CROSSTOWN Books

Mensch und Übermensch - Bibliografische Daten und Buchbeschreibung

11/08/2026

Lesedauer: 11 min

Kompakte Infos zu Mensch und Übermensch von George Bernard Shaw: Thema, Ausgabe und bibliografische Daten. Hilft dir schnell zu entscheiden, ob sich ein genauer Blick lohnt.

Mensch und Übermensch - Bibliografische Daten und Buchbeschreibung

Mensch und Übermensch: Inhalt, Einordnung und bibliografische Details

Mensch und Übermensch ist ein Werk von George Bernard Shaw, das innerhalb der Kategorie Drama eingeordnet wird und bereits durch seine klare thematische Ausrichtung überzeugt. Mit dem Untertitel mit dem Brief an Arthur Walkey wird bei Mensch und Übermensch noch deutlicher, in welche Richtung das Werk inhaltlich argumentiert und welche Schwerpunkte gesetzt werden. Aus der Buchbeschreibung zu Mensch und Übermensch ergibt sich ein klares Bild der thematischen Schwerpunkte: From the book:My dear Walkley: You once asked me why I did not write a Don Juan play. The levity with which you assumed this frightful responsibility has probably by this time enabled you to forget it; but the day of reckoning has arrived: here is your play! I say your play, because qui facit per alium facit per se. Its profits, like its labor, belong to me: its morals, its manners, its philosophy, its influence on the young, are for you to justify. You were of mature age when you made the suggestion; and you knew your man. It is hardly fifteen years since, as twin pioneers of the New Journalism of that time, we two, cradled in the same new sheets, made an epoch in the criticism of the theatre and the opera house by making it a pretext for a propaganda of our own views of life. So you cannot plead ignorance of the character of the force you set in motion. Yon meant me to epater le bourgeois; and if he protests, I hereby refer him to you as the accountable party. I warn you that if you attempt to repudiate your responsibility, I shall suspect you of finding the play too decorous for your taste. The fifteen years have made me older and graver. In you I can detect no such becoming change. Your levities and audacities are like the loves and comforts prayed for by Desdemona: they increase, even as your days do grow. No mere pioneering journal dares meddle with them now: the stately Times itself is alone sufficiently above suspicion to act as your chaperone; and even the Times must sometimes thank its stars that new plays are not produced every day, since after each such event its gravity is compromised, its platitude turned to epigram, its portentousness to wit, its propriety to elegance, and even its decorum into naughtiness by criticisms which the traditions of the paper do not allow you to sign at the end, but which you take care to sign with the most extravagant flourishes between the lines. I am not sure that this is not a portent of Revolution. In eighteenth century France the end was at hand when men bought the Encyclopedia and found Diderot there. When I buy the Times and find you there, my prophetic ear catches a rattle of twentieth century tumbrils Mensch und Übermensch wurde am 1984 publiziert und dem Verlag Suhrkamp mit Verlagsort Frankfurt zugeordnet.

Relevante Merkmale auf einen Blick

Das hinterlegte Publikationsdatum 1984 unterstützt dabei, Mensch und Übermensch zeitlich korrekt zu klassifizieren. Mensch und Übermensch ist besonders für Leserinnen und Leser interessant, die sich gezielt mit Veröffentlichungen von George Bernard Shaw beschäftigen möchten. Innerhalb von Drama bietet Mensch und Übermensch eine klar erkennbare thematische Zuordnung. Mit der Sprache Deutsch lässt sich Mensch und Übermensch auch im internationalen oder mehrsprachigen Kontext präzise filtern. Der Verlag Suhrkamp und der Verlagsort Frankfurt liefern zusätzliche Orientierung bei der Einordnung dieser Ausgabe.

Inhalte, Themen und Relevanz

Die Beschreibung zeigt, dass Mensch und Übermensch klar dem Bereich Drama zugeordnet werden kann: From the book:My dear Walkley: You once asked me why I did not write a Don Juan play. The levity with which you assumed this frightful responsibility has probably by this time enabled you to forget it; but the day of reckoning has arrived: here is your play! I say your play, because qui facit per alium facit per se. Its profits, like its labor, belong to me: its morals, its manners, its philosophy, its influence on the young, are for you to justify. You were of mature age when you made the suggestion; and you knew your man. It is hardly fifteen years since, as twin pioneers of the New Journalism of that time, we two, cradled in the same new sheets, made an epoch in the criticism of the theatre and the opera house by making it a pretext for a propaganda of our own views of life. So you cannot plead ignorance of the character of the force you set in motion. Yon meant me to epater le bourgeois; and if he protests, I hereby refer him to you as the accountable party. I warn you that if you attempt to repudiate your responsibility, I shall suspect you of finding the play too decorous for your taste. The fifteen years have made me older and graver. In you I can detect no such becoming change. Your levities and audacities are like the loves and comforts prayed for by Desdemona: they increase, even as your days do grow. No mere pioneering journal dares meddle with them now: the stately Times itself is alone sufficiently above suspicion to act as your chaperone; and even the Times must sometimes thank its stars that new plays are not produced every day, since after each such event its gravity is compromised, its platitude turned to epigram, its portentousness to wit, its propriety to elegance, and even its decorum into naughtiness by criticisms which the traditions of the paper do not allow you to sign at the end, but which you take care to sign with the most extravagant flourishes between the lines. I am not sure that this is not a portent of Revolution. In eighteenth century France the end was at hand when men bought the Encyclopedia and found Diderot there. When I buy the Times and find you there, my prophetic ear catches a rattle of twentieth century tumbrils Ergänzend helfen die hinterlegten Schlagwörter dabei, Mensch und Übermensch thematisch schneller einzuordnen: British and irish drama (dramatic works by one author), English drama, Translations into Italian, English drama (Comedy), English Dramatists, Literatura Expressao Inglesa

Wichtige Kennzeichen dieser Ausgabe

Für weiterführende bibliografische Verknüpfungen sind die Kennungen OL1066526W und OL19263064M besonders hilfreich. Die verlegerische und zeitliche Einordnung wird durch Suhrkamp, Frankfurt und 1984 präzise ergänzt.

Die zentralen Metadaten zu Mensch und Übermensch

  1. Thematische Tags: British and irish drama (dramatic works by one author), English drama, Translations into Italian, English drama (Comedy), English Dramatists, Literatura Expressao Inglesa
  2. Publiziert bei: Suhrkamp
  3. Thematische Hauptkategorie: Drama
  4. Autor beziehungsweise Autoren: George Bernard Shaw
  5. Inhaltliche Kurzcharakteristik: From the book:My dear Walkley: You once asked me why I did not write a Don Juan play. The levity with which you assumed this frightful responsibility has probably by this time enabled you to forget it; but the day of reckoning has arrived: here is your play! I say your play, because qui facit per alium facit per se. Its profits, like its labor, belong to me: its morals, its manners, its philosophy, its influence on the young, are for you to justify. You were of mature age when you made the suggestion; and you knew your man. It is hardly fifteen years since, as twin pioneers of the New Journalism of that time, we two, cradled in the same new sheets, made an epoch in the criticism of the theatre and the opera house by making it a pretext for a propaganda of our own views of life. So you cannot plead ignorance of the character of the force you set in motion. Yon meant me to epater le bourgeois; and if he protests, I hereby refer him to you as the accountable party. I warn you that if you attempt to repudiate your responsibility, I shall suspect you of finding the play too decorous for your taste. The fifteen years have made me older and graver. In you I can detect no such becoming change. Your levities and audacities are like the loves and comforts prayed for by Desdemona: they increase, even as your days do grow. No mere pioneering journal dares meddle with them now: the stately Times itself is alone sufficiently above suspicion to act as your chaperone; and even the Times must sometimes thank its stars that new plays are not produced every day, since after each such event its gravity is compromised, its platitude turned to epigram, its portentousness to wit, its propriety to elegance, and even its decorum into naughtiness by criticisms which the traditions of the paper do not allow you to sign at the end, but which you take care to sign with the most extravagant flourishes between the lines. I am not sure that this is not a portent of Revolution. In eighteenth century France the end was at hand when men bought the Encyclopedia and found Diderot there. When I buy the Times and find you there, my prophetic ear catches a rattle of twentieth century tumbrils
  6. Ort der Veröffentlichung: Frankfurt
  7. Titel: Mensch und Übermensch
  8. Externe Editionsreferenzen: OL19263064M
  9. Veröffentlicht am: 1984
  10. Open-Library-Work-ID: OL1066526W
  11. Umfang: 323 Seiten
  12. Ergänzender Titelzusatz: mit dem Brief an Arthur Walkey
  13. Verfügbare Sprache dieser Ausgabe: Deutsch
  14. Internationale Standardbuchnummer (ISBN-10): 3518374877

Relevanz für Suche und Einordnung

Die Verbindung aus Mensch und Übermensch, George Bernard Shaw, Drama und British and irish drama (dramatic works by one author), English drama, Translations into Italian, English drama (Comedy), English Dramatists, Literatura Expressao Inglesa schafft eine solide Grundlage für eine präzise thematische Suche.

FAQ zu Mensch und Übermensch

Welche Rolle spielt der Untertitel von Mensch und Übermensch?

Der Untertitel mit dem Brief an Arthur Walkey präzisiert die thematische Stoßrichtung des Buches und ergänzt den Haupttitel sinnvoll.

Gibt es externe Referenzdaten für das Werk?

Ja, das Werk ist über die Open-Library-Work-ID OL1066526W sowie die Editions-IDs OL19263064M referenzierbar.

Welche Sprache und Schlagwörter sind hinterlegt?

Verzeichnet sind die Sprache Deutsch sowie die Tags British and irish drama (dramatic works by one author), English drama, Translations into Italian, English drama (Comedy), English Dramatists, Literatura Expressao Inglesa, die die thematische Zuordnung erleichtern.

Welche Inhalte beschreibt die Kurzbeschreibung?

Die vorhandene Beschreibung lautet: From the book:My dear Walkley: You once asked me why I did not write a Don Juan play. The levity with which you assumed this frightful responsibility has probably by this time enabled you to forget it; but the day of reckoning has arrived: here is your play! I say your play, because qui facit per alium facit per se. Its profits, like its labor, belong to me: its morals, its manners, its philosophy, its influence on the young, are for you to justify. You were of mature age when you made the suggestion; and you knew your man. It is hardly fifteen years since, as twin pioneers of the New Journalism of that time, we two, cradled in the same new sheets, made an epoch in the criticism of the theatre and the opera house by making it a pretext for a propaganda of our own views of life. So you cannot plead ignorance of the character of the force you set in motion. Yon meant me to epater le bourgeois; and if he protests, I hereby refer him to you as the accountable party. I warn you that if you attempt to repudiate your responsibility, I shall suspect you of finding the play too decorous for your taste. The fifteen years have made me older and graver. In you I can detect no such becoming change. Your levities and audacities are like the loves and comforts prayed for by Desdemona: they increase, even as your days do grow. No mere pioneering journal dares meddle with them now: the stately Times itself is alone sufficiently above suspicion to act as your chaperone; and even the Times must sometimes thank its stars that new plays are not produced every day, since after each such event its gravity is compromised, its platitude turned to epigram, its portentousness to wit, its propriety to elegance, and even its decorum into naughtiness by criticisms which the traditions of the paper do not allow you to sign at the end, but which you take care to sign with the most extravagant flourishes between the lines. I am not sure that this is not a portent of Revolution. In eighteenth century France the end was at hand when men bought the Encyclopedia and found Diderot there. When I buy the Times and find you there, my prophetic ear catches a rattle of twentieth century tumbrils

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