Joan Miro. Mein Atelier ist mein Garten - Buchdetails zu Autor, Inhalt und ISBN

Alles Wichtige zu Joan Miro. Mein Atelier ist mein Garten

Joan Miro. Mein Atelier ist mein Garten von Joan Miró, Achim Sommer, Hubertus Gassner, Richard W. Gassen, Rosa Maria Malet, Eva Beate Bode, Joan Baixas, Patrick Blümel, Jürgen Pech ist ein Titel aus dem Bereich Sachbuch, der thematisch klar positioniert ist und für Leserinnen und Leser mit Interesse an diesem Fach- oder Themengebiet besonders relevant sein kann. Joan Miro. Mein Atelier ist mein Garten wird in der Beschreibung wie folgt charakterisiert: Joan Miro (1893-1983), the foremost painter associated with Surrealism, studied in his native Barcelona before going to Paris in 1920. He was enthralled by the work of the Cubist and Fauve artists, who influenced his early style. During the 1920s he met regularly with a number of Surrealists, with whom he began to exhibit in 1925. His free-form abstractions from the 1920s draw on fantasy, dream, and myth, and many have been characterized as attempts at psychic automatism, or direct transcription of the subconscious. Despite such links with the Surrealists, however, Miro was never an orthodox member of the group. After 1930, he developed his lyrical mature style, distinguished by playful juxtapositions of freely flowing lines and brightly colored, abstract or organic forms. With remarkable consistency, he would continue to work in this visual world he had made for the rest of his career. During World War II he created an astonishing series of works on paper known as the Constellations, among the most personal of all artists' responses to the disasters of that time. In the late 1940s and the 1950s, Miro produced a number of monumental paintings, including murals for hotels in New York and Cincinnati and for the Graduate Center at Harvard University. In 1958 he designed one of his largest works, the ceramic mural for the UNESCO Building in Paris. Besides paintings, Miro produced a large body of lithographs, a medium especially suited to his simplified forms and wiry lines

Was diese Ausgabe besonders interessant macht

Wer Literatur aus dem Bereich Sachbuch sucht, findet in Joan Miro. Mein Atelier ist mein Garten einen gut klassifizierbaren Titel. Mit der Sprache Deutsch lässt sich Joan Miro. Mein Atelier ist mein Garten auch im internationalen oder mehrsprachigen Kontext präzise filtern. Das hinterlegte Publikationsdatum 10.2000 unterstützt dabei, Joan Miro. Mein Atelier ist mein Garten zeitlich korrekt zu klassifizieren. Gerade wer nach Werken von Joan Miró, Achim Sommer, Hubertus Gassner, Richard W. Gassen, Rosa Maria Malet, Eva Beate Bode, Joan Baixas, Patrick Blümel, Jürgen Pech sucht, sollte Joan Miro. Mein Atelier ist mein Garten näher betrachten.

Thematische Einordnung von Joan Miro. Mein Atelier ist mein Garten

Wer wissen möchte, worauf Joan Miro. Mein Atelier ist mein Garten inhaltlich abzielt, findet in dieser Zusammenfassung einen ersten Ansatzpunkt: Joan Miro (1893-1983), the foremost painter associated with Surrealism, studied in his native Barcelona before going to Paris in 1920. He was enthralled by the work of the Cubist and Fauve artists, who influenced his early style. During the 1920s he met regularly with a number of Surrealists, with whom he began to exhibit in 1925. His free-form abstractions from the 1920s draw on fantasy, dream, and myth, and many have been characterized as attempts at psychic automatism, or direct transcription of the subconscious. Despite such links with the Surrealists, however, Miro was never an orthodox member of the group. After 1930, he developed his lyrical mature style, distinguished by playful juxtapositions of freely flowing lines and brightly colored, abstract or organic forms. With remarkable consistency, he would continue to work in this visual world he had made for the rest of his career. During World War II he created an astonishing series of works on paper known as the Constellations, among the most personal of all artists' responses to the disasters of that time. In the late 1940s and the 1950s, Miro produced a number of monumental paintings, including murals for hotels in New York and Cincinnati and for the Graduate Center at Harvard University. In 1958 he designed one of his largest works, the ceramic mural for the UNESCO Building in Paris. Besides paintings, Miro produced a large body of lithographs, a medium especially suited to his simplified forms and wiry lines Über die Schlagwörter Catalogs, Exhibitions, Criticism and interpretation, Modern Art, Art, Private collections, Art collections, Illustrations, Fundació Pilar i Joan Miró a Mallorca, Miro, joan, 1893-1983, Posters, Spanish Painting, Ceramic sculpture, Wall hangings, Ubu (Fictitious character) in art lässt sich Joan Miro. Mein Atelier ist mein Garten auch in größeren Beständen gezielt auffinden. Seitenzahl und Ausgabeform - 223 Seiten im Format hard - liefern zusätzliche Orientierung für Kauf- und Rechercheentscheidungen.

Edition und bibliografische Einordnung

Sowohl die ISBN-10 3775709827 als auch die ISBN-13 9783775709828 erleichtern das Auffinden und Vergleichen dieser Ausgabe erheblich. Auch externe Referenzen sind vorhanden: Die Work-ID lautet OL578527W, die zugehörigen Editions-IDs sind OL12876693M, OL44710072M, OL2111827M, OL44530395M, OL22465643M.

Wichtige Buchdaten im Überblick

1. Sprache: Deutsch
2. Thematische Hauptkategorie: Sachbuch
3. Titel: Joan Miro. Mein Atelier ist mein Garten
4. Open-Library-Work-ID: OL578527W
5. Kurzbeschreibung: Joan Miro (1893-1983), the foremost painter associated with Surrealism, studied in his native Barcelona before going to Paris in 1920. He was enthralled by the work of the Cubist and Fauve artists, who influenced his early style. During the 1920s he met regularly with a number of Surrealists, with whom he began to exhibit in 1925. His free-form abstractions from the 1920s draw on fantasy, dream, and myth, and many have been characterized as attempts at psychic automatism, or direct transcription of the subconscious. Despite such links with the Surrealists, however, Miro was never an orthodox member of the group. After 1930, he developed his lyrical mature style, distinguished by playful juxtapositions of freely flowing lines and brightly colored, abstract or organic forms. With remarkable consistency, he would continue to work in this visual world he had made for the rest of his career. During World War II he created an astonishing series of works on paper known as the Constellations, among the most personal of all artists' responses to the disasters of that time. In the late 1940s and the 1950s, Miro produced a number of monumental paintings, including murals for hotels in New York and Cincinnati and for the Graduate Center at Harvard University. In 1958 he designed one of his largest works, the ceramic mural for the UNESCO Building in Paris. Besides paintings, Miro produced a large body of lithographs, a medium especially suited to his simplified forms and wiry lines
6. Verfasst von: Joan Miró, Achim Sommer, Hubertus Gassner, Richard W. Gassen, Rosa Maria Malet, Eva Beate Bode, Joan Baixas, Patrick Blümel, Jürgen Pech
7. ISBN-10: 3775709827
8. Open-Library-Editions-IDs: OL12876693M, OL44710072M, OL2111827M, OL44530395M, OL22465643M
9. Umfang: 223 Seiten
10. Erscheinungsdatum: 10.2000
11. Ausgabeform: hard
12. Publiziert bei: Hatje Cantz Verlag
13. Thematische Tags: Catalogs, Exhibitions, Criticism and interpretation, Modern Art, Art, Private collections, Art collections, Illustrations, Fundació Pilar i Joan Miró a Mallorca, Miro, joan, 1893-1983, Posters, Spanish Painting, Ceramic sculpture, Wall hangings, Ubu (Fictitious character) in art
14. ISBN-13: 9783775709828

Relevanz für Suche und Einordnung

Die Verbindung aus Joan Miro. Mein Atelier ist mein Garten, Joan Miró, Achim Sommer, Hubertus Gassner, Richard W. Gassen, Rosa Maria Malet, Eva Beate Bode, Joan Baixas, Patrick Blümel, Jürgen Pech, Sachbuch und Catalogs, Exhibitions, Criticism and interpretation, Modern Art, Art, Private collections, Art collections, Illustrations, Fundació Pilar i Joan Miró a Mallorca, Miro, joan, 1893-1983, Posters, Spanish Painting, Ceramic sculpture, Wall hangings, Ubu (Fictitious character) in art schafft eine solide Grundlage für eine präzise thematische Suche. Mit ISBN-10, ISBN-13 und Work-ID - 3775709827, 9783775709828 und OL578527W - lässt sich diese Ausgabe plattformübergreifend eindeutig verknüpfen.

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