CROSSTOWN Books

Tina | Buch, Verlag und Erscheinungsjahr

11/06/2026

Lesedauer: 8 min

Kompakte Infos zu Tina von Pino Cacucci: Thema, Ausgabe und bibliografische Daten. Praktisch, wenn du Titel prüfen oder Ausgaben vergleichen willst.

Tina | Buch, Verlag und Erscheinungsjahr

Tina - Buchbeschreibung, Ausstattung und ISBN

Wer nach einem Buch von Pino Cacucci aus dem Themenfeld Sachbuch sucht, findet mit Tina eine Ausgabe mit präziser inhaltlicher Positionierung. Mit dem Untertitel Das abenteuerliche Leben der Tina Modotti wird bei Tina noch deutlicher, in welche Richtung das Werk inhaltlich argumentiert und welche Schwerpunkte gesetzt werden. Tina wird in der Beschreibung wie folgt charakterisiert: The life of Tina Modotti is the stuff of enduring legend. Her sensual, melancholic beauty inspired the work of the most brilliant artists, photographers, and writers of her time, including Diego Rivera, Edward Weston, and Pablo Neruda. Her fierce commitment to the social and political causes of the working class and her affiliation with the Mexican Communist Party landed her at the center of national controversy in Mexico. A gifted photographer in her own right, Modotti is now widely recognized as one of the great artists of the early twentieth century. It was through her work as a model that she met photographer Edward Weston. Though already married to California poet Roubaix de l'Abrie Richey (known as Robo), Modotti fell in love with Weston and with photography and left with him for Mexico in 1922. In Mexico Modotti blossomed, both as a talented artist and as a dedicated worker for the cause of the revolutionary left, and befriended artists Rivera and Frieda Kahlo. In 1929 Modotti, under suspicion by the Mexican police, was arrested in connection with the murder of Julio Antonio Mella, a Cuban revolutionary and her lover. Though the killers were never identified, the Mexican press raised a scandal by publishing nude photographs of Modotti taken by Weston. She was eventually exiled from Mexico. Denied re-entry to the United States, Modotti field to Germany and then to Moscow, where she abandoned her photography and worked as a bureaucrat for the Communist Party and traveled on clandestine missions for the "Red Rescue.". In 1936 Modotti moved to Spain, where she met Ernest Hemingway, John Dos Passos, Andre Malraux, and Robert Capa. Although Capa tried to encourage her to take up her photography again, Modotti was by now dedicating herself exclusively to political militancy. At the fall of the Spanish Republic in 1939, Modotti returned to Mexico, where she died on January 5, 1942

Was diese Ausgabe besonders interessant macht

Im Kontext des Gesamtwerks von Pino Cacucci lässt sich Tina gezielt bibliografisch und thematisch einordnen. Das hinterlegte Publikationsdatum 1995 unterstützt dabei, Tina zeitlich korrekt zu klassifizieren. Innerhalb von Sachbuch bietet Tina eine klar erkennbare thematische Zuordnung. Dass Tina in Deutsch erschienen ist, erleichtert die gezielte Auswahl für sprachspezifische Recherchen.

Thematische Einordnung von Tina

Tina lässt sich inhaltlich innerhalb von Sachbuch verorten und wird in der Beschreibung wie folgt umrissen: The life of Tina Modotti is the stuff of enduring legend. Her sensual, melancholic beauty inspired the work of the most brilliant artists, photographers, and writers of her time, including Diego Rivera, Edward Weston, and Pablo Neruda. Her fierce commitment to the social and political causes of the working class and her affiliation with the Mexican Communist Party landed her at the center of national controversy in Mexico. A gifted photographer in her own right, Modotti is now widely recognized as one of the great artists of the early twentieth century. It was through her work as a model that she met photographer Edward Weston. Though already married to California poet Roubaix de l'Abrie Richey (known as Robo), Modotti fell in love with Weston and with photography and left with him for Mexico in 1922. In Mexico Modotti blossomed, both as a talented artist and as a dedicated worker for the cause of the revolutionary left, and befriended artists Rivera and Frieda Kahlo. In 1929 Modotti, under suspicion by the Mexican police, was arrested in connection with the murder of Julio Antonio Mella, a Cuban revolutionary and her lover. Though the killers were never identified, the Mexican press raised a scandal by publishing nude photographs of Modotti taken by Weston. She was eventually exiled from Mexico. Denied re-entry to the United States, Modotti field to Germany and then to Moscow, where she abandoned her photography and worked as a bureaucrat for the Communist Party and traveled on clandestine missions for the "Red Rescue.". In 1936 Modotti moved to Spain, where she met Ernest Hemingway, John Dos Passos, Andre Malraux, and Robert Capa. Although Capa tried to encourage her to take up her photography again, Modotti was by now dedicating herself exclusively to political militancy. At the fall of the Spanish Republic in 1939, Modotti returned to Mexico, where she died on January 5, 1942 Über die Schlagwörter Biography, Communists, Photographers, Women communists, Women photographers, Modotti, tina, 1896-1942 lässt sich Tina auch in größeren Beständen gezielt auffinden.

Wichtige Kennzeichen dieser Ausgabe

Auch externe Referenzen sind vorhanden: Die Work-ID lautet OL936287W, die zugehörigen Editions-IDs sind OL37761327M.

Bibliografische Eckdaten dieser Ausgabe

  1. Thematische Tags: Biography, Communists, Photographers, Women communists, Women photographers, Modotti, tina, 1896-1942
  2. Verfasst von: Pino Cacucci
  3. Ergänzender Titelzusatz: Das abenteuerliche Leben der Tina Modotti
  4. ISBN-10: 3257227825
  5. Buchtitel: Tina
  6. Ausgabeform: pocket
  7. Publiziert bei: Diogenes
  8. Verfügbare Sprache dieser Ausgabe: Deutsch
  9. Kurzbeschreibung: The life of Tina Modotti is the stuff of enduring legend. Her sensual, melancholic beauty inspired the work of the most brilliant artists, photographers, and writers of her time, including Diego Rivera, Edward Weston, and Pablo Neruda. Her fierce commitment to the social and political causes of the working class and her affiliation with the Mexican Communist Party landed her at the center of national controversy in Mexico. A gifted photographer in her own right, Modotti is now widely recognized as one of the great artists of the early twentieth century. It was through her work as a model that she met photographer Edward Weston. Though already married to California poet Roubaix de l'Abrie Richey (known as Robo), Modotti fell in love with Weston and with photography and left with him for Mexico in 1922. In Mexico Modotti blossomed, both as a talented artist and as a dedicated worker for the cause of the revolutionary left, and befriended artists Rivera and Frieda Kahlo. In 1929 Modotti, under suspicion by the Mexican police, was arrested in connection with the murder of Julio Antonio Mella, a Cuban revolutionary and her lover. Though the killers were never identified, the Mexican press raised a scandal by publishing nude photographs of Modotti taken by Weston. She was eventually exiled from Mexico. Denied re-entry to the United States, Modotti field to Germany and then to Moscow, where she abandoned her photography and worked as a bureaucrat for the Communist Party and traveled on clandestine missions for the "Red Rescue.". In 1936 Modotti moved to Spain, where she met Ernest Hemingway, John Dos Passos, Andre Malraux, and Robert Capa. Although Capa tried to encourage her to take up her photography again, Modotti was by now dedicating herself exclusively to political militancy. At the fall of the Spanish Republic in 1939, Modotti returned to Mexico, where she died on January 5, 1942
  10. Open-Library-Editions-IDs: OL37761327M
  11. Erscheinungsdatum: 1995
  12. Thematische Hauptkategorie: Sachbuch
  13. Open-Library-Work-ID: OL936287W

Suchrelevante Merkmale dieser Ausgabe

Die Verbindung aus Tina, Pino Cacucci, Sachbuch und Biography, Communists, Photographers, Women communists, Women photographers, Modotti, tina, 1896-1942 schafft eine solide Grundlage für eine präzise thematische Suche.

Wichtige Fragen zu Inhalt und Ausgabe

Gibt es externe Referenzdaten für das Werk?

Ja, das Werk ist über die Open-Library-Work-ID OL936287W sowie die Editions-IDs OL37761327M referenzierbar.

Was verrät der Untertitel über Tina?

Mit Das abenteuerliche Leben der Tina Modotti wird deutlich, in welche Richtung das Buch argumentiert oder welche Inhalte besonders hervorgehoben werden.

Wie lässt sich Tina thematisch einordnen?

Die Ausgabe wird dem Bereich Sachbuch zugeordnet und ist damit für thematisch fokussierte Recherchen gut geeignet.

Was sagt die Beschreibung über das Buch aus?

The life of Tina Modotti is the stuff of enduring legend. Her sensual, melancholic beauty inspired the work of the most brilliant artists, photographers, and writers of her time, including Diego Rivera, Edward Weston, and Pablo Neruda. Her fierce commitment to the social and political causes of the working class and her affiliation with the Mexican Communist Party landed her at the center of national controversy in Mexico. A gifted photographer in her own right, Modotti is now widely recognized as one of the great artists of the early twentieth century. It was through her work as a model that she met photographer Edward Weston. Though already married to California poet Roubaix de l'Abrie Richey (known as Robo), Modotti fell in love with Weston and with photography and left with him for Mexico in 1922. In Mexico Modotti blossomed, both as a talented artist and as a dedicated worker for the cause of the revolutionary left, and befriended artists Rivera and Frieda Kahlo. In 1929 Modotti, under suspicion by the Mexican police, was arrested in connection with the murder of Julio Antonio Mella, a Cuban revolutionary and her lover. Though the killers were never identified, the Mexican press raised a scandal by publishing nude photographs of Modotti taken by Weston. She was eventually exiled from Mexico. Denied re-entry to the United States, Modotti field to Germany and then to Moscow, where she abandoned her photography and worked as a bureaucrat for the Communist Party and traveled on clandestine missions for the "Red Rescue.". In 1936 Modotti moved to Spain, where she met Ernest Hemingway, John Dos Passos, Andre Malraux, and Robert Capa. Although Capa tried to encourage her to take up her photography again, Modotti was by now dedicating herself exclusively to political militancy. At the fall of the Spanish Republic in 1939, Modotti returned to Mexico, where she died on January 5, 1942

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