Duchamp als Kurator kaufen? Infos zu Inhalt, Autor und ISBN
12/08/2026
Lesedauer: 8 min
Duchamp als Kurator von Renate Wiehager, Katharina Neuburger auf einen Blick: Buchprofil, Inhalt und zentrale Daten. Nützlich für alle, die gezielt prüfen statt nur überfliegen wollen.

Duchamp als Kurator im Überblick
Wer nach einem Buch von Renate Wiehager, Katharina Neuburger aus dem Themenfeld Sachbuch sucht, findet mit Duchamp als Kurator eine Ausgabe mit präziser inhaltlicher Positionierung. Mit dem Untertitel Duchamp as curator wird bei Duchamp als Kurator noch deutlicher, in welche Richtung das Werk inhaltlich argumentiert und welche Schwerpunkte gesetzt werden. Aus der Buchbeschreibung zu Duchamp als Kurator ergibt sich ein klares Bild der thematischen Schwerpunkte: Marcel Duchamp made exhibition practice an important part of his work. Curatorial gestures and concepts that determined the staging of his works and allowed him to move away from canonical definitions of the artist; publications and photographic documentations and of his New York studios; themes, contributions and layout drafts for art magazines; his activity as a consultant, juror and staging curator for exhibitions in the contexts of American Modernism, Dada and Surrealism; the notable influence on important private collections of his time - every conceivable aspect of curating, exhibiting and collecting have gained a qualitatively new artistic dimension in Duchamp's work. While deliberately distancing himself from given structures of artistic work, he approached a concept of curatorial practice as an aesthetic medium that is today well established. According to the pointed thesis of the symposium and the publication here, he was one of the first 'artist curators' and, thus, decisively influenced the reception of his own work as well as the art historical development of exhibition practice. Duchamp gave a new conceptual direction to the multiple possibilities for perception and open perspectives of interpretation of his oeuvre, via the staging, reproduction and multiplication of his own and others' works, which subsequently defined a turn in contemporary art. Principles of exhibition practice became decisive factors in the constitution of a work. This volume compiles the contributions of a symposium at Daimler Art Collection (25./26. April 2017), and is probably the first substantial publication on this subject. It brings together eight essays by renowned authors analyzing the status of Duchamp's varied curatorial gestures"--Publisher's website Die Ausgabe erschien am 2017 bei Snoeck und ist dem Verlagsstandort Köln zugeordnet.
Was diese Ausgabe besonders interessant macht
Für Recherchen nach Veröffentlichungszeitraum ist Duchamp als Kurator mit dem Datum 2017 eindeutig zuordenbar. Duchamp als Kurator liegt in Deutsch vor, was für die inhaltliche Nutzung ebenso wichtig ist wie für die bibliografische Suche. Wer Literatur aus dem Bereich Sachbuch sucht, findet in Duchamp als Kurator einen gut klassifizierbaren Titel. Duchamp als Kurator ist besonders für Leserinnen und Leser interessant, die sich gezielt mit Veröffentlichungen von Renate Wiehager, Katharina Neuburger beschäftigen möchten. Der Verlag Snoeck und der Verlagsort Köln liefern zusätzliche Orientierung bei der Einordnung dieser Ausgabe.
Inhalte, Themen und Relevanz
Wer wissen möchte, worauf Duchamp als Kurator inhaltlich abzielt, findet in dieser Zusammenfassung einen ersten Ansatzpunkt: Marcel Duchamp made exhibition practice an important part of his work. Curatorial gestures and concepts that determined the staging of his works and allowed him to move away from canonical definitions of the artist; publications and photographic documentations and of his New York studios; themes, contributions and layout drafts for art magazines; his activity as a consultant, juror and staging curator for exhibitions in the contexts of American Modernism, Dada and Surrealism; the notable influence on important private collections of his time - every conceivable aspect of curating, exhibiting and collecting have gained a qualitatively new artistic dimension in Duchamp's work. While deliberately distancing himself from given structures of artistic work, he approached a concept of curatorial practice as an aesthetic medium that is today well established. According to the pointed thesis of the symposium and the publication here, he was one of the first 'artist curators' and, thus, decisively influenced the reception of his own work as well as the art historical development of exhibition practice. Duchamp gave a new conceptual direction to the multiple possibilities for perception and open perspectives of interpretation of his oeuvre, via the staging, reproduction and multiplication of his own and others' works, which subsequently defined a turn in contemporary art. Principles of exhibition practice became decisive factors in the constitution of a work. This volume compiles the contributions of a symposium at Daimler Art Collection (25./26. April 2017), and is probably the first substantial publication on this subject. It brings together eight essays by renowned authors analyzing the status of Duchamp's varied curatorial gestures"--Publisher's website Die vorhandenen Tags verdichten die inhaltliche Einordnung des Buches zusätzlich: Congresses, Criticism and interpretation, Artists as art museum curators
Edition und bibliografische Einordnung
Verlag, Ort und Datum - Snoeck, Köln und 2017 - bilden zusammen einen wichtigen bibliografischen Kern dieses Datensatzes. Die Kombination aus ISBN-10 3864422302 und ISBN-13 9783864422300 ermöglicht eine besonders präzise bibliografische Zuordnung. Für weiterführende bibliografische Verknüpfungen sind die Kennungen OL32536677W und OL44338378M besonders hilfreich.
Bibliografische Daten auf einen Blick
- Ort der Veröffentlichung: Köln
- Untertitel: Duchamp as curator
- Open-Library-Editions-IDs: OL44338378M
- Publiziert bei: Snoeck
- Open-Library-Work-ID: OL32536677W
- Kurzbeschreibung: Marcel Duchamp made exhibition practice an important part of his work. Curatorial gestures and concepts that determined the staging of his works and allowed him to move away from canonical definitions of the artist; publications and photographic documentations and of his New York studios; themes, contributions and layout drafts for art magazines; his activity as a consultant, juror and staging curator for exhibitions in the contexts of American Modernism, Dada and Surrealism; the notable influence on important private collections of his time - every conceivable aspect of curating, exhibiting and collecting have gained a qualitatively new artistic dimension in Duchamp's work. While deliberately distancing himself from given structures of artistic work, he approached a concept of curatorial practice as an aesthetic medium that is today well established. According to the pointed thesis of the symposium and the publication here, he was one of the first 'artist curators' and, thus, decisively influenced the reception of his own work as well as the art historical development of exhibition practice. Duchamp gave a new conceptual direction to the multiple possibilities for perception and open perspectives of interpretation of his oeuvre, via the staging, reproduction and multiplication of his own and others' works, which subsequently defined a turn in contemporary art. Principles of exhibition practice became decisive factors in the constitution of a work. This volume compiles the contributions of a symposium at Daimler Art Collection (25./26. April 2017), and is probably the first substantial publication on this subject. It brings together eight essays by renowned authors analyzing the status of Duchamp's varied curatorial gestures"--Publisher's website
- Autor beziehungsweise Autoren: Renate Wiehager, Katharina Neuburger
- Primäre Kategorie: Sachbuch
- Umfang: 413 Seiten
- Internationale Standardbuchnummer (ISBN-13): 9783864422300
- Verfügbare Sprache dieser Ausgabe: Deutsch
- Internationale Standardbuchnummer (ISBN-10): 3864422302
- Erscheinungsdatum: 2017
- Thematische Tags: Congresses, Criticism and interpretation, Artists as art museum curators
- Titel: Duchamp als Kurator
Warum sich Duchamp als Kurator gut einordnen lässt
Duchamp als Kurator profitiert für die Auffindbarkeit besonders von der Verbindung zwischen Renate Wiehager, Katharina Neuburger, Sachbuch und den Tags Congresses, Criticism and interpretation, Artists as art museum curators, weil dadurch eine starke semantische Einordnung entsteht. Zusätzliche Präzision entsteht durch Identifikatoren wie 3864422302, 9783864422300 und OL32536677W, die die Ausgabe in verschiedenen Katalog- und Suchkontexten eindeutig referenzierbar machen.
FAQ zu Duchamp als Kurator
Worum handelt es sich bei Duchamp als Kurator?
Duchamp als Kurator ist ein Buch von Renate Wiehager, Katharina Neuburger, das der Kategorie Sachbuch zugeordnet wird und damit thematisch klar eingeordnet werden kann.
Wie lässt sich das Buch sprachlich und thematisch filtern?
Über die Sprache Deutsch und die Schlagwörter Congresses, Criticism and interpretation, Artists as art museum curators kann die Ausgabe gezielt in Such- und Katalogsystemen eingegrenzt werden.
Welche Inhalte beschreibt die Kurzbeschreibung?
Die vorhandene Beschreibung lautet: Marcel Duchamp made exhibition practice an important part of his work. Curatorial gestures and concepts that determined the staging of his works and allowed him to move away from canonical definitions of the artist; publications and photographic documentations and of his New York studios; themes, contributions and layout drafts for art magazines; his activity as a consultant, juror and staging curator for exhibitions in the contexts of American Modernism, Dada and Surrealism; the notable influence on important private collections of his time - every conceivable aspect of curating, exhibiting and collecting have gained a qualitatively new artistic dimension in Duchamp's work. While deliberately distancing himself from given structures of artistic work, he approached a concept of curatorial practice as an aesthetic medium that is today well established. According to the pointed thesis of the symposium and the publication here, he was one of the first 'artist curators' and, thus, decisively influenced the reception of his own work as well as the art historical development of exhibition practice. Duchamp gave a new conceptual direction to the multiple possibilities for perception and open perspectives of interpretation of his oeuvre, via the staging, reproduction and multiplication of his own and others' works, which subsequently defined a turn in contemporary art. Principles of exhibition practice became decisive factors in the constitution of a work. This volume compiles the contributions of a symposium at Daimler Art Collection (25./26. April 2017), and is probably the first substantial publication on this subject. It brings together eight essays by renowned authors analyzing the status of Duchamp's varied curatorial gestures"--Publisher's website
Welche Open-Library-Kennungen sind vorhanden?
Vorhanden sind die Work-ID OL32536677W und die Editionsreferenzen OL44338378M.
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