Meine Mutter Marlene | Beschreibung und Metadaten

Meine Mutter Marlene: Inhalt, Einordnung und bibliografische Details

Meine Mutter Marlene von Maria Riva ist ein Titel aus dem Bereich Sachbuch, der thematisch klar positioniert ist und für Leserinnen und Leser mit Interesse an diesem Fach- oder Themengebiet besonders relevant sein kann. Meine Mutter Marlene wird in der Beschreibung wie folgt charakterisiert: A landmark biography. The full-scale, riveting, hitherto untold story of Marlene Dietrich as only her daughter, Maria Riva - from girlhood through most of her life her mother's confidant and companion - knows it and can tell it. With her total recall of the detail and texture of her mother's life, she powerfully evokes a woman, a career, a world. Here is Dietrich the child - the adored Maria Magdalena - raised meticulously by a mother who knew her place as a successful tradesman's daughter in Berlin society and her duty as a good wife...the adolescent Lena, revealed in Dietrich's voluminous and emotional life-long diaries (at age seventeen: "Somebody told me I looked like a doll one wants to keep on kissing"..."I had a very big fight with Mutti. She said that as I 'hang' around with all those schoolboys, that I must be boy crazy"... "Countess Gersdorf, your feet are pink my heart is set on fire for you..."). We see the young Marlene, the energetic, disciplined, quickly successful actress whose mother equated actors with shiftless tambourine-playing thieves...Marlene about to marry Rudolf Sieber ("He was dressed like an English lord on his country estate. A little assistant director in real tweeds. Right away I knew I loved him!")... Marlene totally trusting her husband's impeccable instinct for an approach that would work for his actress-wife: to play vulgarity but not become it, to startle the world but maintain the aloofness of an aristocrat. Here is Dietrich in the Berlin of the 1920s, becoming recognized for her sharp wit, her bisexual sensuality; in top hat, white tie, and tails (made by her husband's tailor), visiting cabarets where transvestites congregated and performed, embodying for them all they yearned to be...Marlene seen through the eyes of her young daughter ("At age three, I knew quite definitely that I did not have a mother, I belonged to a queen"). Dietrich is here in all of her incarnations: Sternberg's muse and collaborator in The Blue Angel, Morocco, Shanghai Express, The Scarlet Empress, The Devil Is a Woman ("Mister von Sternberg is a... god! A Master! No wonder they all hate him...He paints, like Rembrandt, with his lights"). And without him, Dietrich floundering until, with her understanding of what he had done and how he had done it, she was able herself to create Shanghai Lily in all her luminous beauty and to take command of Marlene Dietrich, the Movie Star. We see Dietrich the international symbol of unattainable glamour...Dietrich as Box Office Poison...Dietrich reborn as (almost) the girl next door, in Destry Rides Again...Dietrich in control of her husband, her husband's mistress, her own daughter, her own lovers, her films (the minutest detail of costume and lighting)... Dietrich the Romantic...Dietrich visiting Colette, talking till dawn with Erich Maria Remarque, searching for Jean Gabin in Algiers, adored by Brian Aherne, helplessly in love with Yul Brynner, palling around with Noel Coward and Cole Porter...Dietrich desiring - needing - ultimate Romance, passionate declarations of eternal devotion; her lovers unwittingly playing the roles she cast them in. Dietrich in her fifties and sixties, Vegas star, SRO concert performer around the world again, and again, and again...Dietrich in her eighties, divorcing herself from the world, making herself invisible, devoting herself to the immortality of The Legend. But what we have said barely does justice to the rich complexity of the story told, the woman revealed, the world portrayed in Maria Riva's astonishing work. Her biography of her mother has the depth, the range, and the resonance of the nineteenth-century novel and the conviction and feeling of life passionately recollected

Was diese Ausgabe besonders interessant macht

Gerade wer nach Werken von Maria Riva sucht, sollte Meine Mutter Marlene näher betrachten. Für Recherchen nach Veröffentlichungszeitraum ist Meine Mutter Marlene mit dem Datum 03.2000 eindeutig zuordenbar. Die Ausgabe ist in Deutsch verfügbar und damit gezielt für Leserinnen und Leser mit entsprechender Sprachpräferenz interessant. Meine Mutter Marlene spricht besonders Nutzer an, die sich für Bücher rund um Sachbuch interessieren.

Was behandelt Meine Mutter Marlene?

Wer wissen möchte, worauf Meine Mutter Marlene inhaltlich abzielt, findet in dieser Zusammenfassung einen ersten Ansatzpunkt: A landmark biography. The full-scale, riveting, hitherto untold story of Marlene Dietrich as only her daughter, Maria Riva - from girlhood through most of her life her mother's confidant and companion - knows it and can tell it. With her total recall of the detail and texture of her mother's life, she powerfully evokes a woman, a career, a world. Here is Dietrich the child - the adored Maria Magdalena - raised meticulously by a mother who knew her place as a successful tradesman's daughter in Berlin society and her duty as a good wife...the adolescent Lena, revealed in Dietrich's voluminous and emotional life-long diaries (at age seventeen: "Somebody told me I looked like a doll one wants to keep on kissing"..."I had a very big fight with Mutti. She said that as I 'hang' around with all those schoolboys, that I must be boy crazy"... "Countess Gersdorf, your feet are pink my heart is set on fire for you..."). We see the young Marlene, the energetic, disciplined, quickly successful actress whose mother equated actors with shiftless tambourine-playing thieves...Marlene about to marry Rudolf Sieber ("He was dressed like an English lord on his country estate. A little assistant director in real tweeds. Right away I knew I loved him!")... Marlene totally trusting her husband's impeccable instinct for an approach that would work for his actress-wife: to play vulgarity but not become it, to startle the world but maintain the aloofness of an aristocrat. Here is Dietrich in the Berlin of the 1920s, becoming recognized for her sharp wit, her bisexual sensuality; in top hat, white tie, and tails (made by her husband's tailor), visiting cabarets where transvestites congregated and performed, embodying for them all they yearned to be...Marlene seen through the eyes of her young daughter ("At age three, I knew quite definitely that I did not have a mother, I belonged to a queen"). Dietrich is here in all of her incarnations: Sternberg's muse and collaborator in The Blue Angel, Morocco, Shanghai Express, The Scarlet Empress, The Devil Is a Woman ("Mister von Sternberg is a... god! A Master! No wonder they all hate him...He paints, like Rembrandt, with his lights"). And without him, Dietrich floundering until, with her understanding of what he had done and how he had done it, she was able herself to create Shanghai Lily in all her luminous beauty and to take command of Marlene Dietrich, the Movie Star. We see Dietrich the international symbol of unattainable glamour...Dietrich as Box Office Poison...Dietrich reborn as (almost) the girl next door, in Destry Rides Again...Dietrich in control of her husband, her husband's mistress, her own daughter, her own lovers, her films (the minutest detail of costume and lighting)... Dietrich the Romantic...Dietrich visiting Colette, talking till dawn with Erich Maria Remarque, searching for Jean Gabin in Algiers, adored by Brian Aherne, helplessly in love with Yul Brynner, palling around with Noel Coward and Cole Porter...Dietrich desiring - needing - ultimate Romance, passionate declarations of eternal devotion; her lovers unwittingly playing the roles she cast them in. Dietrich in her fifties and sixties, Vegas star, SRO concert performer around the world again, and again, and again...Dietrich in her eighties, divorcing herself from the world, making herself invisible, devoting herself to the immortality of The Legend. But what we have said barely does justice to the rich complexity of the story told, the woman revealed, the world portrayed in Maria Riva's astonishing work. Her biography of her mother has the depth, the range, and the resonance of the nineteenth-century novel and the conviction and feeling of life passionately recollected Ergänzend helfen die hinterlegten Schlagwörter dabei, Meine Mutter Marlene thematisch schneller einzuordnen: Biography, Germany, biography, Entertainers, Biographies, 20th century, Photographs: collections, Biografía, Autobiographie, Biography/Autobiography, Motion picture actors and actresses, Biographie, Actors, biography, United states, biography, Dietrich, marlene, 1901-1992, Essays, journals, letters & other prose works, Children of celebrities, Biography: film, television & music, Motion pictures, biography, Films, cinema, Actrices, Children of entertainers, Dietrich, Marlene., Dieterich, francis, 1815-1860, Artistes du spectacle, Individual actors & performers Der dokumentierte Umfang von 894 Seiten sowie das Format pocket geben einen guten ersten Eindruck von der Ausgabe.

Edition und bibliografische Einordnung

Im Open-Library-Kontext ist das Werk über OL4321760W sowie die Editionszuordnungen OL12711582M, OL39208835M referenzierbar. Neben den inhaltlichen Daten sind auch die materiellen Merkmale der Ausgabe erfasst: pocket, 1.7 pounds, 7.3 x 4.9 x 1.7 inches. Für die eindeutige Identifikation der Ausgabe sind sowohl die ISBN-10 3442726530 als auch die ISBN-13 9783442726530 hinterlegt.

Wichtige Buchdaten im Überblick

1. Thematische Tags: Biography, Germany, biography, Entertainers, Biographies, 20th century, Photographs: collections, Biografía, Autobiographie, Biography/Autobiography, Motion picture actors and actresses, Biographie, Actors, biography, United states, biography, Dietrich, marlene, 1901-1992, Essays, journals, letters & other prose works, Children of celebrities, Biography: film, television & music, Motion pictures, biography, Films, cinema, Actrices, Children of entertainers, Dietrich, Marlene., Dieterich, francis, 1815-1860, Artistes du spectacle, Individual actors & performers
2. Kurzbeschreibung: A landmark biography. The full-scale, riveting, hitherto untold story of Marlene Dietrich as only her daughter, Maria Riva - from girlhood through most of her life her mother's confidant and companion - knows it and can tell it. With her total recall of the detail and texture of her mother's life, she powerfully evokes a woman, a career, a world. Here is Dietrich the child - the adored Maria Magdalena - raised meticulously by a mother who knew her place as a successful tradesman's daughter in Berlin society and her duty as a good wife...the adolescent Lena, revealed in Dietrich's voluminous and emotional life-long diaries (at age seventeen: "Somebody told me I looked like a doll one wants to keep on kissing"..."I had a very big fight with Mutti. She said that as I 'hang' around with all those schoolboys, that I must be boy crazy"... "Countess Gersdorf, your feet are pink my heart is set on fire for you..."). We see the young Marlene, the energetic, disciplined, quickly successful actress whose mother equated actors with shiftless tambourine-playing thieves...Marlene about to marry Rudolf Sieber ("He was dressed like an English lord on his country estate. A little assistant director in real tweeds. Right away I knew I loved him!")... Marlene totally trusting her husband's impeccable instinct for an approach that would work for his actress-wife: to play vulgarity but not become it, to startle the world but maintain the aloofness of an aristocrat. Here is Dietrich in the Berlin of the 1920s, becoming recognized for her sharp wit, her bisexual sensuality; in top hat, white tie, and tails (made by her husband's tailor), visiting cabarets where transvestites congregated and performed, embodying for them all they yearned to be...Marlene seen through the eyes of her young daughter ("At age three, I knew quite definitely that I did not have a mother, I belonged to a queen"). Dietrich is here in all of her incarnations: Sternberg's muse and collaborator in The Blue Angel, Morocco, Shanghai Express, The Scarlet Empress, The Devil Is a Woman ("Mister von Sternberg is a... god! A Master! No wonder they all hate him...He paints, like Rembrandt, with his lights"). And without him, Dietrich floundering until, with her understanding of what he had done and how he had done it, she was able herself to create Shanghai Lily in all her luminous beauty and to take command of Marlene Dietrich, the Movie Star. We see Dietrich the international symbol of unattainable glamour...Dietrich as Box Office Poison...Dietrich reborn as (almost) the girl next door, in Destry Rides Again...Dietrich in control of her husband, her husband's mistress, her own daughter, her own lovers, her films (the minutest detail of costume and lighting)... Dietrich the Romantic...Dietrich visiting Colette, talking till dawn with Erich Maria Remarque, searching for Jean Gabin in Algiers, adored by Brian Aherne, helplessly in love with Yul Brynner, palling around with Noel Coward and Cole Porter...Dietrich desiring - needing - ultimate Romance, passionate declarations of eternal devotion; her lovers unwittingly playing the roles she cast them in. Dietrich in her fifties and sixties, Vegas star, SRO concert performer around the world again, and again, and again...Dietrich in her eighties, divorcing herself from the world, making herself invisible, devoting herself to the immortality of The Legend. But what we have said barely does justice to the rich complexity of the story told, the woman revealed, the world portrayed in Maria Riva's astonishing work. Her biography of her mother has the depth, the range, and the resonance of the nineteenth-century novel and the conviction and feeling of life passionately recollected
3. Internationale Standardbuchnummer (ISBN-13): 9783442726530
4. Seitenzahl: 894
5. Gewicht: 1.7 pounds
6. Thematische Hauptkategorie: Sachbuch
7. Externe Work-Referenz: OL4321760W
8. ISBN-10: 3442726530
9. Externe Editionsreferenzen: OL12711582M, OL39208835M
10. Veröffentlicht am: 03.2000
11. Format: pocket
12. Verfasst von: Maria Riva
13. Maße der Ausgabe: 7.3 x 4.9 x 1.7 inches
14. Verfügbare Sprache dieser Ausgabe: Deutsch
15. Verlag: Wilhelm Goldmann Verlag GmbH
16. Buchtitel: Meine Mutter Marlene

Relevanz für Suche und Einordnung

Meine Mutter Marlene profitiert für die Auffindbarkeit besonders von der Verbindung zwischen Maria Riva, Sachbuch und den Tags Biography, Germany, biography, Entertainers, Biographies, 20th century, Photographs: collections, Biografía, Autobiographie, Biography/Autobiography, Motion picture actors and actresses, Biographie, Actors, biography, United states, biography, Dietrich, marlene, 1901-1992, Essays, journals, letters & other prose works, Children of celebrities, Biography: film, television & music, Motion pictures, biography, Films, cinema, Actrices, Children of entertainers, Dietrich, Marlene., Dieterich, francis, 1815-1860, Artistes du spectacle, Individual actors & performers, weil dadurch eine starke semantische Einordnung entsteht. Zusätzliche Präzision entsteht durch Identifikatoren wie 3442726530, 9783442726530 und OL4321760W, die die Ausgabe in verschiedenen Katalog- und Suchkontexten eindeutig referenzierbar machen. Auch Angaben wie Format, Maße, Gewicht und Seitenzahl - pocket, 7.3 x 4.9 x 1.7 inches, 1.7 pounds und 894 Seiten - helfen dabei, diese Ausgabe klar von anderen Varianten zu unterscheiden.

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