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Kant und die Imagination der Tiere | Ausgabe und Verlagsinfos

18.10.2026

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Kant und die Imagination der Tiere | Ausgabe und Verlagsinfos

Kant und die Imagination der Tiere | Ausgabe und Verlagsinfos

Kant und die Imagination der Tiere - Buchbeschreibung, Ausstattung und ISBN

Kant und die Imagination der Tiere ist ein Werk von Rahel Villinger, das innerhalb der Kategorie Sachbuch eingeordnet wird und bereits durch seine klare thematische Ausrichtung überzeugt. Die vorhandene Beschreibung macht deutlich, worauf Kant und die Imagination der Tiere den Fokus legt: Kant's reflections on animals open up a hitherto overlooked approach to his conception of human intuition and imagination. In her book, Rahel Villinger shows how Kant's aesthetics, epistemology, and theory of history must be reread against the background of the assumption of sensible cognition in non-rational animals. Kant as a frigid thinker of human reason, who sees in the forces of sensibility nothing but immorality and animal baseness: this prejudice is still widespread. However, sensibility for Kant is first and foremost an autonomous and independent faculty of cognition through intuition and imagination. In this way, Kant?s account of sensibility differs radically from that of the rationalist school philosophy of his day and also from the newly emerging philosophy of German idealism. Furthermore, Kant thought that we need the imagination of other animals to be able to critically think our own. Therefore, an imagination of animals with Kant includes both: the notion of a superhuman power of purely sensible intuition and imagination whose singularity and immediacy reflect the perfection and infinity of divine intuition; and the specific imagination of rational animals, whose descriptive activity combines image and writing, intuition and concept, and which becomes possible only through the imagination of their prehistorical origin - their animal prototype. Kant?s reflections on animals thus reveal a hidden ambiguity in his thinking of sensible nature, which lives on in the foundations of modern aesthetics, poetics, and image theory Als Veröffentlichungsdatum ist 2018 hinterlegt; verlegt wurde der Titel von Konstanz University Press in xx.

Einordnung nach Autor, Thema und Ausgabe

Dass Kant und die Imagination der Tiere in Deutsch erschienen ist, erleichtert die gezielte Auswahl für sprachspezifische Recherchen. Der Verlag Konstanz University Press und der Verlagsort xx liefern zusätzliche Orientierung bei der Einordnung dieser Ausgabe. Für alle, die Bücher von Rahel Villinger recherchieren oder vergleichen, ist Kant und die Imagination der Tiere eine relevante Ausgabe. Kant und die Imagination der Tiere spricht besonders Nutzer an, die sich für Bücher rund um Sachbuch interessieren. Für Recherchen nach Veröffentlichungszeitraum ist Kant und die Imagination der Tiere mit dem Datum 2018 eindeutig zuordenbar.

Was behandelt Kant und die Imagination der Tiere?

Im thematischen Kontext von Sachbuch setzt Kant und die Imagination der Tiere laut Beschreibung auf folgende Schwerpunkte: Kant's reflections on animals open up a hitherto overlooked approach to his conception of human intuition and imagination. In her book, Rahel Villinger shows how Kant's aesthetics, epistemology, and theory of history must be reread against the background of the assumption of sensible cognition in non-rational animals. Kant as a frigid thinker of human reason, who sees in the forces of sensibility nothing but immorality and animal baseness: this prejudice is still widespread. However, sensibility for Kant is first and foremost an autonomous and independent faculty of cognition through intuition and imagination. In this way, Kant?s account of sensibility differs radically from that of the rationalist school philosophy of his day and also from the newly emerging philosophy of German idealism. Furthermore, Kant thought that we need the imagination of other animals to be able to critically think our own. Therefore, an imagination of animals with Kant includes both: the notion of a superhuman power of purely sensible intuition and imagination whose singularity and immediacy reflect the perfection and infinity of divine intuition; and the specific imagination of rational animals, whose descriptive activity combines image and writing, intuition and concept, and which becomes possible only through the imagination of their prehistorical origin - their animal prototype. Kant?s reflections on animals thus reveal a hidden ambiguity in his thinking of sensible nature, which lives on in the foundations of modern aesthetics, poetics, and image theory Ergänzend helfen die hinterlegten Schlagwörter dabei, Kant und die Imagination der Tiere thematisch schneller einzuordnen: Philosophy, Imagination (Philosophy), Human-animal relationships, Animals (Philosophy)

Wichtige Kennzeichen dieser Ausgabe

Auch externe Referenzen sind vorhanden: Die Work-ID lautet OL20929451W, die zugehörigen Editions-IDs sind OL28356197M. Durch die Kombination aus Konstanz University Press, xx und 2018 lässt sich die Ausgabe sauber verorten.

Die zentralen Metadaten zu Kant und die Imagination der Tiere

  1. Schlagwörter: Philosophy, Imagination (Philosophy), Human-animal relationships, Animals (Philosophy)
  2. Kurzbeschreibung: Kant's reflections on animals open up a hitherto overlooked approach to his conception of human intuition and imagination. In her book, Rahel Villinger shows how Kant's aesthetics, epistemology, and theory of history must be reread against the background of the assumption of sensible cognition in non-rational animals. Kant as a frigid thinker of human reason, who sees in the forces of sensibility nothing but immorality and animal baseness: this prejudice is still widespread. However, sensibility for Kant is first and foremost an autonomous and independent faculty of cognition through intuition and imagination. In this way, Kant?s account of sensibility differs radically from that of the rationalist school philosophy of his day and also from the newly emerging philosophy of German idealism. Furthermore, Kant thought that we need the imagination of other animals to be able to critically think our own. Therefore, an imagination of animals with Kant includes both: the notion of a superhuman power of purely sensible intuition and imagination whose singularity and immediacy reflect the perfection and infinity of divine intuition; and the specific imagination of rational animals, whose descriptive activity combines image and writing, intuition and concept, and which becomes possible only through the imagination of their prehistorical origin - their animal prototype. Kant?s reflections on animals thus reveal a hidden ambiguity in his thinking of sensible nature, which lives on in the foundations of modern aesthetics, poetics, and image theory
  3. Thematische Hauptkategorie: Sachbuch
  4. Externe Work-Referenz: OL20929451W
  5. Open-Library-Editions-IDs: OL28356197M
  6. Veröffentlicht am: 2018
  7. Titel: Kant und die Imagination der Tiere
  8. Umfang: 232 Seiten
  9. ISBN-13: 9783835391154
  10. Verlagsort: xx
  11. Sprache: Deutsch
  12. Verlag: Konstanz University Press
  13. Autor beziehungsweise Autoren: Rahel Villinger

Auffindbarkeit und bibliografische Präzision

Durch die Kombination aus Titel, Autorenschaft, Kategorie und Schlagwörtern - also Kant und die Imagination der Tiere, Rahel Villinger, Sachbuch und Philosophy, Imagination (Philosophy), Human-animal relationships, Animals (Philosophy) - ist der Datensatz sowohl für Suchmaschinen als auch für Nutzerinnen und Nutzer sehr gut interpretierbar.

Fragen und Antworten rund um diese Ausgabe

Wofür sind die Open-Library-IDs hilfreich?

Mit OL20929451W und OL28356197M lässt sich das Werk auch in externen bibliografischen Zusammenhängen besser verknüpfen.

Wie lässt sich das Buch sprachlich und thematisch filtern?

Über die Sprache Deutsch und die Schlagwörter Philosophy, Imagination (Philosophy), Human-animal relationships, Animals (Philosophy) kann die Ausgabe gezielt in Such- und Katalogsystemen eingegrenzt werden.

Gibt es eine inhaltliche Zusammenfassung?

Ja, die Beschreibung fasst die Ausrichtung des Buches so zusammen: Kant's reflections on animals open up a hitherto overlooked approach to his conception of human intuition and imagination. In her book, Rahel Villinger shows how Kant's aesthetics, epistemology, and theory of history must be reread against the background of the assumption of sensible cognition in non-rational animals. Kant as a frigid thinker of human reason, who sees in the forces of sensibility nothing but immorality and animal baseness: this prejudice is still widespread. However, sensibility for Kant is first and foremost an autonomous and independent faculty of cognition through intuition and imagination. In this way, Kant?s account of sensibility differs radically from that of the rationalist school philosophy of his day and also from the newly emerging philosophy of German idealism. Furthermore, Kant thought that we need the imagination of other animals to be able to critically think our own. Therefore, an imagination of animals with Kant includes both: the notion of a superhuman power of purely sensible intuition and imagination whose singularity and immediacy reflect the perfection and infinity of divine intuition; and the specific imagination of rational animals, whose descriptive activity combines image and writing, intuition and concept, and which becomes possible only through the imagination of their prehistorical origin - their animal prototype. Kant?s reflections on animals thus reveal a hidden ambiguity in his thinking of sensible nature, which lives on in the foundations of modern aesthetics, poetics, and image theory

Welche Verlagsangaben sind vorhanden?

Hinterlegt sind das Erscheinungsdatum 2018, der Verlag Konstanz University Press und der Verlagsort xx.

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