Der Sündenbock - Buchdetails zu Autor, Inhalt und ISBN

Der Sündenbock: Inhalt, Einordnung und bibliografische Details

Der Sündenbock gehört zur Kategorie Sachbuch und stammt von René Girard, Yvonne Freccero - eine Kombination, die den Titel sowohl fachlich als auch bibliografisch interessant macht. Die Kurzbeschreibung von Der Sündenbock zeigt, welche Inhalte Leserinnen und Leser erwarten dürfen: Widely regarded as one of the most profound critics of our time, René Girard has pursued a powerful line of inquiry across the fields of the humanities and the social sciences. His theories, which the French press has termed "l'hypothèse girardienne," have sparked interdisciplinary, even international, controversy. In The Scapegoat, Girard applies his approach to "texts of persecution," documents that recount phenomena of collective violence from the standpoint of the persecutor--documents such as the medieval poet Guillaume de Machaut's Judgement of the King of Navarre, which blames the Jews for the Black Death and describes their mass murder. Girard compares persecution texts with myths, most notably with the myth of Oedipus, and finds strikingly similar themes and structures. Could myths regularly conceal texts of persecution? Girard's answers lies in a study of the Christian Passion, which represents the same central event, the same collective violence, found in all mythology, but which is read from the point of view of the innocent victim. The Passion text provides the model interpretation that has enabled Western culture to demystify its own violence--a demystification Girard now extends to mythology. Underlying Girard's daring textual hypothesis is a powerful theory of history and culture. Christ's rejection of all guilt breaks the mythic cycle of violence and the sacred. The scapegoat becomes the Lamb of God; "the foolish genesis of blood-stained idols and the false gods of superstition, politics, and ideologies" are revealed

Einordnung nach Autor, Thema und Ausgabe

Im Kontext des Gesamtwerks von René Girard, Yvonne Freccero lässt sich Der Sündenbock gezielt bibliografisch und thematisch einordnen. Innerhalb von Sachbuch bietet Der Sündenbock eine klar erkennbare thematische Zuordnung. Das hinterlegte Publikationsdatum 06.1998 unterstützt dabei, Der Sündenbock zeitlich korrekt zu klassifizieren. Mit der Sprache Deutsch lässt sich Der Sündenbock auch im internationalen oder mehrsprachigen Kontext präzise filtern.

Worum geht es in Der Sündenbock?

Die Beschreibung zeigt, dass Der Sündenbock klar dem Bereich Sachbuch zugeordnet werden kann: Widely regarded as one of the most profound critics of our time, René Girard has pursued a powerful line of inquiry across the fields of the humanities and the social sciences. His theories, which the French press has termed "l'hypothèse girardienne," have sparked interdisciplinary, even international, controversy. In The Scapegoat, Girard applies his approach to "texts of persecution," documents that recount phenomena of collective violence from the standpoint of the persecutor--documents such as the medieval poet Guillaume de Machaut's Judgement of the King of Navarre, which blames the Jews for the Black Death and describes their mass murder. Girard compares persecution texts with myths, most notably with the myth of Oedipus, and finds strikingly similar themes and structures. Could myths regularly conceal texts of persecution? Girard's answers lies in a study of the Christian Passion, which represents the same central event, the same collective violence, found in all mythology, but which is read from the point of view of the innocent victim. The Passion text provides the model interpretation that has enabled Western culture to demystify its own violence--a demystification Girard now extends to mythology. Underlying Girard's daring textual hypothesis is a powerful theory of history and culture. Christ's rejection of all guilt breaks the mythic cycle of violence and the sacred. The scapegoat becomes the Lamb of God; "the foolish genesis of blood-stained idols and the false gods of superstition, politics, and ideologies" are revealed Die vorhandenen Tags verdichten die inhaltliche Einordnung des Buches zusätzlich: Christianity, Persecution, Religious aspects, Fiction, general, Violence, Religious aspects of Violence, Passion, Violence, religious aspects, Passion of Jesus Christ, 11.50 church history and history of doctrine: general, Jesus christ, passion, Scapegoat, Sündenbock, Bouc émissaire

ISBN, Revision und weitere Referenzdaten

Für weiterführende bibliografische Verknüpfungen sind die Kennungen OL3286882W und OL12811626M besonders hilfreich. Mit 3545700011 und 9783545700017 stehen zwei zentrale ISBN-Varianten zur Verfügung, die die Ausgabe eindeutig beschreiben. Auch physisch ist die Ausgabe klar beschrieben: Format pocket, Gewicht 13.1 ounces und Abmessungen 8.1 x 5.2 x 1.1 inches.

Bibliografische Eckdaten dieser Ausgabe

1. Internationale Standardbuchnummer (ISBN-13): 9783545700017
2. Verfasst von: René Girard, Yvonne Freccero
3. Externe Editionsreferenzen: OL12811626M
4. Schlagwörter: Christianity, Persecution, Religious aspects, Fiction, general, Violence, Religious aspects of Violence, Passion, Violence, religious aspects, Passion of Jesus Christ, 11.50 church history and history of doctrine: general, Jesus christ, passion, Scapegoat, Sündenbock, Bouc émissaire
5. Format: pocket
6. Externe Work-Referenz: OL3286882W
7. Verlag: Benziger
8. Hinterlegtes Buchgewicht: 13.1 ounces
9. Internationale Standardbuchnummer (ISBN-10): 3545700011
10. Titel: Der Sündenbock
11. Abmessungen: 8.1 x 5.2 x 1.1 inches
12. Inhaltliche Kurzcharakteristik: Widely regarded as one of the most profound critics of our time, René Girard has pursued a powerful line of inquiry across the fields of the humanities and the social sciences. His theories, which the French press has termed "l'hypothèse girardienne," have sparked interdisciplinary, even international, controversy. In The Scapegoat, Girard applies his approach to "texts of persecution," documents that recount phenomena of collective violence from the standpoint of the persecutor--documents such as the medieval poet Guillaume de Machaut's Judgement of the King of Navarre, which blames the Jews for the Black Death and describes their mass murder. Girard compares persecution texts with myths, most notably with the myth of Oedipus, and finds strikingly similar themes and structures. Could myths regularly conceal texts of persecution? Girard's answers lies in a study of the Christian Passion, which represents the same central event, the same collective violence, found in all mythology, but which is read from the point of view of the innocent victim. The Passion text provides the model interpretation that has enabled Western culture to demystify its own violence--a demystification Girard now extends to mythology. Underlying Girard's daring textual hypothesis is a powerful theory of history and culture. Christ's rejection of all guilt breaks the mythic cycle of violence and the sacred. The scapegoat becomes the Lamb of God; "the foolish genesis of blood-stained idols and the false gods of superstition, politics, and ideologies" are revealed
13. Erscheinungsdatum: 06.1998
14. Primäre Kategorie: Sachbuch
15. Verfügbare Sprache dieser Ausgabe: Deutsch

Warum sich Der Sündenbock gut einordnen lässt

Die Verbindung aus Der Sündenbock, René Girard, Yvonne Freccero, Sachbuch und Christianity, Persecution, Religious aspects, Fiction, general, Violence, Religious aspects of Violence, Passion, Violence, religious aspects, Passion of Jesus Christ, 11.50 church history and history of doctrine: general, Jesus christ, passion, Scapegoat, Sündenbock, Bouc émissaire schafft eine solide Grundlage für eine präzise thematische Suche. Eindeutige Referenzdaten wie 3545700011, 9783545700017 und OL3286882W verbessern die bibliografische Verlässlichkeit zusätzlich.

Wichtige Fragen zu Inhalt und Ausgabe

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