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Eduard Hanslick - Sämtliche Schriften. Historisch-kritische Ausgabe im Überblick

Eduard Hanslick - Sämtliche Schriften. Historisch-kritische Ausgabe von Eduard Hanslik ist ein Titel aus dem Bereich Sachbuch, der thematisch klar positioniert ist und für Leserinnen und Leser mit Interesse an diesem Fach- oder Themengebiet besonders relevant sein kann. Aus der Buchbeschreibung zu Eduard Hanslick - Sämtliche Schriften. Historisch-kritische Ausgabe ergibt sich ein klares Bild der thematischen Schwerpunkte: The present sixth volume of the new historic-critical complete edition of Eduard Hanslick´s works contains texts of the years 1862 to 1863, which are for the most part contributions from the Vienna "Presse". Some articles were published shortly after in national music journals such as the "Niederrheinische Musik-Zeitung" or the Berlin music journal "Echo". Hanslick revised som of them later for his well-known anthologies ("Die moderne Oper", aus dem Konzertsaal. Geschichte des Konzertwesens in Wien, II2). As before these texts were provided with lists of variant readings, which are printed subsequent to the respective article. The principles of publication were not changed. Minor variations are: different spelling, change from spaced writing to normal distance of characters or vice versa, smaller modification of the wording, updating or additions. Major changes mainly consist in leaving out large parts of the text or rearranging text passages from different sources to particular subjects. The fundamental change in Hanslick´s occupation as a critic as can be seen exactly from the 1860s, that is his stronger attention to reviewing the performance cannot be substantiated by his own editions so well because he often left out parts related to the concert. From that point of view this edition provides not only a better survey of the Vienna concert life in these years than Hanslick´s own edition but it also notes down in a much more precise way his changed approach to writing. Most of the texts, however, are completely unknown today. The main essay in the comment part deals with the music-aesthetic consequences of the phenomenon of boredom, the typical syndrome of the 19th century, which Hanslick´s reviews shed some light on. It becomes clear that there are more criteria in Hanslick that are important for an assessment of a work than those laid down in "Vom Musikalisch-Schönen". An important position in Hanslick´s life as a music critik take his trips to music festivals or world expositions. His travel diaries are still very informative and shown an open-minded cosmopolitan. Hanslick´s report on the bustle of the 1862 word exposition in London from an initially neutral attitude of an observer seems in a certain way to turn into a surrealistic inferno of the arising modern age and confirms unconsciously what Walter Benjamin realized first and formulated in his "Passagenwerk". This matter is dealt with a particular length in the notes, which as before briefly characterize, annotate or analyse for its aesthetic relevance every single text. Added to the annotations is an excerpt from a letter by August Wilhelm Ambros, which illustrates some aspects from Hanslick´s aesthetic of boredom from a different point of view Bibliografisch ist Eduard Hanslick - Sämtliche Schriften. Historisch-kritische Ausgabe mit dem Erscheinungsdatum 26.09.2008, dem Verlag Böhlau und dem Ort xx erfasst.

Was diese Ausgabe besonders interessant macht

Mit der Sprache Deutsch lässt sich Eduard Hanslick - Sämtliche Schriften. Historisch-kritische Ausgabe auch im internationalen oder mehrsprachigen Kontext präzise filtern. Verlagsname und Verlagsort - Böhlau und xx - helfen dabei, die Ausgabe eindeutig zu identifizieren. Im Kontext des Gesamtwerks von Eduard Hanslik lässt sich Eduard Hanslick - Sämtliche Schriften. Historisch-kritische Ausgabe gezielt bibliografisch und thematisch einordnen. Mit dem Erscheinungszeitpunkt 26.09.2008 lässt sich Eduard Hanslick - Sämtliche Schriften. Historisch-kritische Ausgabe sauber in einen bibliografischen Kontext einordnen. Durch die Zuordnung zur Kategorie Sachbuch wird Eduard Hanslick - Sämtliche Schriften. Historisch-kritische Ausgabe auch für thematische Recherchen besonders relevant.

Worum geht es in Eduard Hanslick - Sämtliche Schriften. Historisch-kritische Ausgabe?

Eduard Hanslick - Sämtliche Schriften. Historisch-kritische Ausgabe lässt sich inhaltlich innerhalb von Sachbuch verorten und wird in der Beschreibung wie folgt umrissen: The present sixth volume of the new historic-critical complete edition of Eduard Hanslick´s works contains texts of the years 1862 to 1863, which are for the most part contributions from the Vienna "Presse". Some articles were published shortly after in national music journals such as the "Niederrheinische Musik-Zeitung" or the Berlin music journal "Echo". Hanslick revised som of them later for his well-known anthologies ("Die moderne Oper", aus dem Konzertsaal. Geschichte des Konzertwesens in Wien, II2). As before these texts were provided with lists of variant readings, which are printed subsequent to the respective article. The principles of publication were not changed. Minor variations are: different spelling, change from spaced writing to normal distance of characters or vice versa, smaller modification of the wording, updating or additions. Major changes mainly consist in leaving out large parts of the text or rearranging text passages from different sources to particular subjects. The fundamental change in Hanslick´s occupation as a critic as can be seen exactly from the 1860s, that is his stronger attention to reviewing the performance cannot be substantiated by his own editions so well because he often left out parts related to the concert. From that point of view this edition provides not only a better survey of the Vienna concert life in these years than Hanslick´s own edition but it also notes down in a much more precise way his changed approach to writing. Most of the texts, however, are completely unknown today. The main essay in the comment part deals with the music-aesthetic consequences of the phenomenon of boredom, the typical syndrome of the 19th century, which Hanslick´s reviews shed some light on. It becomes clear that there are more criteria in Hanslick that are important for an assessment of a work than those laid down in "Vom Musikalisch-Schönen". An important position in Hanslick´s life as a music critik take his trips to music festivals or world expositions. His travel diaries are still very informative and shown an open-minded cosmopolitan. Hanslick´s report on the bustle of the 1862 word exposition in London from an initially neutral attitude of an observer seems in a certain way to turn into a surrealistic inferno of the arising modern age and confirms unconsciously what Walter Benjamin realized first and formulated in his "Passagenwerk". This matter is dealt with a particular length in the notes, which as before briefly characterize, annotate or analyse for its aesthetic relevance every single text. Added to the annotations is an excerpt from a letter by August Wilhelm Ambros, which illustrates some aspects from Hanslick´s aesthetic of boredom from a different point of view Für die thematische Suche und semantische Zuordnung sind insbesondere diese Tags relevant: Music, philosophy and aesthetics, Music, history and criticism, 19th century, Music, austrian

Edition und bibliografische Einordnung

Die Open-Library-Zuordnung über OL20932605W und OL28359621M verbessert die externe Nachvollziehbarkeit des Werkes. Durch die Kombination aus Böhlau, xx und 26.09.2008 lässt sich die Ausgabe sauber verorten.

Die zentralen Metadaten zu Eduard Hanslick - Sämtliche Schriften. Historisch-kritische Ausgabe

1. Thematische Tags: Music, philosophy and aesthetics, Music, history and criticism, 19th century, Music, austrian
2. Verlag: Böhlau
3. Buchtitel: Eduard Hanslick - Sämtliche Schriften. Historisch-kritische Ausgabe
4. Externe Work-Referenz: OL20932605W
5. Verlagsort: xx
6. Internationale Standardbuchnummer (ISBN-13): 9783205779902
7. Erscheinungsdatum: 26.09.2008
8. Externe Editionsreferenzen: OL28359621M
9. Verfasst von: Eduard Hanslik
10. Seitenzahl: 536
11. Kurzbeschreibung: The present sixth volume of the new historic-critical complete edition of Eduard Hanslick´s works contains texts of the years 1862 to 1863, which are for the most part contributions from the Vienna "Presse". Some articles were published shortly after in national music journals such as the "Niederrheinische Musik-Zeitung" or the Berlin music journal "Echo". Hanslick revised som of them later for his well-known anthologies ("Die moderne Oper", aus dem Konzertsaal. Geschichte des Konzertwesens in Wien, II2). As before these texts were provided with lists of variant readings, which are printed subsequent to the respective article. The principles of publication were not changed. Minor variations are: different spelling, change from spaced writing to normal distance of characters or vice versa, smaller modification of the wording, updating or additions. Major changes mainly consist in leaving out large parts of the text or rearranging text passages from different sources to particular subjects. The fundamental change in Hanslick´s occupation as a critic as can be seen exactly from the 1860s, that is his stronger attention to reviewing the performance cannot be substantiated by his own editions so well because he often left out parts related to the concert. From that point of view this edition provides not only a better survey of the Vienna concert life in these years than Hanslick´s own edition but it also notes down in a much more precise way his changed approach to writing. Most of the texts, however, are completely unknown today. The main essay in the comment part deals with the music-aesthetic consequences of the phenomenon of boredom, the typical syndrome of the 19th century, which Hanslick´s reviews shed some light on. It becomes clear that there are more criteria in Hanslick that are important for an assessment of a work than those laid down in "Vom Musikalisch-Schönen". An important position in Hanslick´s life as a music critik take his trips to music festivals or world expositions. His travel diaries are still very informative and shown an open-minded cosmopolitan. Hanslick´s report on the bustle of the 1862 word exposition in London from an initially neutral attitude of an observer seems in a certain way to turn into a surrealistic inferno of the arising modern age and confirms unconsciously what Walter Benjamin realized first and formulated in his "Passagenwerk". This matter is dealt with a particular length in the notes, which as before briefly characterize, annotate or analyse for its aesthetic relevance every single text. Added to the annotations is an excerpt from a letter by August Wilhelm Ambros, which illustrates some aspects from Hanslick´s aesthetic of boredom from a different point of view
12. Thematische Hauptkategorie: Sachbuch
13. Sprache: Deutsch

Relevanz für Suche und Einordnung

Eduard Hanslick - Sämtliche Schriften. Historisch-kritische Ausgabe profitiert für die Auffindbarkeit besonders von der Verbindung zwischen Eduard Hanslik, Sachbuch und den Tags Music, philosophy and aesthetics, Music, history and criticism, 19th century, Music, austrian, weil dadurch eine starke semantische Einordnung entsteht.

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