Der Trost von Fremden | Beschreibung und Metadaten

Alles Wichtige zu Der Trost von Fremden

Wer nach einem Buch von Ian McEwan aus dem Themenfeld Sachbuch sucht, findet mit Der Trost von Fremden eine Ausgabe mit präziser inhaltlicher Positionierung. Mit dem Untertitel Roman wird bei Der Trost von Fremden noch deutlicher, in welche Richtung das Werk inhaltlich argumentiert und welche Schwerpunkte gesetzt werden. Die Kurzbeschreibung von Der Trost von Fremden zeigt, welche Inhalte Leserinnen und Leser erwarten dürfen: Colin and Mary are lovers on holiday in Italy, their relationship becoming increasingly problematic as they become increasingly alienated from one and other. They move from place to place in this foreign land but seemingly without aim or purpose and more, seemingly bored and without attachment. Then they meet a man named Robert and his wife, Caroline, who is crippled. Colin and Mary seem happy for the diversion--happy to meet another couple that takes the focus of off them (off of each other) for a while. Things become strange (and stranger yet; one could say horrific) when they attempt to leave: Robert and Caroline insist that they stay with them for a while longer. While Mary and Colin indeed rediscover each other in ways during this time--an erotic attraction to each other that was below the surface--they also find that their relationship/friendship with Robert and Caroline takes turns that are likewise erotic and violent in nature. A pervasive dread runs through this novel, leading to the terrible climax that no reader could predict. Absolutely in the key of McEwan, without match in the genre, and a very worthwhile read

Einordnung nach Autor, Thema und Ausgabe

Wer Literatur aus dem Bereich Sachbuch sucht, findet in Der Trost von Fremden einen gut klassifizierbaren Titel. Der Trost von Fremden liegt in Deutsch vor, was für die inhaltliche Nutzung ebenso wichtig ist wie für die bibliografische Suche. Für Recherchen nach Veröffentlichungszeitraum ist Der Trost von Fremden mit dem Datum 1989 eindeutig zuordenbar. Im Kontext des Gesamtwerks von Ian McEwan lässt sich Der Trost von Fremden gezielt bibliografisch und thematisch einordnen.

Inhalte, Themen und Relevanz

Im thematischen Kontext von Sachbuch setzt Der Trost von Fremden laut Beschreibung auf folgende Schwerpunkte: Colin and Mary are lovers on holiday in Italy, their relationship becoming increasingly problematic as they become increasingly alienated from one and other. They move from place to place in this foreign land but seemingly without aim or purpose and more, seemingly bored and without attachment. Then they meet a man named Robert and his wife, Caroline, who is crippled. Colin and Mary seem happy for the diversion--happy to meet another couple that takes the focus of off them (off of each other) for a while. Things become strange (and stranger yet; one could say horrific) when they attempt to leave: Robert and Caroline insist that they stay with them for a while longer. While Mary and Colin indeed rediscover each other in ways during this time--an erotic attraction to each other that was below the surface--they also find that their relationship/friendship with Robert and Caroline takes turns that are likewise erotic and violent in nature. A pervasive dread runs through this novel, leading to the terrible climax that no reader could predict. Absolutely in the key of McEwan, without match in the genre, and a very worthwhile read Über die Schlagwörter Fiction, Fiction, suspense, Fiction, thrillers, suspense, Violence, British and irish fiction (fictional works by one author), Large type books, Mystery, Fiction, psychological, England, fiction, British, Italy, fiction lässt sich Der Trost von Fremden auch in größeren Beständen gezielt auffinden.

ISBN, Revision und weitere Referenzdaten

Für weiterführende bibliografische Verknüpfungen sind die Kennungen OL1855934W und OL49372242M besonders hilfreich.

Bibliografische Eckdaten dieser Ausgabe

1. Sprache: Deutsch
2. Kurzbeschreibung: Colin and Mary are lovers on holiday in Italy, their relationship becoming increasingly problematic as they become increasingly alienated from one and other. They move from place to place in this foreign land but seemingly without aim or purpose and more, seemingly bored and without attachment. Then they meet a man named Robert and his wife, Caroline, who is crippled. Colin and Mary seem happy for the diversion--happy to meet another couple that takes the focus of off them (off of each other) for a while. Things become strange (and stranger yet; one could say horrific) when they attempt to leave: Robert and Caroline insist that they stay with them for a while longer. While Mary and Colin indeed rediscover each other in ways during this time--an erotic attraction to each other that was below the surface--they also find that their relationship/friendship with Robert and Caroline takes turns that are likewise erotic and violent in nature. A pervasive dread runs through this novel, leading to the terrible climax that no reader could predict. Absolutely in the key of McEwan, without match in the genre, and a very worthwhile read
3. Titel: Der Trost von Fremden
4. Verlag: Diogenes
5. Internationale Standardbuchnummer (ISBN-10): 3257212666
6. Autor beziehungsweise Autoren: Ian McEwan
7. Untertitel: Roman
8. Schlagwörter: Fiction, Fiction, suspense, Fiction, thrillers, suspense, Violence, British and irish fiction (fictional works by one author), Large type books, Mystery, Fiction, psychological, England, fiction, British, Italy, fiction
9. Veröffentlicht am: 1989
10. Format: pocket
11. Open-Library-Work-ID: OL1855934W
12. Externe Editionsreferenzen: OL49372242M
13. Thematische Hauptkategorie: Sachbuch

Auffindbarkeit und bibliografische Präzision

Der Trost von Fremden profitiert für die Auffindbarkeit besonders von der Verbindung zwischen Ian McEwan, Sachbuch und den Tags Fiction, Fiction, suspense, Fiction, thrillers, suspense, Violence, British and irish fiction (fictional works by one author), Large type books, Mystery, Fiction, psychological, England, fiction, British, Italy, fiction, weil dadurch eine starke semantische Einordnung entsteht.

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