Das Wiener Klavier bis 1850 | Ausgabe und Verlagsinfos

Das Wiener Klavier bis 1850: Inhalt, Einordnung und bibliografische Details

Das Wiener Klavier bis 1850 gehört zur Kategorie Sachbuch und stammt von Beatrix Darmstädter - eine Kombination, die den Titel sowohl fachlich als auch bibliografisch interessant macht. Das Wiener Klavier bis 1850 wird in der Beschreibung wie folgt charakterisiert: The presented book, the amplified proceedings of the symposium "Das Wiener Klavier 1850", held at Neue Burg (Vienna) in 2003 combines as regards content recent organological and biographical research, answers questions concerning the original-instrument performance of the romantic period and focuses on technological features in the making of the Viennese pianoforte. In the 2nd half of the 18th century Vienna became the European centre of production of pianofortes whereas the typical Viennese pianoforte-sound, evolved from special technological and constructional parameters, acted as a stimulant on composers and interprets. Many instrument makers - some of them originally German - working and living in Vienna contributed to this uplifting evolution with their innovative work for the Austrian Court or simply as civic craftsmen. A quite impressive amount of material about their biographies and contracts was investigated and is an integral part of the publication. With the beginning of the 19th century firms in Paris and London were of utmost importance for the pianoforte industry. Broadwood and Erard for instance in an international terrain and started an early mass-production of instruments based on the English action. Beside these instruments the Viennese pianoforte with its German action could not easily compete with. The book contains the analysis of the manufacturing techniques of the Viennese pianoforte and of the company organisations respectively the corporate structures of the comparatively small businessmen in the Austrian region and the Hapsburg Crown lands particularly with regard to the interactions between the Viennese, German and Italian workshops. Moreover the variants in aesthetic design and development of the Viennese pianofortes until the time by 1850 are pointed out and results of recent dendrochronological research of instruments preserved by renowned collections are published in this book Als Veröffentlichungsdatum ist 17.04.2008 hinterlegt; verlegt wurde der Titel von Musikantiquariat und Verlag Hans Schneider in Tutzing.

Im Kontext des Gesamtwerks von Beatrix Darmstädter lässt sich Das Wiener Klavier bis 1850 gezielt bibliografisch und thematisch einordnen. Die Ausgabe ist in Deutsch verfügbar und damit gezielt für Leserinnen und Leser mit entsprechender Sprachpräferenz interessant. Verlagsname und Verlagsort - Musikantiquariat und Verlag Hans Schneider und Tutzing - helfen dabei, die Ausgabe eindeutig zu identifizieren. Das hinterlegte Publikationsdatum 17.04.2008 unterstützt dabei, Das Wiener Klavier bis 1850 zeitlich korrekt zu klassifizieren. Wer Literatur aus dem Bereich Sachbuch sucht, findet in Das Wiener Klavier bis 1850 einen gut klassifizierbaren Titel.

Worum geht es in Das Wiener Klavier bis 1850?

Wer wissen möchte, worauf Das Wiener Klavier bis 1850 inhaltlich abzielt, findet in dieser Zusammenfassung einen ersten Ansatzpunkt: The presented book, the amplified proceedings of the symposium "Das Wiener Klavier 1850", held at Neue Burg (Vienna) in 2003 combines as regards content recent organological and biographical research, answers questions concerning the original-instrument performance of the romantic period and focuses on technological features in the making of the Viennese pianoforte. In the 2nd half of the 18th century Vienna became the European centre of production of pianofortes whereas the typical Viennese pianoforte-sound, evolved from special technological and constructional parameters, acted as a stimulant on composers and interprets. Many instrument makers - some of them originally German - working and living in Vienna contributed to this uplifting evolution with their innovative work for the Austrian Court or simply as civic craftsmen. A quite impressive amount of material about their biographies and contracts was investigated and is an integral part of the publication. With the beginning of the 19th century firms in Paris and London were of utmost importance for the pianoforte industry. Broadwood and Erard for instance in an international terrain and started an early mass-production of instruments based on the English action. Beside these instruments the Viennese pianoforte with its German action could not easily compete with. The book contains the analysis of the manufacturing techniques of the Viennese pianoforte and of the company organisations respectively the corporate structures of the comparatively small businessmen in the Austrian region and the Hapsburg Crown lands particularly with regard to the interactions between the Viennese, German and Italian workshops. Moreover the variants in aesthetic design and development of the Viennese pianofortes until the time by 1850 are pointed out and results of recent dendrochronological research of instruments preserved by renowned collections are published in this book Die vorhandenen Tags verdichten die inhaltliche Einordnung des Buches zusätzlich: History, Music, Congresses, Piano, Construction, Piano makers, Toetsinstrumenten (muziek)

Ausgabe, Identifikatoren und Referenzen

Die Ausgabe ist über den Verlag Musikantiquariat und Verlag Hans Schneider, den Ort Tutzing und das Datum 17.04.2008 klar kontextualisiert. Die Open-Library-Zuordnung über OL20933629W und OL28360724M verbessert die externe Nachvollziehbarkeit des Werkes.

Bibliografische Eckdaten dieser Ausgabe

1. Externe Work-Referenz: OL20933629W
2. Kurzbeschreibung: The presented book, the amplified proceedings of the symposium "Das Wiener Klavier 1850", held at Neue Burg (Vienna) in 2003 combines as regards content recent organological and biographical research, answers questions concerning the original-instrument performance of the romantic period and focuses on technological features in the making of the Viennese pianoforte. In the 2nd half of the 18th century Vienna became the European centre of production of pianofortes whereas the typical Viennese pianoforte-sound, evolved from special technological and constructional parameters, acted as a stimulant on composers and interprets. Many instrument makers - some of them originally German - working and living in Vienna contributed to this uplifting evolution with their innovative work for the Austrian Court or simply as civic craftsmen. A quite impressive amount of material about their biographies and contracts was investigated and is an integral part of the publication. With the beginning of the 19th century firms in Paris and London were of utmost importance for the pianoforte industry. Broadwood and Erard for instance in an international terrain and started an early mass-production of instruments based on the English action. Beside these instruments the Viennese pianoforte with its German action could not easily compete with. The book contains the analysis of the manufacturing techniques of the Viennese pianoforte and of the company organisations respectively the corporate structures of the comparatively small businessmen in the Austrian region and the Hapsburg Crown lands particularly with regard to the interactions between the Viennese, German and Italian workshops. Moreover the variants in aesthetic design and development of the Viennese pianofortes until the time by 1850 are pointed out and results of recent dendrochronological research of instruments preserved by renowned collections are published in this book
3. Sprache: Deutsch
4. Verfasst von: Beatrix Darmstädter
5. Buchtitel: Das Wiener Klavier bis 1850
6. ISBN-13: 9783795212438
7. Ort der Veröffentlichung: Tutzing
8. Verlag: Musikantiquariat und Verlag Hans Schneider
9. Erscheinungsdatum: 17.04.2008
10. Externe Editionsreferenzen: OL28360724M
11. Thematische Tags: History, Music, Congresses, Piano, Construction, Piano makers, Toetsinstrumenten (muziek)
12. Thematische Hauptkategorie: Sachbuch
13. Umfang: 284 Seiten

Auffindbarkeit und bibliografische Präzision

Die Verbindung aus Das Wiener Klavier bis 1850, Beatrix Darmstädter, Sachbuch und History, Music, Congresses, Piano, Construction, Piano makers, Toetsinstrumenten (muziek) schafft eine solide Grundlage für eine präzise thematische Suche.

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