Emilia Galotti von Gotthold Ephraim Lessing prägnant zusammengefasst mit Fokus auf Inhalt und Ausgabe. Nützlich für alle, die gezielt prüfen statt nur überfliegen wollen.
Emilia Galotti - Details zu Inhalt, Autor und Veröffentlichung
Emilia Galotti von Gotthold Ephraim Lessing ist ein Titel aus dem Bereich Drama, der thematisch klar positioniert ist und für Leserinnen und Leser mit Interesse an diesem Fach- oder Themengebiet besonders relevant sein kann. Die vorhandene Beschreibung macht deutlich, worauf Emilia Galotti den Fokus legt: Emilia Galotti (1772), a tragedy in five acts by Gotthold Ephraim Lessing (1729–1781), is considered his masterpiece. The plot of the tragedy is based on a Roman story about a father who killed his daughter to save her from being pursued and violated by a noble.
The action of Lessing’s play takes place in the imaginary Italian principality of Guastalla. The lecherous and despotic prince has chosen as his next victim the beautiful Emilia, Colonel Odoardo Galotti’s daughter.
Odoardo is proud and courageous. He detests the immoral life of the court and the prince himself. He cannot be bribed or frightened.
Emilia is about to marry the noble and independent Count Appiani. In order to get Emilia, the prince, prompted by his chamberlain, Marinelli, commits a perfidious act. As the count and his bride are coming to the marriage service, the killers hired by Marinelli attack them. The count is dead, and Emilia is in the prince’s hands at his palace, to which his servants lead her, supposedly to give her aid.
Once Odoardo learns about this, he hastens to the palace in order to take Emilia from there. However, he does not have a clue about his sovereign’s true intentions. But Countess Orsina, the former lover of the prince, whom he abandoned for Emilia’s sake, reveals the truth to him. The old Galotti is terrified and indignant. He wants to reclaim his daughter, but the prince will not let him take her back. The father tells the prince that paternal duty requires him to place Emilia in a monastery. He says,
Prince, paternal love is jealous of its duties. I think I know what alone suits my daughter in her present situation. Retirement from the world—a cloister as soon as possible. (act 5, scene 5)
The prince is confused, because such a turn of events disrupts his plans for the young lady. But the wily Marinelli comes to his aid by resorting to downright slander. He says that the count was not attacked by robbers but rather, as is being rumored, by a person who is in favor with Emilia. Marinelli threatens to arrest Emilia and accuse her of having conspired to kill the count. He demands that the young lady be interrogated and the court proceedings be brought.
Emilia runs to her father, and after a few words, Odoardo becomes confident that she is innocent. Emilia is outraged because of the violence and the injustice committed. But she confesses to her father that she is more fearful of seduction. Force can be resisted, but seduction is much more perilous. She exclaims,
Force! Force! What is that? Who may not defy force? What you call force is nothing. Seduction is the only real force. I have blood, my father, as youthful and as warm as that of others. I have senses too. I cannot pledge myself: I guarantee nothing. (act 5, scene 7)
The young lady is apprehensive of the frailty of her own soul before the seduction of the wealth, grandeur, and alluring words of the prince.
Emilia asks her father to give her a dagger. She wants to stab herself, but her father wrests the dagger from her. She plucks the leaves of the rose that decks her head. And as she does so, she pleads with her father to stab her to save her from disgrace. Emilia dies in the old Galotti’s hands, saying,
Broken a rose before the storm had robbed it of its bloom. (act 5, scene 8)
- "Emilia Galotti - Summary" eNotes Publishing Ed. eNotes Editorial. eNotes.com, Inc. eNotes.com 15 Oct, 2019
Warum Emilia Galotti relevant sein kann
Emilia Galotti spricht besonders Nutzer an, die sich für Bücher rund um Drama interessieren. Für Recherchen nach Veröffentlichungszeitraum ist Emilia Galotti mit dem Datum 1994 eindeutig zuordenbar. Gerade wer nach Werken von Gotthold Ephraim Lessing sucht, sollte Emilia Galotti näher betrachten. Emilia Galotti liegt in Deutsch vor, was für die inhaltliche Nutzung ebenso wichtig ist wie für die bibliografische Suche.
Worum geht es in Emilia Galotti?
Emilia Galotti lässt sich inhaltlich innerhalb von Drama verorten und wird in der Beschreibung wie folgt umrissen: Emilia Galotti (1772), a tragedy in five acts by Gotthold Ephraim Lessing (1729–1781), is considered his masterpiece. The plot of the tragedy is based on a Roman story about a father who killed his daughter to save her from being pursued and violated by a noble.
The action of Lessing’s play takes place in the imaginary Italian principality of Guastalla. The lecherous and despotic prince has chosen as his next victim the beautiful Emilia, Colonel Odoardo Galotti’s daughter.
Odoardo is proud and courageous. He detests the immoral life of the court and the prince himself. He cannot be bribed or frightened.
Emilia is about to marry the noble and independent Count Appiani. In order to get Emilia, the prince, prompted by his chamberlain, Marinelli, commits a perfidious act. As the count and his bride are coming to the marriage service, the killers hired by Marinelli attack them. The count is dead, and Emilia is in the prince’s hands at his palace, to which his servants lead her, supposedly to give her aid.
Once Odoardo learns about this, he hastens to the palace in order to take Emilia from there. However, he does not have a clue about his sovereign’s true intentions. But Countess Orsina, the former lover of the prince, whom he abandoned for Emilia’s sake, reveals the truth to him. The old Galotti is terrified and indignant. He wants to reclaim his daughter, but the prince will not let him take her back. The father tells the prince that paternal duty requires him to place Emilia in a monastery. He says,
Prince, paternal love is jealous of its duties. I think I know what alone suits my daughter in her present situation. Retirement from the world—a cloister as soon as possible. (act 5, scene 5)
The prince is confused, because such a turn of events disrupts his plans for the young lady. But the wily Marinelli comes to his aid by resorting to downright slander. He says that the count was not attacked by robbers but rather, as is being rumored, by a person who is in favor with Emilia. Marinelli threatens to arrest Emilia and accuse her of having conspired to kill the count. He demands that the young lady be interrogated and the court proceedings be brought.
Emilia runs to her father, and after a few words, Odoardo becomes confident that she is innocent. Emilia is outraged because of the violence and the injustice committed. But she confesses to her father that she is more fearful of seduction. Force can be resisted, but seduction is much more perilous. She exclaims,
Force! Force! What is that? Who may not defy force? What you call force is nothing. Seduction is the only real force. I have blood, my father, as youthful and as warm as that of others. I have senses too. I cannot pledge myself: I guarantee nothing. (act 5, scene 7)
The young lady is apprehensive of the frailty of her own soul before the seduction of the wealth, grandeur, and alluring words of the prince.
Emilia asks her father to give her a dagger. She wants to stab herself, but her father wrests the dagger from her. She plucks the leaves of the rose that decks her head. And as she does so, she pleads with her father to stab her to save her from disgrace. Emilia dies in the old Galotti’s hands, saying,
Broken a rose before the storm had robbed it of its bloom. (act 5, scene 8)
- "Emilia Galotti - Summary" eNotes Publishing Ed. eNotes Editorial. eNotes.com, Inc. eNotes.com 15 Oct, 2019 Für die thematische Suche und semantische Zuordnung sind insbesondere diese Tags relevant: Criticism and interpretation, German drama, Translations into English, Continental european drama (dramatic works by one author), Emilia Galotti (Lessing, Gotthold Ephraim) Der dokumentierte Umfang von 115 Seiten sowie das Format pocket geben einen guten ersten Eindruck von der Ausgabe.
Ausgabe, Identifikatoren und Referenzen
Sowohl die ISBN-10 3123521001 als auch die ISBN-13 9783123521003 erleichtern das Auffinden und Vergleichen dieser Ausgabe erheblich. Auch externe Referenzen sind vorhanden: Die Work-ID lautet OL929826W, die zugehörigen Editions-IDs sind OL9017858M, OL47068129M, OL15251494M, OL9900973M, OL37038758M, OL37650057M, OL16211694M.
Bibliografische Eckdaten dieser Ausgabe
Thematische Tags: Criticism and interpretation, German drama, Translations into English, Continental european drama (dramatic works by one author), Emilia Galotti (Lessing, Gotthold Ephraim)
Kurzbeschreibung: Emilia Galotti (1772), a tragedy in five acts by Gotthold Ephraim Lessing (1729–1781), is considered his masterpiece. The plot of the tragedy is based on a Roman story about a father who killed his daughter to save her from being pursued and violated by a noble.
The action of Lessing’s play takes place in the imaginary Italian principality of Guastalla. The lecherous and despotic prince has chosen as his next victim the beautiful Emilia, Colonel Odoardo Galotti’s daughter.
Odoardo is proud and courageous. He detests the immoral life of the court and the prince himself. He cannot be bribed or frightened.
Emilia is about to marry the noble and independent Count Appiani. In order to get Emilia, the prince, prompted by his chamberlain, Marinelli, commits a perfidious act. As the count and his bride are coming to the marriage service, the killers hired by Marinelli attack them. The count is dead, and Emilia is in the prince’s hands at his palace, to which his servants lead her, supposedly to give her aid.
Once Odoardo learns about this, he hastens to the palace in order to take Emilia from there. However, he does not have a clue about his sovereign’s true intentions. But Countess Orsina, the former lover of the prince, whom he abandoned for Emilia’s sake, reveals the truth to him. The old Galotti is terrified and indignant. He wants to reclaim his daughter, but the prince will not let him take her back. The father tells the prince that paternal duty requires him to place Emilia in a monastery. He says,
Prince, paternal love is jealous of its duties. I think I know what alone suits my daughter in her present situation. Retirement from the world—a cloister as soon as possible. (act 5, scene 5)
The prince is confused, because such a turn of events disrupts his plans for the young lady. But the wily Marinelli comes to his aid by resorting to downright slander. He says that the count was not attacked by robbers but rather, as is being rumored, by a person who is in favor with Emilia. Marinelli threatens to arrest Emilia and accuse her of having conspired to kill the count. He demands that the young lady be interrogated and the court proceedings be brought.
Emilia runs to her father, and after a few words, Odoardo becomes confident that she is innocent. Emilia is outraged because of the violence and the injustice committed. But she confesses to her father that she is more fearful of seduction. Force can be resisted, but seduction is much more perilous. She exclaims,
Force! Force! What is that? Who may not defy force? What you call force is nothing. Seduction is the only real force. I have blood, my father, as youthful and as warm as that of others. I have senses too. I cannot pledge myself: I guarantee nothing. (act 5, scene 7)
The young lady is apprehensive of the frailty of her own soul before the seduction of the wealth, grandeur, and alluring words of the prince.
Emilia asks her father to give her a dagger. She wants to stab herself, but her father wrests the dagger from her. She plucks the leaves of the rose that decks her head. And as she does so, she pleads with her father to stab her to save her from disgrace. Emilia dies in the old Galotti’s hands, saying,
Broken a rose before the storm had robbed it of its bloom. (act 5, scene 8)
- "Emilia Galotti - Summary" eNotes Publishing Ed. eNotes Editorial. eNotes.com, Inc. eNotes.com 15 Oct, 2019
Die Verbindung aus Emilia Galotti, Gotthold Ephraim Lessing, Drama und Criticism and interpretation, German drama, Translations into English, Continental european drama (dramatic works by one author), Emilia Galotti (Lessing, Gotthold Ephraim) schafft eine solide Grundlage für eine präzise thematische Suche. Eindeutige Referenzdaten wie 3123521001, 9783123521003 und OL929826W verbessern die bibliografische Verlässlichkeit zusätzlich.
Wichtige Fragen zu Inhalt und Ausgabe
Gibt es eine inhaltliche Zusammenfassung?
Ja, die Beschreibung fasst die Ausrichtung des Buches so zusammen: Emilia Galotti (1772), a tragedy in five acts by Gotthold Ephraim Lessing (1729–1781), is considered his masterpiece. The plot of the tragedy is based on a Roman story about a father who killed his daughter to save her from being pursued and violated by a noble.
The action of Lessing’s play takes place in the imaginary Italian principality of Guastalla. The lecherous and despotic prince has chosen as his next victim the beautiful Emilia, Colonel Odoardo Galotti’s daughter.
Odoardo is proud and courageous. He detests the immoral life of the court and the prince himself. He cannot be bribed or frightened.
Emilia is about to marry the noble and independent Count Appiani. In order to get Emilia, the prince, prompted by his chamberlain, Marinelli, commits a perfidious act. As the count and his bride are coming to the marriage service, the killers hired by Marinelli attack them. The count is dead, and Emilia is in the prince’s hands at his palace, to which his servants lead her, supposedly to give her aid.
Once Odoardo learns about this, he hastens to the palace in order to take Emilia from there. However, he does not have a clue about his sovereign’s true intentions. But Countess Orsina, the former lover of the prince, whom he abandoned for Emilia’s sake, reveals the truth to him. The old Galotti is terrified and indignant. He wants to reclaim his daughter, but the prince will not let him take her back. The father tells the prince that paternal duty requires him to place Emilia in a monastery. He says,
Prince, paternal love is jealous of its duties. I think I know what alone suits my daughter in her present situation. Retirement from the world—a cloister as soon as possible. (act 5, scene 5)
The prince is confused, because such a turn of events disrupts his plans for the young lady. But the wily Marinelli comes to his aid by resorting to downright slander. He says that the count was not attacked by robbers but rather, as is being rumored, by a person who is in favor with Emilia. Marinelli threatens to arrest Emilia and accuse her of having conspired to kill the count. He demands that the young lady be interrogated and the court proceedings be brought.
Emilia runs to her father, and after a few words, Odoardo becomes confident that she is innocent. Emilia is outraged because of the violence and the injustice committed. But she confesses to her father that she is more fearful of seduction. Force can be resisted, but seduction is much more perilous. She exclaims,
Force! Force! What is that? Who may not defy force? What you call force is nothing. Seduction is the only real force. I have blood, my father, as youthful and as warm as that of others. I have senses too. I cannot pledge myself: I guarantee nothing. (act 5, scene 7)
The young lady is apprehensive of the frailty of her own soul before the seduction of the wealth, grandeur, and alluring words of the prince.
Emilia asks her father to give her a dagger. She wants to stab herself, but her father wrests the dagger from her. She plucks the leaves of the rose that decks her head. And as she does so, she pleads with her father to stab her to save her from disgrace. Emilia dies in the old Galotti’s hands, saying,
Broken a rose before the storm had robbed it of its bloom. (act 5, scene 8)
- "Emilia Galotti - Summary" eNotes Publishing Ed. eNotes Editorial. eNotes.com, Inc. eNotes.com 15 Oct, 2019
Welche Sprache und Schlagwörter sind hinterlegt?
Verzeichnet sind die Sprache Deutsch sowie die Tags Criticism and interpretation, German drama, Translations into English, Continental european drama (dramatic works by one author), Emilia Galotti (Lessing, Gotthold Ephraim), die die thematische Zuordnung erleichtern.
Gibt es externe Referenzdaten für das Werk?
Ja, das Werk ist über die Open-Library-Work-ID OL929826W sowie die Editions-IDs OL9017858M, OL47068129M, OL15251494M, OL9900973M, OL37038758M, OL37650057M, OL16211694M referenzierbar.
Worum handelt es sich bei Emilia Galotti?
Emilia Galotti ist ein Buch von Gotthold Ephraim Lessing, das der Kategorie Drama zugeordnet wird und damit thematisch klar eingeordnet werden kann.
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