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agency@?: Inhalt, Einordnung und bibliografische Details
agency@? ist ein Werk von Susanne Lummerding, das innerhalb der Kategorie Sachbuch eingeordnet wird und bereits durch seine klare thematische Ausrichtung überzeugt. Die vorhandene Beschreibung macht deutlich, worauf agency@? den Fokus legt: Considering the abundant promises and euphoric expectations (as well as apocalyptic visions of technology) that still dominate discourses on media and technology my analysis focuses on their cultural and social condition, the specific moment of their emergence, their continuous persistence, their socio-symbolic function, and their implications for social contexts of thought and perception and for hegemonic relations. The techno-deterministic notion of a ?paradigm change', the proclamation of a ?radically new' definition of the subject and the idea of a technically conditioned abolition of traditional dichotomies is in fact contrasted by a striking adherence to conventional and dichotome models of thought and of representation, and to the idea of an autonomous and technologically perfectionable subject.
My analysis will on the one hand focus on the function of exaggerated visions of technological development (predicating a dissolution of space, time, matter and identity) and the function of ideas of ?alternative', ?virtual' ?spaces' for establishing specific notions of ?society' - indicating a specific relation of phantasm and symptom as I will show. On the other hand I will develop the definition of a political subject - not conceived as a sovereign actor, nor as an arbitrary variety, but rather as constituted on the basis of a structural impossibility inherent in language and which alone can be, due to this very impossibility or antagonism a subject of the political. In the course of this argument the notion of sexual difference will be critically revised. Furthermore I will develop a definition of agency adequate to provide the grounds and the argumentative tools for the contestability of cultural and social constructs. My emphasis will be on the interdependencies of these questions and I will base my arguments on a notion of Cyberspace that defines it as a socio-symbolic construct comprising both technical implementations as well as the respective discourses and which continuously has to be negotiated.
My approach combines structural psychoanalytical theory, hegemony studies, art theory, film theory, media studies, gender studies and cultural studies. As a transdisciplinary critical theory of representation and considering its statement of problems, as well as its focus, it differs from predominant approaches to current developments of technology to create perspectives on current technological dispositives and media constellations beyond prevalent techno-euphoric or pessimistic views agency@? wurde am 2005 publiziert und dem Verlag Böhlau mit Verlagsort xx zugeordnet.
Was diese Ausgabe besonders interessant macht
Durch die Zuordnung zur Kategorie Sachbuch wird agency@? auch für thematische Recherchen besonders relevant. Auch das Veröffentlichungsdatum 2005 macht agency@? für zeitlich eingegrenzte Suchen besonders interessant. agency@? ist besonders für Leserinnen und Leser interessant, die sich gezielt mit Veröffentlichungen von Susanne Lummerding beschäftigen möchten. Die Ausgabe ist in Deutsch verfügbar und damit gezielt für Leserinnen und Leser mit entsprechender Sprachpräferenz interessant. Die Angaben zu Böhlau und xx stärken die bibliografische Präzision des Eintrags.
Inhalte, Themen und Relevanz
agency@? lässt sich inhaltlich innerhalb von Sachbuch verorten und wird in der Beschreibung wie folgt umrissen: Considering the abundant promises and euphoric expectations (as well as apocalyptic visions of technology) that still dominate discourses on media and technology my analysis focuses on their cultural and social condition, the specific moment of their emergence, their continuous persistence, their socio-symbolic function, and their implications for social contexts of thought and perception and for hegemonic relations. The techno-deterministic notion of a ?paradigm change', the proclamation of a ?radically new' definition of the subject and the idea of a technically conditioned abolition of traditional dichotomies is in fact contrasted by a striking adherence to conventional and dichotome models of thought and of representation, and to the idea of an autonomous and technologically perfectionable subject.
My analysis will on the one hand focus on the function of exaggerated visions of technological development (predicating a dissolution of space, time, matter and identity) and the function of ideas of ?alternative', ?virtual' ?spaces' for establishing specific notions of ?society' - indicating a specific relation of phantasm and symptom as I will show. On the other hand I will develop the definition of a political subject - not conceived as a sovereign actor, nor as an arbitrary variety, but rather as constituted on the basis of a structural impossibility inherent in language and which alone can be, due to this very impossibility or antagonism a subject of the political. In the course of this argument the notion of sexual difference will be critically revised. Furthermore I will develop a definition of agency adequate to provide the grounds and the argumentative tools for the contestability of cultural and social constructs. My emphasis will be on the interdependencies of these questions and I will base my arguments on a notion of Cyberspace that defines it as a socio-symbolic construct comprising both technical implementations as well as the respective discourses and which continuously has to be negotiated.
My approach combines structural psychoanalytical theory, hegemony studies, art theory, film theory, media studies, gender studies and cultural studies. As a transdisciplinary critical theory of representation and considering its statement of problems, as well as its focus, it differs from predominant approaches to current developments of technology to create perspectives on current technological dispositives and media constellations beyond prevalent techno-euphoric or pessimistic views Für die thematische Suche und semantische Zuordnung sind insbesondere diese Tags relevant: Social aspects, Cyberspace, Computers and civilization
Wichtige Kennzeichen dieser Ausgabe
Die verlegerische und zeitliche Einordnung wird durch Böhlau, xx und 2005 präzise ergänzt. Die Open-Library-Zuordnung über OL20932878W und OL28359905M verbessert die externe Nachvollziehbarkeit des Werkes.
Inhaltliche Kurzcharakteristik: Considering the abundant promises and euphoric expectations (as well as apocalyptic visions of technology) that still dominate discourses on media and technology my analysis focuses on their cultural and social condition, the specific moment of their emergence, their continuous persistence, their socio-symbolic function, and their implications for social contexts of thought and perception and for hegemonic relations. The techno-deterministic notion of a ?paradigm change', the proclamation of a ?radically new' definition of the subject and the idea of a technically conditioned abolition of traditional dichotomies is in fact contrasted by a striking adherence to conventional and dichotome models of thought and of representation, and to the idea of an autonomous and technologically perfectionable subject.
My analysis will on the one hand focus on the function of exaggerated visions of technological development (predicating a dissolution of space, time, matter and identity) and the function of ideas of ?alternative', ?virtual' ?spaces' for establishing specific notions of ?society' - indicating a specific relation of phantasm and symptom as I will show. On the other hand I will develop the definition of a political subject - not conceived as a sovereign actor, nor as an arbitrary variety, but rather as constituted on the basis of a structural impossibility inherent in language and which alone can be, due to this very impossibility or antagonism a subject of the political. In the course of this argument the notion of sexual difference will be critically revised. Furthermore I will develop a definition of agency adequate to provide the grounds and the argumentative tools for the contestability of cultural and social constructs. My emphasis will be on the interdependencies of these questions and I will base my arguments on a notion of Cyberspace that defines it as a socio-symbolic construct comprising both technical implementations as well as the respective discourses and which continuously has to be negotiated.
My approach combines structural psychoanalytical theory, hegemony studies, art theory, film theory, media studies, gender studies and cultural studies. As a transdisciplinary critical theory of representation and considering its statement of problems, as well as its focus, it differs from predominant approaches to current developments of technology to create perspectives on current technological dispositives and media constellations beyond prevalent techno-euphoric or pessimistic views
Warum sich agency@? gut einordnen lässt
agency@? profitiert für die Auffindbarkeit besonders von der Verbindung zwischen Susanne Lummerding, Sachbuch und den Tags Social aspects, Cyberspace, Computers and civilization, weil dadurch eine starke semantische Einordnung entsteht.
FAQ zu agency@?
Gibt es eine inhaltliche Zusammenfassung?
Ja, die Beschreibung fasst die Ausrichtung des Buches so zusammen: Considering the abundant promises and euphoric expectations (as well as apocalyptic visions of technology) that still dominate discourses on media and technology my analysis focuses on their cultural and social condition, the specific moment of their emergence, their continuous persistence, their socio-symbolic function, and their implications for social contexts of thought and perception and for hegemonic relations. The techno-deterministic notion of a ?paradigm change', the proclamation of a ?radically new' definition of the subject and the idea of a technically conditioned abolition of traditional dichotomies is in fact contrasted by a striking adherence to conventional and dichotome models of thought and of representation, and to the idea of an autonomous and technologically perfectionable subject.
My analysis will on the one hand focus on the function of exaggerated visions of technological development (predicating a dissolution of space, time, matter and identity) and the function of ideas of ?alternative', ?virtual' ?spaces' for establishing specific notions of ?society' - indicating a specific relation of phantasm and symptom as I will show. On the other hand I will develop the definition of a political subject - not conceived as a sovereign actor, nor as an arbitrary variety, but rather as constituted on the basis of a structural impossibility inherent in language and which alone can be, due to this very impossibility or antagonism a subject of the political. In the course of this argument the notion of sexual difference will be critically revised. Furthermore I will develop a definition of agency adequate to provide the grounds and the argumentative tools for the contestability of cultural and social constructs. My emphasis will be on the interdependencies of these questions and I will base my arguments on a notion of Cyberspace that defines it as a socio-symbolic construct comprising both technical implementations as well as the respective discourses and which continuously has to be negotiated.
My approach combines structural psychoanalytical theory, hegemony studies, art theory, film theory, media studies, gender studies and cultural studies. As a transdisciplinary critical theory of representation and considering its statement of problems, as well as its focus, it differs from predominant approaches to current developments of technology to create perspectives on current technological dispositives and media constellations beyond prevalent techno-euphoric or pessimistic views
Wann und wo wurde die Ausgabe veröffentlicht?
Die Ausgabe erschien am 2005 bei Böhlau und ist dem Veröffentlichungsort xx zugeordnet.
Gibt es externe Referenzdaten für das Werk?
Ja, das Werk ist über die Open-Library-Work-ID OL20932878W sowie die Editions-IDs OL28359905M referenzierbar.
Wie lässt sich das Buch sprachlich und thematisch filtern?
Über die Sprache Deutsch und die Schlagwörter Social aspects, Cyberspace, Computers and civilization kann die Ausgabe gezielt in Such- und Katalogsystemen eingegrenzt werden.
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