Hannah Villiger | Buchinfos, Beschreibung und ISBN

Hannah Villiger - Buchbeschreibung, Ausstattung und ISBN

Wer nach einem Buch von Hannah Villiger aus dem Themenfeld Sachbuch sucht, findet mit Hannah Villiger eine Ausgabe mit präziser inhaltlicher Positionierung. Die vorhandene Beschreibung macht deutlich, worauf Hannah Villiger den Fokus legt: Swiss artist Hannah Villiger (1951-1997) was trained as a sculptor and always considered her work sculpture. Her artistic medium, however, was photography. In the early-1980s Villiger's own body became the focus of her work: it appears fragmented, distorted, twisted beyond recognition. Villiger developed her own unique way of working: Polaroid shots that she enlarged to a size of approximately one square meter (40 x 40 inches). With the Polaroid camera she circled around her own body using the straightforwardness of the medium. The "blindness" of the camera redefined the structure and the volume of her body parts. This first international monograph, with catalogue raisonné, reveals Villiger as a radical predecessor of many of today's artists who create images of their own bodies. In her in-depth essay Claudia Spinelli traces the outlines of Hannah Villiger's personal and artistic development and poignantly examines the crucial relationship between Villiger's life and her work. Griselda Pollock's essay takes a close look at Villiger as a woman and an artist, highlighting the visionary power of the work. Pollock lucidly discusses the problems and obstacles Villiger, as a female-identified artist, had to face in a phallocentric, patriarchal visual culture. David Levi-Strauss ponders the intricate relationship of sculpture, photography and the human body in the work, whose daring and radical formal concepts and innovations remain as cutting-edge as ever

Einordnung nach Autor, Thema und Ausgabe

Die Ausgabe ist in Deutsch verfügbar und damit gezielt für Leserinnen und Leser mit entsprechender Sprachpräferenz interessant. Gerade wer nach Werken von Hannah Villiger sucht, sollte Hannah Villiger näher betrachten. Für Recherchen nach Veröffentlichungszeitraum ist Hannah Villiger mit dem Datum 03.1992 eindeutig zuordenbar. Durch die Zuordnung zur Kategorie Sachbuch wird Hannah Villiger auch für thematische Recherchen besonders relevant.

Inhalte, Themen und Relevanz

Die Beschreibung zeigt, dass Hannah Villiger klar dem Bereich Sachbuch zugeordnet werden kann: Swiss artist Hannah Villiger (1951-1997) was trained as a sculptor and always considered her work sculpture. Her artistic medium, however, was photography. In the early-1980s Villiger's own body became the focus of her work: it appears fragmented, distorted, twisted beyond recognition. Villiger developed her own unique way of working: Polaroid shots that she enlarged to a size of approximately one square meter (40 x 40 inches). With the Polaroid camera she circled around her own body using the straightforwardness of the medium. The "blindness" of the camera redefined the structure and the volume of her body parts. This first international monograph, with catalogue raisonné, reveals Villiger as a radical predecessor of many of today's artists who create images of their own bodies. In her in-depth essay Claudia Spinelli traces the outlines of Hannah Villiger's personal and artistic development and poignantly examines the crucial relationship between Villiger's life and her work. Griselda Pollock's essay takes a close look at Villiger as a woman and an artist, highlighting the visionary power of the work. Pollock lucidly discusses the problems and obstacles Villiger, as a female-identified artist, had to face in a phallocentric, patriarchal visual culture. David Levi-Strauss ponders the intricate relationship of sculpture, photography and the human body in the work, whose daring and radical formal concepts and innovations remain as cutting-edge as ever Über die Schlagwörter Exhibitions, Artistic Photography, Catalogues raisonnés, Photography of the nude, Photographers lässt sich Hannah Villiger auch in größeren Beständen gezielt auffinden. Hannah Villiger umfasst 304 Seiten und erscheint im Format hard, was sowohl für die Nutzung als auch für den Vergleich mit anderen Ausgaben relevant ist.

ISBN, Revision und weitere Referenzdaten

Mit 390915834X und 9783909158348 stehen zwei zentrale ISBN-Varianten zur Verfügung, die die Ausgabe eindeutig beschreiben. Auch externe Referenzen sind vorhanden: Die Work-ID lautet OL3851107W, die zugehörigen Editions-IDs sind OL9022370M, OL17027555M.

Bibliografische Daten auf einen Blick

1. Schlagwörter: Exhibitions, Artistic Photography, Catalogues raisonnés, Photography of the nude, Photographers
2. Format: hard
3. Kurzbeschreibung: Swiss artist Hannah Villiger (1951-1997) was trained as a sculptor and always considered her work sculpture. Her artistic medium, however, was photography. In the early-1980s Villiger's own body became the focus of her work: it appears fragmented, distorted, twisted beyond recognition. Villiger developed her own unique way of working: Polaroid shots that she enlarged to a size of approximately one square meter (40 x 40 inches). With the Polaroid camera she circled around her own body using the straightforwardness of the medium. The "blindness" of the camera redefined the structure and the volume of her body parts. This first international monograph, with catalogue raisonné, reveals Villiger as a radical predecessor of many of today's artists who create images of their own bodies. In her in-depth essay Claudia Spinelli traces the outlines of Hannah Villiger's personal and artistic development and poignantly examines the crucial relationship between Villiger's life and her work. Griselda Pollock's essay takes a close look at Villiger as a woman and an artist, highlighting the visionary power of the work. Pollock lucidly discusses the problems and obstacles Villiger, as a female-identified artist, had to face in a phallocentric, patriarchal visual culture. David Levi-Strauss ponders the intricate relationship of sculpture, photography and the human body in the work, whose daring and radical formal concepts and innovations remain as cutting-edge as ever
4. Buchtitel: Hannah Villiger
5. Sprache: Deutsch
6. Umfang: 304 Seiten
7. Internationale Standardbuchnummer (ISBN-10): 390915834X
8. Veröffentlicht am: 03.1992
9. Verfasst von: Hannah Villiger
10. Open-Library-Work-ID: OL3851107W
11. ISBN-13: 9783909158348
12. Publiziert bei: Wiese Verlag
13. Thematische Hauptkategorie: Sachbuch
14. Externe Editionsreferenzen: OL9022370M, OL17027555M

Warum sich Hannah Villiger gut einordnen lässt

Durch die Kombination aus Titel, Autorenschaft, Kategorie und Schlagwörtern - also Hannah Villiger, Hannah Villiger, Sachbuch und Exhibitions, Artistic Photography, Catalogues raisonnés, Photography of the nude, Photographers - ist der Datensatz sowohl für Suchmaschinen als auch für Nutzerinnen und Nutzer sehr gut interpretierbar. Mit ISBN-10, ISBN-13 und Work-ID - 390915834X, 9783909158348 und OL3851107W - lässt sich diese Ausgabe plattformübergreifend eindeutig verknüpfen.

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