Body check | Beschreibung und Metadaten

Body check: Inhalt, Einordnung und bibliografische Details

Body check gehört zur Kategorie Sachbuch und stammt von Veit Loers, Maria Lassnig, Anna Fricke, Peter Pakesch, Letizia Ragaglia, Kirsty Bell - eine Kombination, die den Titel sowohl fachlich als auch bibliografisch interessant macht. Mit dem Untertitel Martin Kippenberger, Maria Lassnig wird bei Body check noch deutlicher, in welche Richtung das Werk inhaltlich argumentiert und welche Schwerpunkte gesetzt werden. Aus der Buchbeschreibung zu Body check ergibt sich ein klares Bild der thematischen Schwerpunkte: BODY CHECK presents two illustrious artists of the late 20th century who, in an era dominated by abstract painting and nascent political correctness, ventured to spotlight in their artistic work the human body, primarily their own. In their depictions, they stage both the female and male body in a grotesque manner, theatrically dramatizing the torso as well as the limbs, head, eyes, hands, and feet. Maria Lassnig (1919-2014) articulated this humorous grotesque discourse across the decades as an artistic means of expression fraught with self-irony and also as a feminist weapon. The self is presented as torso, as animal, with prostheses, or in a permanent state of organic metamorphosis. Martin Kippenberger's (1953-1997) paintings, sculptures, and drawings are pervaded by an enigmatic spirit of the grotesque, in which comical touches and dark humor evoke the painful, even tragic experience of a world where no one is prepared to help anyone else. The self, one's own body, is allegorically caught up in, or fragmented by, artifacts and linguistic constructs. Salvation is a utopia. Lassnig and Kippenberger never met, even though Kippenberger, a native of the Rhineland, made his home in his latter years in the southern part of the Austrian province of Burgenland, not far from Lassnig's home in the province of Carinthia. The kinship between the two artists' choice of motifs is thus all the more striking. Kippenberger most probably saw exhibitions of Lassnig's work (Kunstmuseum Düsseldorf, 1985), and vice versa, after his early death and the growing awareness of his oeuvre, his Austrian colleague evidently studied it closely. In BODY CHECK, body images by the two exceptional artists spanning two decades are now brought together. The exhibition and the book shed new light on the work of both artists while also revealing the entrenched gender-specific roles in international art at the end of the twentieth century. --Publisher's website Bibliografisch ist Body check mit dem Erscheinungsdatum 2018, dem Verlag Snoeck und dem Ort Cologne erfasst.

Was diese Ausgabe besonders interessant macht

Gerade wer nach Werken von Veit Loers, Maria Lassnig, Anna Fricke, Peter Pakesch, Letizia Ragaglia, Kirsty Bell sucht, sollte Body check näher betrachten. Mit dem Erscheinungszeitpunkt 2018 lässt sich Body check sauber in einen bibliografischen Kontext einordnen. Body check liegt in Deutsch vor, was für die inhaltliche Nutzung ebenso wichtig ist wie für die bibliografische Suche. Durch die Zuordnung zur Kategorie Sachbuch wird Body check auch für thematische Recherchen besonders relevant. Der Verlag Snoeck und der Verlagsort Cologne liefern zusätzliche Orientierung bei der Einordnung dieser Ausgabe.

Inhalt und thematische Schwerpunkte

Im thematischen Kontext von Sachbuch setzt Body check laut Beschreibung auf folgende Schwerpunkte: BODY CHECK presents two illustrious artists of the late 20th century who, in an era dominated by abstract painting and nascent political correctness, ventured to spotlight in their artistic work the human body, primarily their own. In their depictions, they stage both the female and male body in a grotesque manner, theatrically dramatizing the torso as well as the limbs, head, eyes, hands, and feet. Maria Lassnig (1919-2014) articulated this humorous grotesque discourse across the decades as an artistic means of expression fraught with self-irony and also as a feminist weapon. The self is presented as torso, as animal, with prostheses, or in a permanent state of organic metamorphosis. Martin Kippenberger's (1953-1997) paintings, sculptures, and drawings are pervaded by an enigmatic spirit of the grotesque, in which comical touches and dark humor evoke the painful, even tragic experience of a world where no one is prepared to help anyone else. The self, one's own body, is allegorically caught up in, or fragmented by, artifacts and linguistic constructs. Salvation is a utopia. Lassnig and Kippenberger never met, even though Kippenberger, a native of the Rhineland, made his home in his latter years in the southern part of the Austrian province of Burgenland, not far from Lassnig's home in the province of Carinthia. The kinship between the two artists' choice of motifs is thus all the more striking. Kippenberger most probably saw exhibitions of Lassnig's work (Kunstmuseum Düsseldorf, 1985), and vice versa, after his early death and the growing awareness of his oeuvre, his Austrian colleague evidently studied it closely. In BODY CHECK, body images by the two exceptional artists spanning two decades are now brought together. The exhibition and the book shed new light on the work of both artists while also revealing the entrenched gender-specific roles in international art at the end of the twentieth century. --Publisher's website Die vorhandenen Tags verdichten die inhaltliche Einordnung des Buches zusätzlich: Exhibitions, Human beings in art, Austrian Painting, German Painting, German Drawing, Austrian Drawing

Ausgabe, Identifikatoren und Referenzen

Durch die Kombination aus Snoeck, Cologne und 2018 lässt sich die Ausgabe sauber verorten. Im Open-Library-Kontext ist das Werk über OL32564958W sowie die Editionszuordnungen OL44373221M referenzierbar. Die Kombination aus ISBN-10 3864422345 und ISBN-13 9783864422348 ermöglicht eine besonders präzise bibliografische Zuordnung.

Wichtige Buchdaten im Überblick

1. Kurzbeschreibung: BODY CHECK presents two illustrious artists of the late 20th century who, in an era dominated by abstract painting and nascent political correctness, ventured to spotlight in their artistic work the human body, primarily their own. In their depictions, they stage both the female and male body in a grotesque manner, theatrically dramatizing the torso as well as the limbs, head, eyes, hands, and feet. Maria Lassnig (1919-2014) articulated this humorous grotesque discourse across the decades as an artistic means of expression fraught with self-irony and also as a feminist weapon. The self is presented as torso, as animal, with prostheses, or in a permanent state of organic metamorphosis. Martin Kippenberger's (1953-1997) paintings, sculptures, and drawings are pervaded by an enigmatic spirit of the grotesque, in which comical touches and dark humor evoke the painful, even tragic experience of a world where no one is prepared to help anyone else. The self, one's own body, is allegorically caught up in, or fragmented by, artifacts and linguistic constructs. Salvation is a utopia. Lassnig and Kippenberger never met, even though Kippenberger, a native of the Rhineland, made his home in his latter years in the southern part of the Austrian province of Burgenland, not far from Lassnig's home in the province of Carinthia. The kinship between the two artists' choice of motifs is thus all the more striking. Kippenberger most probably saw exhibitions of Lassnig's work (Kunstmuseum Düsseldorf, 1985), and vice versa, after his early death and the growing awareness of his oeuvre, his Austrian colleague evidently studied it closely. In BODY CHECK, body images by the two exceptional artists spanning two decades are now brought together. The exhibition and the book shed new light on the work of both artists while also revealing the entrenched gender-specific roles in international art at the end of the twentieth century. --Publisher's website
2. Internationale Standardbuchnummer (ISBN-10): 3864422345
3. Verlagsort: Cologne
4. Externe Work-Referenz: OL32564958W
5. Buchtitel: Body check
6. Verlag: Snoeck
7. Ergänzender Titelzusatz: Martin Kippenberger, Maria Lassnig
8. Primäre Kategorie: Sachbuch
9. Verfasst von: Veit Loers, Maria Lassnig, Anna Fricke, Peter Pakesch, Letizia Ragaglia, Kirsty Bell
10. Seitenzahl: 176
11. Erscheinungsdatum: 2018
12. Sprache: Deutsch
13. Internationale Standardbuchnummer (ISBN-13): 9783864422348
14. Schlagwörter: Exhibitions, Human beings in art, Austrian Painting, German Painting, German Drawing, Austrian Drawing
15. Externe Editionsreferenzen: OL44373221M

Suchrelevante Merkmale dieser Ausgabe

Die Verbindung aus Body check, Veit Loers, Maria Lassnig, Anna Fricke, Peter Pakesch, Letizia Ragaglia, Kirsty Bell, Sachbuch und Exhibitions, Human beings in art, Austrian Painting, German Painting, German Drawing, Austrian Drawing schafft eine solide Grundlage für eine präzise thematische Suche. Mit ISBN-10, ISBN-13 und Work-ID - 3864422345, 9783864422348 und OL32564958W - lässt sich diese Ausgabe plattformübergreifend eindeutig verknüpfen.

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