Jeff Koons. Easyfun, Ethereal | Inhalt, Autor und bibliografische Daten
05/06/2026
Lesedauer: 8 min
Jeff Koons. Easyfun, Ethereal von Anette Hüsch, Angelika Muthesius, Jeff Koons, Rosenblum, Robert. im Überblick mit Inhalt, Buchdaten und Einordnung. So siehst du sofort, ob das Buch zu deiner Suche passt.
Jeff Koons. Easyfun, Ethereal - Buchbeschreibung, Ausstattung und ISBN
Wer nach einem Buch von Anette Hüsch, Angelika Muthesius, Jeff Koons, Rosenblum, Robert. aus dem Themenfeld Sachbuch sucht, findet mit Jeff Koons. Easyfun, Ethereal eine Ausgabe mit präziser inhaltlicher Positionierung. Aus der Buchbeschreibung zu Jeff Koons. Easyfun, Ethereal ergibt sich ein klares Bild der thematischen Schwerpunkte: Jeff Koons' spectacular October 2008 exhibition at Berlin's Neue Nationalgalerie presented the infamous series of sculptures and paintings known collectively as Celebration, a project whose fabrication has involved so much labor (both manual and computer-aided) that Koons More...seemed to almost vanish from the art world radar in the 1990s, when he first undertook the series. At present, Celebration's best-known work may be the 10-foot-tall, stainless-steel Balloon Dog, typical of the outsize scale and remarkably clean sheen of Koons' sculptures, in which the sensory joys of childhood object relations are revisited and espoused. Such works wear their playroom origins on their sleeves, but their gargantuan proportions, with their attendant sense of menace, establish them firmly in the adult world as infant objects retrieved and rebuilt with adult strength. The work tries to gain support from the confidence of the gesture, Koons says, to be kind of in the moment, and to have confidence within the self. Inasmuch as such observations could be true of much art, Koons is unusually open about what drives his work, all the while preserving its self-sufficiency as art. This monograph documents these mammoth installations in the Neue Nationalgalerie's Upper Hall, an exhibition that without doubt constitutes a milestone in the artist's career
Jeff Koons. Easyfun, Ethereal liegt in Deutsch vor, was für die inhaltliche Nutzung ebenso wichtig ist wie für die bibliografische Suche. Jeff Koons. Easyfun, Ethereal spricht besonders Nutzer an, die sich für Bücher rund um Sachbuch interessieren. Auch das Veröffentlichungsdatum 03.2001 macht Jeff Koons. Easyfun, Ethereal für zeitlich eingegrenzte Suchen besonders interessant. Jeff Koons. Easyfun, Ethereal ist besonders für Leserinnen und Leser interessant, die sich gezielt mit Veröffentlichungen von Anette Hüsch, Angelika Muthesius, Jeff Koons, Rosenblum, Robert. beschäftigen möchten.
Worum geht es in Jeff Koons. Easyfun, Ethereal?
Wer wissen möchte, worauf Jeff Koons. Easyfun, Ethereal inhaltlich abzielt, findet in dieser Zusammenfassung einen ersten Ansatzpunkt: Jeff Koons' spectacular October 2008 exhibition at Berlin's Neue Nationalgalerie presented the infamous series of sculptures and paintings known collectively as Celebration, a project whose fabrication has involved so much labor (both manual and computer-aided) that Koons More...seemed to almost vanish from the art world radar in the 1990s, when he first undertook the series. At present, Celebration's best-known work may be the 10-foot-tall, stainless-steel Balloon Dog, typical of the outsize scale and remarkably clean sheen of Koons' sculptures, in which the sensory joys of childhood object relations are revisited and espoused. Such works wear their playroom origins on their sleeves, but their gargantuan proportions, with their attendant sense of menace, establish them firmly in the adult world as infant objects retrieved and rebuilt with adult strength. The work tries to gain support from the confidence of the gesture, Koons says, to be kind of in the moment, and to have confidence within the self. Inasmuch as such observations could be true of much art, Koons is unusually open about what drives his work, all the while preserving its self-sufficiency as art. This monograph documents these mammoth installations in the Neue Nationalgalerie's Upper Hall, an exhibition that without doubt constitutes a milestone in the artist's career Über die Schlagwörter Catalogs, Painting, Exhibitions, Criticism and interpretation, Interviews, Artists, Art & Art Instruction, Art, Individual Artist, Individual artists, USA, Painters, History of art & design styles: from c 1900 -, Artists, united states, Painting, american, Painting, exhibitions, Art, modern, 20th century, exhibitions, Art, modern, 21st century, exhibitions, Food in art, Koons, Jeff,, Koons, Jeff, 1955-, Painting, catalogs, Pictures lässt sich Jeff Koons. Easyfun, Ethereal auch in größeren Beständen gezielt auffinden. Der dokumentierte Umfang von 117 Seiten sowie das Format hard geben einen guten ersten Eindruck von der Ausgabe.
Wichtige Kennzeichen dieser Ausgabe
Auch externe Referenzen sind vorhanden: Die Work-ID lautet OL4047037W, die zugehörigen Editions-IDs sind OL9101632M, OL44974263M, OL22513395M, OL22591179M, OL3753335M, OL1505620M. Mit 3775710167 und 9783775710169 stehen zwei zentrale ISBN-Varianten zur Verfügung, die die Ausgabe eindeutig beschreiben. Auch physisch ist die Ausgabe klar beschrieben: Format hard, Gewicht 1.5 pounds und Abmessungen 11.1 x 8.4 x 0.6 inches.
Wichtige Buchdaten im Überblick
- Veröffentlicht am: 03.2001
- Verlag: Hatje Cantz Verlag
- Maße der Ausgabe: 11.1 x 8.4 x 0.6 inches
- Primäre Kategorie: Sachbuch
- Titel: Jeff Koons. Easyfun, Ethereal
- Kurzbeschreibung: Jeff Koons' spectacular October 2008 exhibition at Berlin's Neue Nationalgalerie presented the infamous series of sculptures and paintings known collectively as Celebration, a project whose fabrication has involved so much labor (both manual and computer-aided) that Koons More...seemed to almost vanish from the art world radar in the 1990s, when he first undertook the series. At present, Celebration's best-known work may be the 10-foot-tall, stainless-steel Balloon Dog, typical of the outsize scale and remarkably clean sheen of Koons' sculptures, in which the sensory joys of childhood object relations are revisited and espoused. Such works wear their playroom origins on their sleeves, but their gargantuan proportions, with their attendant sense of menace, establish them firmly in the adult world as infant objects retrieved and rebuilt with adult strength. The work tries to gain support from the confidence of the gesture, Koons says, to be kind of in the moment, and to have confidence within the self. Inasmuch as such observations could be true of much art, Koons is unusually open about what drives his work, all the while preserving its self-sufficiency as art. This monograph documents these mammoth installations in the Neue Nationalgalerie's Upper Hall, an exhibition that without doubt constitutes a milestone in the artist's career
- Thematische Tags: Catalogs, Painting, Exhibitions, Criticism and interpretation, Interviews, Artists, Art & Art Instruction, Art, Individual Artist, Individual artists, USA, Painters, History of art & design styles: from c 1900 -, Artists, united states, Painting, american, Painting, exhibitions, Art, modern, 20th century, exhibitions, Art, modern, 21st century, exhibitions, Food in art, Koons, Jeff,, Koons, Jeff, 1955-, Painting, catalogs, Pictures
- ISBN-10: 3775710167
- Internationale Standardbuchnummer (ISBN-13): 9783775710169
- Open-Library-Work-ID: OL4047037W
- Open-Library-Editions-IDs: OL9101632M, OL44974263M, OL22513395M, OL22591179M, OL3753335M, OL1505620M
- Gewicht: 1.5 pounds
- Sprache: Deutsch
- Seitenzahl: 117
- Autor beziehungsweise Autoren: Anette Hüsch, Angelika Muthesius, Jeff Koons, Rosenblum, Robert.
- Ausgabeform: hard
Suchrelevante Merkmale dieser Ausgabe
Die Verbindung aus Jeff Koons. Easyfun, Ethereal, Anette Hüsch, Angelika Muthesius, Jeff Koons, Rosenblum, Robert., Sachbuch und Catalogs, Painting, Exhibitions, Criticism and interpretation, Interviews, Artists, Art & Art Instruction, Art, Individual Artist, Individual artists, USA, Painters, History of art & design styles: from c 1900 -, Artists, united states, Painting, american, Painting, exhibitions, Art, modern, 20th century, exhibitions, Art, modern, 21st century, exhibitions, Food in art, Koons, Jeff,, Koons, Jeff, 1955-, Painting, catalogs, Pictures schafft eine solide Grundlage für eine präzise thematische Suche. Zusätzliche Präzision entsteht durch Identifikatoren wie 3775710167, 9783775710169 und OL4047037W, die die Ausgabe in verschiedenen Katalog- und Suchkontexten eindeutig referenzierbar machen. Auch Angaben wie Format, Maße, Gewicht und Seitenzahl - hard, 11.1 x 8.4 x 0.6 inches, 1.5 pounds und 117 Seiten - helfen dabei, diese Ausgabe klar von anderen Varianten zu unterscheiden.
Wichtige Fragen zu Inhalt und Ausgabe
Welche physischen Merkmale hat das Buch?
Die Ausgabe umfasst 117 Seiten und ist mit Format hard, Gewicht 1.5 pounds sowie den Maßen 11.1 x 8.4 x 0.6 inches beschrieben.
Wie lässt sich die Ausgabe eindeutig identifizieren?
Die eindeutige Identifikation erfolgt unter anderem über die ISBN-10 3775710167 und die ISBN-13 9783775710169.
Wer sollte sich für Jeff Koons. Easyfun, Ethereal interessieren?
Besonders relevant ist Jeff Koons. Easyfun, Ethereal für Leserinnen und Leser, die nach Literatur aus dem Bereich Sachbuch suchen oder gezielt Veröffentlichungen von Anette Hüsch, Angelika Muthesius, Jeff Koons, Rosenblum, Robert. betrachten möchten.
Gibt es eine inhaltliche Zusammenfassung?
Ja, die Beschreibung fasst die Ausrichtung des Buches so zusammen: Jeff Koons' spectacular October 2008 exhibition at Berlin's Neue Nationalgalerie presented the infamous series of sculptures and paintings known collectively as Celebration, a project whose fabrication has involved so much labor (both manual and computer-aided) that Koons More...seemed to almost vanish from the art world radar in the 1990s, when he first undertook the series. At present, Celebration's best-known work may be the 10-foot-tall, stainless-steel Balloon Dog, typical of the outsize scale and remarkably clean sheen of Koons' sculptures, in which the sensory joys of childhood object relations are revisited and espoused. Such works wear their playroom origins on their sleeves, but their gargantuan proportions, with their attendant sense of menace, establish them firmly in the adult world as infant objects retrieved and rebuilt with adult strength. The work tries to gain support from the confidence of the gesture, Koons says, to be kind of in the moment, and to have confidence within the self. Inasmuch as such observations could be true of much art, Koons is unusually open about what drives his work, all the while preserving its self-sufficiency as art. This monograph documents these mammoth installations in the Neue Nationalgalerie's Upper Hall, an exhibition that without doubt constitutes a milestone in the artist's career
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