Kokoschka | Buchdaten, Inhalt und Autor

Kokoschka - Buchbeschreibung, Ausstattung und ISBN

Wer nach einem Buch von Oskar Kokoschka aus dem Themenfeld Sachbuch sucht, findet mit Kokoschka eine Ausgabe mit präziser inhaltlicher Positionierung. Der Zusatz träumender Knabe = enfant terrible schärft das Profil von Kokoschka und unterstützt die thematische Einordnung bereits auf den ersten Blick. Die Kurzbeschreibung von Kokoschka zeigt, welche Inhalte Leserinnen und Leser erwarten dürfen: A major figure in the Expressionist movement, Oskar Kokoschka (1886-1980) studied in Vienna, and early in his career was strongly influenced by Art Nouveau, particularly the elegant style of Gustav Klimt. Around 1909 he painted the first of his Expressionist portraits, which seem to reveal their sitters' emotional life. The restless draftsmanship and broken patterns of color in these likenesses predict the emergence of the artist's mature style in such paintings as Bride of the Wind of 1914. Seriously wounded in World War I, Kokoschka produced little work until 1924, when he began a series of journeys through Europe and North Africa that refreshed his creative spirit. During this period he embarked on a number of color experiments, particularly in landscape paintings, in which he combined a traditional organization of the painting's space seen from a high viewpoint with brilliant colors, set forth with his characteristic energetic brushwork. These visionary landscapes communicate a passionate vision, seeming at times exhilarated, at times anguished. In the 1930s, the artist's work was condemned by the Nazi regime as "degenerate" and his paintings in public collections were confiscated. In 1938 he moved to London, and after World War II, to Switzerland, where he spent most of the rest of his life. Kokoschka's late paintings retain the Expressionist qualities of his best mature work, and though he never fully deserted representation, their increasing abstraction reveals a kinship to Abstract Expressionism Als Veröffentlichungsdatum ist 2008 hinterlegt; verlegt wurde der Titel von Bibliothek der Provinz in Weitra.

Warum Kokoschka relevant sein kann

Kokoschka liegt in Deutsch vor, was für die inhaltliche Nutzung ebenso wichtig ist wie für die bibliografische Suche. Die Angaben zu Bibliothek der Provinz und Weitra stärken die bibliografische Präzision des Eintrags. Für Recherchen nach Veröffentlichungszeitraum ist Kokoschka mit dem Datum 2008 eindeutig zuordenbar. Kokoschka ist besonders für Leserinnen und Leser interessant, die sich gezielt mit Veröffentlichungen von Oskar Kokoschka beschäftigen möchten. Durch die Zuordnung zur Kategorie Sachbuch wird Kokoschka auch für thematische Recherchen besonders relevant.

Inhalte, Themen und Relevanz

Wer wissen möchte, worauf Kokoschka inhaltlich abzielt, findet in dieser Zusammenfassung einen ersten Ansatzpunkt: A major figure in the Expressionist movement, Oskar Kokoschka (1886-1980) studied in Vienna, and early in his career was strongly influenced by Art Nouveau, particularly the elegant style of Gustav Klimt. Around 1909 he painted the first of his Expressionist portraits, which seem to reveal their sitters' emotional life. The restless draftsmanship and broken patterns of color in these likenesses predict the emergence of the artist's mature style in such paintings as Bride of the Wind of 1914. Seriously wounded in World War I, Kokoschka produced little work until 1924, when he began a series of journeys through Europe and North Africa that refreshed his creative spirit. During this period he embarked on a number of color experiments, particularly in landscape paintings, in which he combined a traditional organization of the painting's space seen from a high viewpoint with brilliant colors, set forth with his characteristic energetic brushwork. These visionary landscapes communicate a passionate vision, seeming at times exhilarated, at times anguished. In the 1930s, the artist's work was condemned by the Nazi regime as "degenerate" and his paintings in public collections were confiscated. In 1938 he moved to London, and after World War II, to Switzerland, where he spent most of the rest of his life. Kokoschka's late paintings retain the Expressionist qualities of his best mature work, and though he never fully deserted representation, their increasing abstraction reveals a kinship to Abstract Expressionism Über die Schlagwörter Catalogs, Exhibitions, Criticism and interpretation, Themes, motives, Art, Private collections, Art collections, In art, Fondation Oskar Kokoschka, Hand in art, Courtauld Institute Galleries, Kokoschka, oscar, 1886-1980 lässt sich Kokoschka auch in größeren Beständen gezielt auffinden.

Ausgabe, Identifikatoren und Referenzen

Die Ausgabe ist über den Verlag Bibliothek der Provinz, den Ort Weitra und das Datum 2008 klar kontextualisiert. Die Open-Library-Zuordnung über OL41404W und OL20750719M, OL21232430M, OL20893763M verbessert die externe Nachvollziehbarkeit des Werkes. Mit 3852529026 und 9783852529028 stehen zwei zentrale ISBN-Varianten zur Verfügung, die die Ausgabe eindeutig beschreiben.

Die zentralen Metadaten zu Kokoschka

1. Kurzbeschreibung: A major figure in the Expressionist movement, Oskar Kokoschka (1886-1980) studied in Vienna, and early in his career was strongly influenced by Art Nouveau, particularly the elegant style of Gustav Klimt. Around 1909 he painted the first of his Expressionist portraits, which seem to reveal their sitters' emotional life. The restless draftsmanship and broken patterns of color in these likenesses predict the emergence of the artist's mature style in such paintings as Bride of the Wind of 1914. Seriously wounded in World War I, Kokoschka produced little work until 1924, when he began a series of journeys through Europe and North Africa that refreshed his creative spirit. During this period he embarked on a number of color experiments, particularly in landscape paintings, in which he combined a traditional organization of the painting's space seen from a high viewpoint with brilliant colors, set forth with his characteristic energetic brushwork. These visionary landscapes communicate a passionate vision, seeming at times exhilarated, at times anguished. In the 1930s, the artist's work was condemned by the Nazi regime as "degenerate" and his paintings in public collections were confiscated. In 1938 he moved to London, and after World War II, to Switzerland, where he spent most of the rest of his life. Kokoschka's late paintings retain the Expressionist qualities of his best mature work, and though he never fully deserted representation, their increasing abstraction reveals a kinship to Abstract Expressionism
2. ISBN-10: 3852529026
3. Ergänzender Titelzusatz: träumender Knabe = enfant terrible
4. Externe Work-Referenz: OL41404W
5. Veröffentlicht am: 2008
6. Verlagsort: Weitra
7. Sprache: Deutsch
8. Internationale Standardbuchnummer (ISBN-13): 9783852529028
9. Thematische Tags: Catalogs, Exhibitions, Criticism and interpretation, Themes, motives, Art, Private collections, Art collections, In art, Fondation Oskar Kokoschka, Hand in art, Courtauld Institute Galleries, Kokoschka, oscar, 1886-1980
10. Primäre Kategorie: Sachbuch
11. Autor beziehungsweise Autoren: Oskar Kokoschka
12. Publiziert bei: Bibliothek der Provinz
13. Seitenzahl: 297
14. Buchtitel: Kokoschka
15. Externe Editionsreferenzen: OL20750719M, OL21232430M, OL20893763M

Suchrelevante Merkmale dieser Ausgabe

Kokoschka profitiert für die Auffindbarkeit besonders von der Verbindung zwischen Oskar Kokoschka, Sachbuch und den Tags Catalogs, Exhibitions, Criticism and interpretation, Themes, motives, Art, Private collections, Art collections, In art, Fondation Oskar Kokoschka, Hand in art, Courtauld Institute Galleries, Kokoschka, oscar, 1886-1980, weil dadurch eine starke semantische Einordnung entsteht. Eindeutige Referenzdaten wie 3852529026, 9783852529028 und OL41404W verbessern die bibliografische Verlässlichkeit zusätzlich.

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