-Editions-IDs: OL28360724M
3. Umfang: 284 Seiten
4. Thematische Hauptkategorie: Sachbuch
5. Verlag: Musikantiquariat und Verlag Hans Schneider
6. Internationale Standardbuchnummer (ISBN-13): 9783795212438
7. Thematische Tags: History, Music, Congresses, Piano, Construction, Piano makers, Toetsinstrumenten (muziek)
8. Ort der Veröffentlichung: Tutzing
9. Sprache: Deutsch
10. Buchtitel: Das Wiener Klavier bis 1850
11. Verfasst von: Beatrix Darmstädter
12. Veröffentlicht am: 17.04.2008
13. Inhaltliche Kurzcharakteristik: The presented book, the amplified proceedings of the symposium "Das Wiener Klavier 1850", held at Neue Burg (Vienna) in 2003 combines as regards content recent organological and biographical research, answers questions concerning the original-instrument performance of the romantic period and focuses on technological features in the making of the Viennese pianoforte. In the 2nd half of the 18th century Vienna became the European centre of production of pianofortes whereas the typical Viennese pianoforte-sound, evolved from special technological and constructional parameters, acted as a stimulant on composers and interprets. Many instrument makers - some of them originally German - working and living in Vienna contributed to this uplifting evolution with their innovative work for the Austrian Court or simply as civic craftsmen. A quite impressive amount of material about their biographies and contracts was investigated and is an integral part of the publication. With the beginning of the 19th century firms in Paris and London were of utmost importance for the pianoforte industry. Broadwood and Erard for instance in an international terrain and started an early mass-production of instruments based on the English action. Beside these instruments the Viennese pianoforte with its German action could not easily compete with. The book contains the analysis of the manufacturing techniques of the Viennese pianoforte and of the company organisations respectively the corporate structures of the comparatively small businessmen in the Austrian region and the Hapsburg Crown lands particularly with regard to the interactions between the Viennese, German and Italian workshops. Moreover the variants in aesthetic design and development of the Viennese pianofortes until the time by 1850 are pointed out and results of recent dendrochronological research of instruments preserved by renowned collections are published in this book

Warum sich Das Wiener Klavier bis 1850 gut einordnen lässt

Die Verbindung aus Das Wiener Klavier bis 1850, Beatrix Darmstädter, Sachbuch und History, Music, Congresses, Piano, Construction, Piano makers, Toetsinstrumenten (muziek) schafft eine solide Grundlage für eine präzise thematische Suche.

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