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Der Reichsgerichtsbau In Leipzig | Inhalt, Autor und bibliografische Daten

12/06/2026

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Der Reichsgerichtsbau In Leipzig | Inhalt, Autor und bibliografische Daten

Der Reichsgerichtsbau In Leipzig - Buchbeschreibung, Ausstattung und ISBN

Wer nach einem Buch von Thomas G. Dorsch aus dem Themenfeld Sachbuch sucht, findet mit Der Reichsgerichtsbau In Leipzig eine Ausgabe mit präziser inhaltlicher Positionierung. Der Untertitel Anspruch Und Wirklichkeit Einer Staatsarchitektur (Europaische Hochschulschriften, Reihe XXXVII, Architektur,) ergänzt den Haupttitel Der Reichsgerichtsbau In Leipzig sinnvoll und gibt bereits früh einen konkreten Hinweis auf die inhaltliche Ausrichtung des Buches. Der Reichsgerichtsbau In Leipzig wird in der Beschreibung wie folgt charakterisiert: Claim and reality of a state's architecture The relationship between the judiciary and the public in the 19th century can be deduced from the history of the “Gerichtsöffentlichkeit”; the reason the public was allowed to attend trials was not to improve the administration of justice but to become independent of the government's authorities. When the Empire's Judicial laws came into effect, this was achieved to a great extent. The German Supreme Court, being the supreme authority, obtained a special significance among the recently established other courts. First, no decision was made whether this Court should be located in Leipzig or in Berlin: The daily press and the 'Reichstag' (German Parliament) had focussed on the decision about the location, thus turning the matter into a political debate. Headwords like “Particularism”, “Independence”, or “Centralization” very distinctly mirrored the tensions in domestic policies in the German Empire. After deciding that the Supreme Court should be located in Leipzig in 1877, seven years passed until an architects' tender for the creation of an appropriate and prestigious building was put in. The winners, Ludwig Hoffmann and Peter Dybwad had presented a draft, which could only be accepted after several alternations had been made. Dorsch compared five other building plans to theirs. In this connection, it is relevant to know how the type of building and the name “Justizpalast” (palace of justice) was merely established and which ideas of the architects of the revolution, of the Ecole des Beaux-Arts and the first palaces of justice of the 19th century were used in these drafts. Furthermore, these drafts had to be compared with those of the monumental building of the “Reichstag”. This study focussed on the iconological analysis of the building of the Supreme Court, erected by Hoffman between 1888 and 1895, where the context of the tender was helpful: The exterior architecture was presented in relation to its function, resp. the diversion of rooms in the interior, and it was considered, which features demonstrated that this was a court and a building, erected by the government of the German Empire. Who should be addressed with this architecture? The people using the building or strangers (foreign visitors). Could the building be regarded as an expression of the “real German Empire”, or would it merely show the dreams of the people who had it built? Which definite political statements and signals could be recognized, and how were they made obvious, e.g., by the architectural details? Which period of the architecture of the Empire does the building of the Supreme Court stand for, when especially considering the building of the Reichstag, designed by Wallot, and the architecture of the Supreme Court chosen by the Berlin authorities? Additionally, also other buildings of the German Empire, above all the Emperor's Palace in Straßburg, the local University- and Regional Library, and the representative buildings of the foreign countries, had to be compared. Eventually, Dorsch answers questions, about how the building of the Supreme Court was accepted, discussing the celebration of the keystone and the examination by Wilhelm II., by the specialist journals, and the political news by the domestic and the foreign press

Warum Der Reichsgerichtsbau In Leipzig relevant sein kann

Innerhalb von Sachbuch bietet Der Reichsgerichtsbau In Leipzig eine klar erkennbare thematische Zuordnung. Mit der Sprache Deutsch lässt sich Der Reichsgerichtsbau In Leipzig auch im internationalen oder mehrsprachigen Kontext präzise filtern. Im Kontext des Gesamtwerks von Thomas G. Dorsch lässt sich Der Reichsgerichtsbau In Leipzig gezielt bibliografisch und thematisch einordnen. Das hinterlegte Publikationsdatum 11.1999 unterstützt dabei, Der Reichsgerichtsbau In Leipzig zeitlich korrekt zu klassifizieren.

Was behandelt Der Reichsgerichtsbau In Leipzig?

Der Reichsgerichtsbau In Leipzig lässt sich inhaltlich innerhalb von Sachbuch verorten und wird in der Beschreibung wie folgt umrissen: Claim and reality of a state's architecture The relationship between the judiciary and the public in the 19th century can be deduced from the history of the “Gerichtsöffentlichkeit”; the reason the public was allowed to attend trials was not to improve the administration of justice but to become independent of the government's authorities. When the Empire's Judicial laws came into effect, this was achieved to a great extent. The German Supreme Court, being the supreme authority, obtained a special significance among the recently established other courts. First, no decision was made whether this Court should be located in Leipzig or in Berlin: The daily press and the 'Reichstag' (German Parliament) had focussed on the decision about the location, thus turning the matter into a political debate. Headwords like “Particularism”, “Independence”, or “Centralization” very distinctly mirrored the tensions in domestic policies in the German Empire. After deciding that the Supreme Court should be located in Leipzig in 1877, seven years passed until an architects' tender for the creation of an appropriate and prestigious building was put in. The winners, Ludwig Hoffmann and Peter Dybwad had presented a draft, which could only be accepted after several alternations had been made. Dorsch compared five other building plans to theirs. In this connection, it is relevant to know how the type of building and the name “Justizpalast” (palace of justice) was merely established and which ideas of the architects of the revolution, of the Ecole des Beaux-Arts and the first palaces of justice of the 19th century were used in these drafts. Furthermore, these drafts had to be compared with those of the monumental building of the “Reichstag”. This study focussed on the iconological analysis of the building of the Supreme Court, erected by Hoffman between 1888 and 1895, where the context of the tender was helpful: The exterior architecture was presented in relation to its function, resp. the diversion of rooms in the interior, and it was considered, which features demonstrated that this was a court and a building, erected by the government of the German Empire. Who should be addressed with this architecture? The people using the building or strangers (foreign visitors). Could the building be regarded as an expression of the “real German Empire”, or would it merely show the dreams of the people who had it built? Which definite political statements and signals could be recognized, and how were they made obvious, e.g., by the architectural details? Which period of the architecture of the Empire does the building of the Supreme Court stand for, when especially considering the building of the Reichstag, designed by Wallot, and the architecture of the Supreme Court chosen by the Berlin authorities? Additionally, also other buildings of the German Empire, above all the Emperor's Palace in Straßburg, the local University- and Regional Library, and the representative buildings of the foreign countries, had to be compared. Eventually, Dorsch answers questions, about how the building of the Supreme Court was accepted, discussing the celebration of the keystone and the examination by Wilhelm II., by the specialist journals, and the political news by the domestic and the foreign press Die vorhandenen Tags verdichten die inhaltliche Einordnung des Buches zusätzlich: Buildings, structures, Criticism and interpretation, Germany, Conservation and restoration, Courthouses, Germany, description and travel, Germany. Reichsgericht

Edition und bibliografische Einordnung

Die Kombination aus ISBN-10 3631350600 und ISBN-13 9783631350607 ermöglicht eine besonders präzise bibliografische Zuordnung. Die Open-Library-Zuordnung über OL10085367W und OL12827717M verbessert die externe Nachvollziehbarkeit des Werkes.

Die zentralen Metadaten zu Der Reichsgerichtsbau In Leipzig

  1. Verfasst von: Thomas G. Dorsch
  2. Open-Library-Editions-IDs: OL12827717M
  3. Sprache: Deutsch
  4. Ausgabeform: hard
  5. Externe Work-Referenz: OL10085367W
  6. Kurzbeschreibung: Claim and reality of a state's architecture The relationship between the judiciary and the public in the 19th century can be deduced from the history of the “Gerichtsöffentlichkeit”; the reason the public was allowed to attend trials was not to improve the administration of justice but to become independent of the government's authorities. When the Empire's Judicial laws came into effect, this was achieved to a great extent. The German Supreme Court, being the supreme authority, obtained a special significance among the recently established other courts. First, no decision was made whether this Court should be located in Leipzig or in Berlin: The daily press and the 'Reichstag' (German Parliament) had focussed on the decision about the location, thus turning the matter into a political debate. Headwords like “Particularism”, “Independence”, or “Centralization” very distinctly mirrored the tensions in domestic policies in the German Empire. After deciding that the Supreme Court should be located in Leipzig in 1877, seven years passed until an architects' tender for the creation of an appropriate and prestigious building was put in. The winners, Ludwig Hoffmann and Peter Dybwad had presented a draft, which could only be accepted after several alternations had been made. Dorsch compared five other building plans to theirs. In this connection, it is relevant to know how the type of building and the name “Justizpalast” (palace of justice) was merely established and which ideas of the architects of the revolution, of the Ecole des Beaux-Arts and the first palaces of justice of the 19th century were used in these drafts. Furthermore, these drafts had to be compared with those of the monumental building of the “Reichstag”. This study focussed on the iconological analysis of the building of the Supreme Court, erected by Hoffman between 1888 and 1895, where the context of the tender was helpful: The exterior architecture was presented in relation to its function, resp. the diversion of rooms in the interior, and it was considered, which features demonstrated that this was a court and a building, erected by the government of the German Empire. Who should be addressed with this architecture? The people using the building or strangers (foreign visitors). Could the building be regarded as an expression of the “real German Empire”, or would it merely show the dreams of the people who had it built? Which definite political statements and signals could be recognized, and how were they made obvious, e.g., by the architectural details? Which period of the architecture of the Empire does the building of the Supreme Court stand for, when especially considering the building of the Reichstag, designed by Wallot, and the architecture of the Supreme Court chosen by the Berlin authorities? Additionally, also other buildings of the German Empire, above all the Emperor's Palace in Straßburg, the local University- and Regional Library, and the representative buildings of the foreign countries, had to be compared. Eventually, Dorsch answers questions, about how the building of the Supreme Court was accepted, discussing the celebration of the keystone and the examination by Wilhelm II., by the specialist journals, and the political news by the domestic and the foreign press
  7. ISBN-13: 9783631350607
  8. Thematische Tags: Buildings, structures, Criticism and interpretation, Germany, Conservation and restoration, Courthouses, Germany, description and travel, Germany. Reichsgericht
  9. Untertitel: Anspruch Und Wirklichkeit Einer Staatsarchitektur (Europaische Hochschulschriften, Reihe XXXVII, Architektur,)
  10. Titel: Der Reichsgerichtsbau In Leipzig
  11. Erscheinungsdatum: 11.1999
  12. ISBN-10: 3631350600
  13. Thematische Hauptkategorie: Sachbuch
  14. Publiziert bei: Peter Lang Publishing

Auffindbarkeit und bibliografische Präzision

Durch die Kombination aus Titel, Autorenschaft, Kategorie und Schlagwörtern - also Der Reichsgerichtsbau In Leipzig, Thomas G. Dorsch, Sachbuch und Buildings, structures, Criticism and interpretation, Germany, Conservation and restoration, Courthouses, Germany, description and travel, Germany. Reichsgericht - ist der Datensatz sowohl für Suchmaschinen als auch für Nutzerinnen und Nutzer sehr gut interpretierbar. Mit ISBN-10, ISBN-13 und Work-ID - 3631350600, 9783631350607 und OL10085367W - lässt sich diese Ausgabe plattformübergreifend eindeutig verknüpfen.

Wichtige Fragen zu Inhalt und Ausgabe

Wie lässt sich die Ausgabe eindeutig identifizieren?

Die eindeutige Identifikation erfolgt unter anderem über die ISBN-10 3631350600 und die ISBN-13 9783631350607.

Was sagt die Beschreibung über das Buch aus?

Claim and reality of a state's architecture The relationship between the judiciary and the public in the 19th century can be deduced from the history of the “Gerichtsöffentlichkeit”; the reason the public was allowed to attend trials was not to improve the administration of justice but to become independent of the government's authorities. When the Empire's Judicial laws came into effect, this was achieved to a great extent. The German Supreme Court, being the supreme authority, obtained a special significance among the recently established other courts. First, no decision was made whether this Court should be located in Leipzig or in Berlin: The daily press and the 'Reichstag' (German Parliament) had focussed on the decision about the location, thus turning the matter into a political debate. Headwords like “Particularism”, “Independence”, or “Centralization” very distinctly mirrored the tensions in domestic policies in the German Empire. After deciding that the Supreme Court should be located in Leipzig in 1877, seven years passed until an architects' tender for the creation of an appropriate and prestigious building was put in. The winners, Ludwig Hoffmann and Peter Dybwad had presented a draft, which could only be accepted after several alternations had been made. Dorsch compared five other building plans to theirs. In this connection, it is relevant to know how the type of building and the name “Justizpalast” (palace of justice) was merely established and which ideas of the architects of the revolution, of the Ecole des Beaux-Arts and the first palaces of justice of the 19th century were used in these drafts. Furthermore, these drafts had to be compared with those of the monumental building of the “Reichstag”. This study focussed on the iconological analysis of the building of the Supreme Court, erected by Hoffman between 1888 and 1895, where the context of the tender was helpful: The exterior architecture was presented in relation to its function, resp. the diversion of rooms in the interior, and it was considered, which features demonstrated that this was a court and a building, erected by the government of the German Empire. Who should be addressed with this architecture? The people using the building or strangers (foreign visitors). Could the building be regarded as an expression of the “real German Empire”, or would it merely show the dreams of the people who had it built? Which definite political statements and signals could be recognized, and how were they made obvious, e.g., by the architectural details? Which period of the architecture of the Empire does the building of the Supreme Court stand for, when especially considering the building of the Reichstag, designed by Wallot, and the architecture of the Supreme Court chosen by the Berlin authorities? Additionally, also other buildings of the German Empire, above all the Emperor's Palace in Straßburg, the local University- and Regional Library, and the representative buildings of the foreign countries, had to be compared. Eventually, Dorsch answers questions, about how the building of the Supreme Court was accepted, discussing the celebration of the keystone and the examination by Wilhelm II., by the specialist journals, and the political news by the domestic and the foreign press

Wer sollte sich für Der Reichsgerichtsbau In Leipzig interessieren?

Besonders relevant ist Der Reichsgerichtsbau In Leipzig für Leserinnen und Leser, die nach Literatur aus dem Bereich Sachbuch suchen oder gezielt Veröffentlichungen von Thomas G. Dorsch betrachten möchten.

Warum ist der Untertitel Anspruch Und Wirklichkeit Einer Staatsarchitektur (Europaische Hochschulschriften, Reihe XXXVII, Architektur,) wichtig?

Er hilft dabei, Der Reichsgerichtsbau In Leipzig inhaltlich schneller zu erfassen und den konkreten Schwerpunkt der Ausgabe besser zu verstehen.

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