Peter Doig kaufen? Infos zu Inhalt, Autor und ISBN

Peter Doig - Buchbeschreibung, Ausstattung und ISBN

Wer nach einem Buch von Hilke Wagner, Doig, Peter, Bernhart Schwenk, Kitty Scott, Peter Doig, Hannes Schneider, Adrain Searle, Catherine Grenier, Arnold Fanck aus dem Themenfeld Sachbuch sucht, findet mit Peter Doig eine Ausgabe mit präziser inhaltlicher Positionierung. Mit dem Untertitel Metropolitain wird bei Peter Doig noch deutlicher, in welche Richtung das Werk inhaltlich argumentiert und welche Schwerpunkte gesetzt werden. Peter Doig wird in der Beschreibung wie folgt charakterisiert: Whether painting a mysterious bearded figure floating on a flat wash of blue or a winter landscape glimpsed through a thick web of branches, Peter Doig harnesses the materiality of his medium to create what he calls 'abstractions of memories', distilling recollected sensations into moments of pure sentience, like scenes in a series of mysterious narratives. In "Gasthof zur Muldentalsperre" (2000-2) two costumed figures stand guard at a low stone wall while behind them a reservoir reflects a twinkling starry sky. The young man bundled up against the cold in "Blotter" (1993) contemplates his reflection in a frozen pond, while in "Red Boat (Imaginary Boys)" (2004) six men in white shirts navigate upstream through a dense tropical landscape. Doig's work has been exhibited at the world's top museums, including the Museum of Modern Art in New York, the Centre Pompidou in Paris and the National Gallery of Canada in Ottawa, and has been selected for contemporary art's most important international exhibitions, such as the SITE Santa Fe Biennial (2006), the Tate Triennial (2003 and 2006) and the Venice Biennale (2003). Although his work has had an enormous impact on contemporary painting, paving the way for a whole generation of idiosyncratic figurative painters, his painted worlds are without parallel. Raised in Canada, based in London for two decades and now living in Trinidad, Doig has tallied a wide range of references, not only geographic (from French modernist architecture to the ski slopes of Quebec) but also artistic (from Ernst Kirchner to Philip Guston) and musical (from punk to calypso). Sometimes these references lurk in plain sight--"Figure in Mountain Landscape" (1997-98) is based on a photograph of Group of Seven painter Franklin Carmichael--but most often they lie deep below the churning surface of the canvas. In the Interview, Kitty Scott asks the artist about his shifting sense of place and the way it continues to shape his work. In the Survey, Adrian Searle considers how the paradoxical union of highly charged technique and muted subject matter lend the artist's paintings their unique 'emotional weather'. Catherine Grenier's Focus centers on the painting 100 Years Ago, examining its movement along axes of time and place, both historical adn imaginary. In the Artist's Choice, Hannes Schneider & Arnold Fanck's text on skiing recalls the artist's longtime fascination with the sport while evoking the grace and physicality of his painting. Artist's Writings include a 2001 interview featuring questions from a range of artists, curators and critics; an appreciation of the work of Pierre Bonnard; and the artist's ten favorite 'house painters

Was diese Ausgabe besonders interessant macht

Wer Literatur aus dem Bereich Sachbuch sucht, findet in Peter Doig einen gut klassifizierbaren Titel. Gerade wer nach Werken von Hilke Wagner, Doig, Peter, Bernhart Schwenk, Kitty Scott, Peter Doig, Hannes Schneider, Adrain Searle, Catherine Grenier, Arnold Fanck sucht, sollte Peter Doig näher betrachten. Mit der Sprache Deutsch lässt sich Peter Doig auch im internationalen oder mehrsprachigen Kontext präzise filtern. Für Recherchen nach Veröffentlichungszeitraum ist Peter Doig mit dem Datum 15.06.2004 eindeutig zuordenbar.

Was behandelt Peter Doig?

Peter Doig lässt sich inhaltlich innerhalb von Sachbuch verorten und wird in der Beschreibung wie folgt umrissen: Whether painting a mysterious bearded figure floating on a flat wash of blue or a winter landscape glimpsed through a thick web of branches, Peter Doig harnesses the materiality of his medium to create what he calls 'abstractions of memories', distilling recollected sensations into moments of pure sentience, like scenes in a series of mysterious narratives. In "Gasthof zur Muldentalsperre" (2000-2) two costumed figures stand guard at a low stone wall while behind them a reservoir reflects a twinkling starry sky. The young man bundled up against the cold in "Blotter" (1993) contemplates his reflection in a frozen pond, while in "Red Boat (Imaginary Boys)" (2004) six men in white shirts navigate upstream through a dense tropical landscape. Doig's work has been exhibited at the world's top museums, including the Museum of Modern Art in New York, the Centre Pompidou in Paris and the National Gallery of Canada in Ottawa, and has been selected for contemporary art's most important international exhibitions, such as the SITE Santa Fe Biennial (2006), the Tate Triennial (2003 and 2006) and the Venice Biennale (2003). Although his work has had an enormous impact on contemporary painting, paving the way for a whole generation of idiosyncratic figurative painters, his painted worlds are without parallel. Raised in Canada, based in London for two decades and now living in Trinidad, Doig has tallied a wide range of references, not only geographic (from French modernist architecture to the ski slopes of Quebec) but also artistic (from Ernst Kirchner to Philip Guston) and musical (from punk to calypso). Sometimes these references lurk in plain sight--"Figure in Mountain Landscape" (1997-98) is based on a photograph of Group of Seven painter Franklin Carmichael--but most often they lie deep below the churning surface of the canvas. In the Interview, Kitty Scott asks the artist about his shifting sense of place and the way it continues to shape his work. In the Survey, Adrian Searle considers how the paradoxical union of highly charged technique and muted subject matter lend the artist's paintings their unique 'emotional weather'. Catherine Grenier's Focus centers on the painting 100 Years Ago, examining its movement along axes of time and place, both historical adn imaginary. In the Artist's Choice, Hannes Schneider & Arnold Fanck's text on skiing recalls the artist's longtime fascination with the sport while evoking the grace and physicality of his painting. Artist's Writings include a 2001 interview featuring questions from a range of artists, curators and critics; an appreciation of the work of Pierre Bonnard; and the artist's ten favorite 'house painters Ergänzend helfen die hinterlegten Schlagwörter dabei, Peter Doig thematisch schneller einzuordnen: Arts, Catalogs, Exhibitions, Criticism and interpretation, Interviews, Art & Art Instruction, Art, Individual Artist, Individual artists, Artists, biography, OUR Brockhaus selection, Art / Individual Artist, Art, modern, 20th century, exhibitions, Painting & paintings, Art, catalogs, Schilderijen, Art styles: c 1960 -, Individual Painters - Contemporary, United Kingdom, Great Britain, English Painting, Techniques - Painting, Painting, technique Peter Doig umfasst 142 Seiten und erscheint im Format hard, was sowohl für die Nutzung als auch für den Vergleich mit anderen Ausgaben relevant ist.

ISBN, Revision und weitere Referenzdaten

Mit 3883758337 und 9783883758336 stehen zwei zentrale ISBN-Varianten zur Verfügung, die die Ausgabe eindeutig beschreiben. Die hinterlegten Angaben zu Format, Gewicht und Größe - hard, 1.8 pounds und 12.6 x 9.6 x 0.4 inches - helfen bei der genauen Ausgabezuordnung. Auch externe Referenzen sind vorhanden: Die Work-ID lautet OL5999705W, die zugehörigen Editions-IDs sind OL9009069M, OL23240371M.

Bibliografische Daten auf einen Blick

1. Primäre Kategorie: Sachbuch
2. Erscheinungsdatum: 15.06.2004
3. Schlagwörter: Arts, Catalogs, Exhibitions, Criticism and interpretation, Interviews, Art & Art Instruction, Art, Individual Artist, Individual artists, Artists, biography, OUR Brockhaus selection, Art / Individual Artist, Art, modern, 20th century, exhibitions, Painting & paintings, Art, catalogs, Schilderijen, Art styles: c 1960 -, Individual Painters - Contemporary, United Kingdom, Great Britain, English Painting, Techniques - Painting, Painting, technique
4. ISBN-13: 9783883758336
5. ISBN-10: 3883758337
6. Ausgabeform: hard
7. Verfasst von: Hilke Wagner, Doig, Peter, Bernhart Schwenk, Kitty Scott, Peter Doig, Hannes Schneider, Adrain Searle, Catherine Grenier, Arnold Fanck
8. Publiziert bei: Walther Konig
9. Buchtitel: Peter Doig
10. Gewicht: 1.8 pounds
11. Verfügbare Sprache dieser Ausgabe: Deutsch
12. Maße der Ausgabe: 12.6 x 9.6 x 0.4 inches
13. Open-Library-Work-ID: OL5999705W
14. Seitenzahl: 142
15. Ergänzender Titelzusatz: Metropolitain
16. Open-Library-Editions-IDs: OL9009069M, OL23240371M
17. Inhaltliche Kurzcharakteristik: Whether painting a mysterious bearded figure floating on a flat wash of blue or a winter landscape glimpsed through a thick web of branches, Peter Doig harnesses the materiality of his medium to create what he calls 'abstractions of memories', distilling recollected sensations into moments of pure sentience, like scenes in a series of mysterious narratives. In "Gasthof zur Muldentalsperre" (2000-2) two costumed figures stand guard at a low stone wall while behind them a reservoir reflects a twinkling starry sky. The young man bundled up against the cold in "Blotter" (1993) contemplates his reflection in a frozen pond, while in "Red Boat (Imaginary Boys)" (2004) six men in white shirts navigate upstream through a dense tropical landscape. Doig's work has been exhibited at the world's top museums, including the Museum of Modern Art in New York, the Centre Pompidou in Paris and the National Gallery of Canada in Ottawa, and has been selected for contemporary art's most important international exhibitions, such as the SITE Santa Fe Biennial (2006), the Tate Triennial (2003 and 2006) and the Venice Biennale (2003). Although his work has had an enormous impact on contemporary painting, paving the way for a whole generation of idiosyncratic figurative painters, his painted worlds are without parallel. Raised in Canada, based in London for two decades and now living in Trinidad, Doig has tallied a wide range of references, not only geographic (from French modernist architecture to the ski slopes of Quebec) but also artistic (from Ernst Kirchner to Philip Guston) and musical (from punk to calypso). Sometimes these references lurk in plain sight--"Figure in Mountain Landscape" (1997-98) is based on a photograph of Group of Seven painter Franklin Carmichael--but most often they lie deep below the churning surface of the canvas. In the Interview, Kitty Scott asks the artist about his shifting sense of place and the way it continues to shape his work. In the Survey, Adrian Searle considers how the paradoxical union of highly charged technique and muted subject matter lend the artist's paintings their unique 'emotional weather'. Catherine Grenier's Focus centers on the painting 100 Years Ago, examining its movement along axes of time and place, both historical adn imaginary. In the Artist's Choice, Hannes Schneider & Arnold Fanck's text on skiing recalls the artist's longtime fascination with the sport while evoking the grace and physicality of his painting. Artist's Writings include a 2001 interview featuring questions from a range of artists, curators and critics; an appreciation of the work of Pierre Bonnard; and the artist's ten favorite 'house painters

Suchrelevante Merkmale dieser Ausgabe

Durch die Kombination aus Titel, Autorenschaft, Kategorie und Schlagwörtern - also Peter Doig, Hilke Wagner, Doig, Peter, Bernhart Schwenk, Kitty Scott, Peter Doig, Hannes Schneider, Adrain Searle, Catherine Grenier, Arnold Fanck, Sachbuch und Arts, Catalogs, Exhibitions, Criticism and interpretation, Interviews, Art & Art Instruction, Art, Individual Artist, Individual artists, Artists, biography, OUR Brockhaus selection, Art / Individual Artist, Art, modern, 20th century, exhibitions, Painting & paintings, Art, catalogs, Schilderijen, Art styles: c 1960 -, Individual Painters - Contemporary, United Kingdom, Great Britain, English Painting, Techniques - Painting, Painting, technique - ist der Datensatz sowohl für Suchmaschinen als auch für Nutzerinnen und Nutzer sehr gut interpretierbar. Zusätzliche Präzision entsteht durch Identifikatoren wie 3883758337, 9783883758336 und OL5999705W, die die Ausgabe in verschiedenen Katalog- und Suchkontexten eindeutig referenzierbar machen. Die physische Beschreibung über hard, 12.6 x 9.6 x 0.4 inches, 1.8 pounds und 142 Seiten liefert zusätzliche Unterscheidungsmerkmale für Editionen und Vergleichsansichten.

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