Buddha in Beton kaufen? Infos zu Inhalt, Autor und ISBN

Buddha in Beton - Buchbeschreibung, Ausstattung und ISBN

Buddha in Beton gehört zur Kategorie Sachbuch und stammt von Jonas Gerlach - eine Kombination, die den Titel sowohl fachlich als auch bibliografisch interessant macht. Die vorhandene Beschreibung macht deutlich, worauf Buddha in Beton den Fokus legt: emple. And only because temple architecture ? as well as paintings, statues, gardens etc. ? shows the presence of the Buddha in this way does it become a religious place where the Buddha is actually present. The final discussion of this study puts these Buddhist teachings in a dialogue with modern aesthetic architectural concepts argued by temple architects. The contrasting points of view make it clear that the explicitly Buddhist idea of Buddhist temple architecture can not be grasped by aesthetics, because its purpose is to show the invisible presence of the Buddha and not to be a sensual (i.e. aesthetic) experience of the visible object itself in the first place. However, aesthetic concepts of art have become common in Japan since the late 19th century. They are the foundation of the described new ways in which temples were built and designed since then. One indication for the impact of aesthetics are Japanese words like shimboru ????/sh?ch? ?? (symbol) or fun?iki ??? (atmosphere) which are used by architects to describe their temple architecture and matters of design. These words were formed around the turn of the century to express European concepts of art and aesthetics, since before that these words and ideas simply did not exist in Japan. And it is only since then, that temples were perceived as aesthetic symbols with various meanings that can be defined by an architect, and that they have a certain atmosphere which should be designed for making visitors feeling comfortable. Now it is the architect himself who gives meaning to its work and who is responsible for a nice spatial experience. But none of these architects is talking about himself becoming Buddha by building a temple. So not only the architectural appearance and construction of Buddhist temples have changed enormously throughout the last 150 years, but also the task of building itself. There has always been change in appearance and construction throughout the history of Buddhism and in the different Buddhist cultures, but the redefinition of the temple as an architectural piece of art is a very recent development in Japan and the actual new idea causing these dramatic architectural changes Bibliografisch ist Buddha in Beton mit dem Erscheinungsdatum 2017, dem Verlag Modern Academic Publishing und dem Ort Cologne erfasst.

Was diese Ausgabe besonders interessant macht

Die Angaben zu Modern Academic Publishing und Cologne stärken die bibliografische Präzision des Eintrags. Mit dem Erscheinungszeitpunkt 2017 lässt sich Buddha in Beton sauber in einen bibliografischen Kontext einordnen. Im Kontext des Gesamtwerks von Jonas Gerlach lässt sich Buddha in Beton gezielt bibliografisch und thematisch einordnen. Buddha in Beton liegt in Deutsch vor, was für die inhaltliche Nutzung ebenso wichtig ist wie für die bibliografische Suche. Buddha in Beton spricht besonders Nutzer an, die sich für Bücher rund um Sachbuch interessieren.

Inhalte, Themen und Relevanz

Wer wissen möchte, worauf Buddha in Beton inhaltlich abzielt, findet in dieser Zusammenfassung einen ersten Ansatzpunkt: emple. And only because temple architecture ? as well as paintings, statues, gardens etc. ? shows the presence of the Buddha in this way does it become a religious place where the Buddha is actually present. The final discussion of this study puts these Buddhist teachings in a dialogue with modern aesthetic architectural concepts argued by temple architects. The contrasting points of view make it clear that the explicitly Buddhist idea of Buddhist temple architecture can not be grasped by aesthetics, because its purpose is to show the invisible presence of the Buddha and not to be a sensual (i.e. aesthetic) experience of the visible object itself in the first place. However, aesthetic concepts of art have become common in Japan since the late 19th century. They are the foundation of the described new ways in which temples were built and designed since then. One indication for the impact of aesthetics are Japanese words like shimboru ????/sh?ch? ?? (symbol) or fun?iki ??? (atmosphere) which are used by architects to describe their temple architecture and matters of design. These words were formed around the turn of the century to express European concepts of art and aesthetics, since before that these words and ideas simply did not exist in Japan. And it is only since then, that temples were perceived as aesthetic symbols with various meanings that can be defined by an architect, and that they have a certain atmosphere which should be designed for making visitors feeling comfortable. Now it is the architect himself who gives meaning to its work and who is responsible for a nice spatial experience. But none of these architects is talking about himself becoming Buddha by building a temple. So not only the architectural appearance and construction of Buddhist temples have changed enormously throughout the last 150 years, but also the task of building itself. There has always been change in appearance and construction throughout the history of Buddhism and in the different Buddhist cultures, but the redefinition of the temple as an architectural piece of art is a very recent development in Japan and the actual new idea causing these dramatic architectural changes Für die thematische Suche und semantische Zuordnung sind insbesondere diese Tags relevant: Buddhism, History of art & design styles: from c 1900 -, History of art & design styles: c 1800 to c 1900, Religious buildings, Buddhist architecture, Buddhist temples, History of architecture, Philosophy: aesthetics

ISBN, Revision und weitere Referenzdaten

Für weiterführende bibliografische Verknüpfungen sind die Kennungen OL20930981W und OL28357912M besonders hilfreich. Die Ausgabe ist über den Verlag Modern Academic Publishing, den Ort Cologne und das Datum 2017 klar kontextualisiert.

Bibliografische Eckdaten dieser Ausgabe

1. Sprache: Deutsch
2. Schlagwörter: Buddhism, History of art & design styles: from c 1900 -, History of art & design styles: c 1800 to c 1900, Religious buildings, Buddhist architecture, Buddhist temples, History of architecture, Philosophy: aesthetics
3. Ort der Veröffentlichung: Cologne
4. Open-Library-Work-ID: OL20930981W
5. Kurzbeschreibung: emple. And only because temple architecture ? as well as paintings, statues, gardens etc. ? shows the presence of the Buddha in this way does it become a religious place where the Buddha is actually present. The final discussion of this study puts these Buddhist teachings in a dialogue with modern aesthetic architectural concepts argued by temple architects. The contrasting points of view make it clear that the explicitly Buddhist idea of Buddhist temple architecture can not be grasped by aesthetics, because its purpose is to show the invisible presence of the Buddha and not to be a sensual (i.e. aesthetic) experience of the visible object itself in the first place. However, aesthetic concepts of art have become common in Japan since the late 19th century. They are the foundation of the described new ways in which temples were built and designed since then. One indication for the impact of aesthetics are Japanese words like shimboru ????/sh?ch? ?? (symbol) or fun?iki ??? (atmosphere) which are used by architects to describe their temple architecture and matters of design. These words were formed around the turn of the century to express European concepts of art and aesthetics, since before that these words and ideas simply did not exist in Japan. And it is only since then, that temples were perceived as aesthetic symbols with various meanings that can be defined by an architect, and that they have a certain atmosphere which should be designed for making visitors feeling comfortable. Now it is the architect himself who gives meaning to its work and who is responsible for a nice spatial experience. But none of these architects is talking about himself becoming Buddha by building a temple. So not only the architectural appearance and construction of Buddhist temples have changed enormously throughout the last 150 years, but also the task of building itself. There has always been change in appearance and construction throughout the history of Buddhism and in the different Buddhist cultures, but the redefinition of the temple as an architectural piece of art is a very recent development in Japan and the actual new idea causing these dramatic architectural changes
6. Seitenzahl: 522
7. Veröffentlicht am: 2017
8. Internationale Standardbuchnummer (ISBN-13): 9783946198208
9. Thematische Hauptkategorie: Sachbuch
10. Externe Editionsreferenzen: OL28357912M
11. Buchtitel: Buddha in Beton
12. Publiziert bei: Modern Academic Publishing
13. Autor beziehungsweise Autoren: Jonas Gerlach

Warum sich Buddha in Beton gut einordnen lässt

Die Verbindung aus Buddha in Beton, Jonas Gerlach, Sachbuch und Buddhism, History of art & design styles: from c 1900 -, History of art & design styles: c 1800 to c 1900, Religious buildings, Buddhist architecture, Buddhist temples, History of architecture, Philosophy: aesthetics schafft eine solide Grundlage für eine präzise thematische Suche.

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