Eduardo Paolozzi | Buch, Verlag und Erscheinungsjahr

Alles Wichtige zu Eduardo Paolozzi

Mit Eduardo Paolozzi liegt ein Buch von Eduardo Paolozzi vor, das der Kategorie Sachbuch zugeordnet wird und sich für alle eignet, die gezielt nach Literatur mit diesem Schwerpunkt suchen. Köpfe fungiert als präzisierende Ergänzung zu Eduardo Paolozzi und macht die Zielsetzung des Buches schneller erfassbar. Die Kurzbeschreibung von Eduardo Paolozzi zeigt, welche Inhalte Leserinnen und Leser erwarten dürfen: Eduardo Paolozzi played a major role in the development of pop art. His ironic representations of robots and machine intelligence, and his many variations on Duchamp's ready mades, have also influenced young artists in Britain. The garden shed, bicycle wheel, and other odds and ends in the This is Tomorrow exhibition of 1956 was the first time such humble everyday things had been seen in a British art gallery. After knowing Giacometti, Arp, and Leger in Paris in the 1940s, Paolozzi became a founder member of the Independent Group at the Institute of Contemporary Arts in London. Rather than many of his generation who followed the reductive modernism of Clement Greenberg, he identified instead with the life and ideas of Ludwig Wittgenstein to develop a new language for art. For half a century Paolozzi has unswervingly adopted an inclusive agenda by embracing both high and low art, science and technology, music and the cinema, philosophy and literature.^ His private and public art ranges from the collage for a postage stamp to the monumental bronze sculpture of Newton for the British Library as well as the mosaic decorations for Tottenham Court Road underground station, London." "For Paolozzi, a surrealist before surrealism was readmitted to the modernist canon, much of the avant garde and its culturally conservative determinant art history are among bourgeois society's last taboos. His accusation is that society and art have failed to confront major problems such as waste and pollution which threaten the future of the planet. Paolozzi's critical writings are also invested with a deep humanism, and have a positive message for society including advice to the young artist at the start of the new millennium. Also published here for the first time are sequences from his poetry and novels which show the influence of surrealism and Raymond Roussel.^ As Hans Arp's and Kurt Schwitters's writings are to the first half of the twentieth century, so Paolozzi's are to the second. They have a distinct and unmistakable voice and show Paolozzi working in the tradition of the painter-poets as one of the last century's great modernist artists."--BOOK JACKET Eduardo Paolozzi wurde am 1986 publiziert und dem Verlag Fels-Verlag mit Verlagsort Marl zugeordnet.

Der Verlag Fels-Verlag und der Verlagsort Marl liefern zusätzliche Orientierung bei der Einordnung dieser Ausgabe. Wer Literatur aus dem Bereich Sachbuch sucht, findet in Eduardo Paolozzi einen gut klassifizierbaren Titel. Für Recherchen nach Veröffentlichungszeitraum ist Eduardo Paolozzi mit dem Datum 1986 eindeutig zuordenbar. Gerade wer nach Werken von Eduardo Paolozzi sucht, sollte Eduardo Paolozzi näher betrachten. Mit der Sprache Deutsch lässt sich Eduardo Paolozzi auch im internationalen oder mehrsprachigen Kontext präzise filtern.

Worum geht es in Eduardo Paolozzi?

Eduardo Paolozzi lässt sich inhaltlich innerhalb von Sachbuch verorten und wird in der Beschreibung wie folgt umrissen: Eduardo Paolozzi played a major role in the development of pop art. His ironic representations of robots and machine intelligence, and his many variations on Duchamp's ready mades, have also influenced young artists in Britain. The garden shed, bicycle wheel, and other odds and ends in the This is Tomorrow exhibition of 1956 was the first time such humble everyday things had been seen in a British art gallery. After knowing Giacometti, Arp, and Leger in Paris in the 1940s, Paolozzi became a founder member of the Independent Group at the Institute of Contemporary Arts in London. Rather than many of his generation who followed the reductive modernism of Clement Greenberg, he identified instead with the life and ideas of Ludwig Wittgenstein to develop a new language for art. For half a century Paolozzi has unswervingly adopted an inclusive agenda by embracing both high and low art, science and technology, music and the cinema, philosophy and literature.^ His private and public art ranges from the collage for a postage stamp to the monumental bronze sculpture of Newton for the British Library as well as the mosaic decorations for Tottenham Court Road underground station, London." "For Paolozzi, a surrealist before surrealism was readmitted to the modernist canon, much of the avant garde and its culturally conservative determinant art history are among bourgeois society's last taboos. His accusation is that society and art have failed to confront major problems such as waste and pollution which threaten the future of the planet. Paolozzi's critical writings are also invested with a deep humanism, and have a positive message for society including advice to the young artist at the start of the new millennium. Also published here for the first time are sequences from his poetry and novels which show the influence of surrealism and Raymond Roussel.^ As Hans Arp's and Kurt Schwitters's writings are to the first half of the twentieth century, so Paolozzi's are to the second. They have a distinct and unmistakable voice and show Paolozzi working in the tradition of the painter-poets as one of the last century's great modernist artists."--BOOK JACKET Über die Schlagwörter Catalogs, Exhibitions, Interviews, Beeldende kunsten, Art and society, Sculptors, Art, modern, 20th century, exhibitions, British Sculpture, Outdoor sculpture, Municipal Art, Art, scottish, Paolozzi, eduardo, 1924-2005, Artists, great britain lässt sich Eduardo Paolozzi auch in größeren Beständen gezielt auffinden.

Ausgabe, Identifikatoren und Referenzen

Durch die Kombination aus Fels-Verlag, Marl und 1986 lässt sich die Ausgabe sauber verorten. Auch externe Referenzen sind vorhanden: Die Work-ID lautet OL4937666W, die zugehörigen Editions-IDs sind OL2505400M.

Bibliografische Eckdaten dieser Ausgabe

1. Erscheinungsdatum: 1986
2. Verlag: Fels-Verlag
3. Ergänzender Titelzusatz: Köpfe
4. Thematische Tags: Catalogs, Exhibitions, Interviews, Beeldende kunsten, Art and society, Sculptors, Art, modern, 20th century, exhibitions, British Sculpture, Outdoor sculpture, Municipal Art, Art, scottish, Paolozzi, eduardo, 1924-2005, Artists, great britain
5. Ort der Veröffentlichung: Marl
6. Kurzbeschreibung: Eduardo Paolozzi played a major role in the development of pop art. His ironic representations of robots and machine intelligence, and his many variations on Duchamp's ready mades, have also influenced young artists in Britain. The garden shed, bicycle wheel, and other odds and ends in the This is Tomorrow exhibition of 1956 was the first time such humble everyday things had been seen in a British art gallery. After knowing Giacometti, Arp, and Leger in Paris in the 1940s, Paolozzi became a founder member of the Independent Group at the Institute of Contemporary Arts in London. Rather than many of his generation who followed the reductive modernism of Clement Greenberg, he identified instead with the life and ideas of Ludwig Wittgenstein to develop a new language for art. For half a century Paolozzi has unswervingly adopted an inclusive agenda by embracing both high and low art, science and technology, music and the cinema, philosophy and literature.^ His private and public art ranges from the collage for a postage stamp to the monumental bronze sculpture of Newton for the British Library as well as the mosaic decorations for Tottenham Court Road underground station, London." "For Paolozzi, a surrealist before surrealism was readmitted to the modernist canon, much of the avant garde and its culturally conservative determinant art history are among bourgeois society's last taboos. His accusation is that society and art have failed to confront major problems such as waste and pollution which threaten the future of the planet. Paolozzi's critical writings are also invested with a deep humanism, and have a positive message for society including advice to the young artist at the start of the new millennium. Also published here for the first time are sequences from his poetry and novels which show the influence of surrealism and Raymond Roussel.^ As Hans Arp's and Kurt Schwitters's writings are to the first half of the twentieth century, so Paolozzi's are to the second. They have a distinct and unmistakable voice and show Paolozzi working in the tradition of the painter-poets as one of the last century's great modernist artists."--BOOK JACKET
7. Internationale Standardbuchnummer (ISBN-10): 392540905X
8. Open-Library-Work-ID: OL4937666W
9. Umfang: 92 Seiten
10. Thematische Hauptkategorie: Sachbuch
11. Sprache: Deutsch
12. Buchtitel: Eduardo Paolozzi
13. Open-Library-Editions-IDs: OL2505400M
14. Autor beziehungsweise Autoren: Eduardo Paolozzi

Auffindbarkeit und bibliografische Präzision

Eduardo Paolozzi profitiert für die Auffindbarkeit besonders von der Verbindung zwischen Eduardo Paolozzi, Sachbuch und den Tags Catalogs, Exhibitions, Interviews, Beeldende kunsten, Art and society, Sculptors, Art, modern, 20th century, exhibitions, British Sculpture, Outdoor sculpture, Municipal Art, Art, scottish, Paolozzi, eduardo, 1924-2005, Artists, great britain, weil dadurch eine starke semantische Einordnung entsteht.

FAQ zu Eduardo Paolozzi

Hier findest du weitere ausgewählte Links.