August Macke, Franz Marc - Buch im Überblick

August Macke, Franz Marc von Volker Adolphs, Annegret Hoberg - Informationen zur Ausgabe

Wer nach einem Buch von Volker Adolphs, Annegret Hoberg aus dem Themenfeld Sachbuch sucht, findet mit August Macke, Franz Marc eine Ausgabe mit präziser inhaltlicher Positionierung. der Krieg, ihre Schicksale, ihre Frauen fungiert als präzisierende Ergänzung zu August Macke, Franz Marc und macht die Zielsetzung des Buches schneller erfassbar. Aus der Buchbeschreibung zu August Macke, Franz Marc ergibt sich ein klares Bild der thematischen Schwerpunkte: [August Macke and Franz Marc] conducted many long and involved discussions about the goals of art, coming to both similar and different conclusions. These dialogues enabled each of them to stake out his own position and provided the impetus driving their exchange. While Macke's art referred directly to the world he saw around him, his images deriving their authenticity from the sensual presence of that world, Marc sought to arrive at a spiritual understanding of the world and strove to develop art forms that would render visible the unity of being in his pictures. Divided into several sections, the exhibition traces the development of both artists from 1910 onward : from their first encounters in Tegernsee, Sindelsdorf, and later Bonn, to their early preoccupation with the theory of color, their work within the Blue Rider, and their participation in important exhibitions, such as those staged by the Cologne Sonderbund and the Erster Deutscher Herbstsalon. In its portrayal of the journeys they undertook together, their reciprocal visits and gifts, and the execution of arts and crafts works, the exhibition also attests to the key role played in their deepening friendship by the two artists' wives, Elisabeth Macke and Maria Marc. Their bond culminated in 1912 in the mural Paradise, jointly painted in Macke's Bonne studio. The exhibition also shows in some detail how Macke and Marc incorporated the ideas of Fauvism, Cubism, Futurism, and Orphism in their work as well as the positions they adopted on the notion of non-representative art. Out of these influences and ideas each evolved an art of his own, a trajectory that the exhibition documents right up to the final pictures produced in 1914, when the catastrophe of war brought an abrupt end to their lives and work."--Foreword August Macke, Franz Marc wurde am 2015 publiziert und dem Verlag Wienand mit Verlagsort Köln zugeordnet.

Relevante Merkmale auf einen Blick

Für alle, die Bücher von Volker Adolphs, Annegret Hoberg recherchieren oder vergleichen, ist August Macke, Franz Marc eine relevante Ausgabe. Mit der Sprache Deutsch lässt sich August Macke, Franz Marc auch im internationalen oder mehrsprachigen Kontext präzise filtern. Der Verlag Wienand und der Verlagsort Köln liefern zusätzliche Orientierung bei der Einordnung dieser Ausgabe. August Macke, Franz Marc spricht besonders Nutzer an, die sich für Bücher rund um Sachbuch interessieren. Auch das Veröffentlichungsdatum 2015 macht August Macke, Franz Marc für zeitlich eingegrenzte Suchen besonders interessant.

Inhalt und thematische Schwerpunkte

Die Beschreibung zeigt, dass August Macke, Franz Marc klar dem Bereich Sachbuch zugeordnet werden kann: [August Macke and Franz Marc] conducted many long and involved discussions about the goals of art, coming to both similar and different conclusions. These dialogues enabled each of them to stake out his own position and provided the impetus driving their exchange. While Macke's art referred directly to the world he saw around him, his images deriving their authenticity from the sensual presence of that world, Marc sought to arrive at a spiritual understanding of the world and strove to develop art forms that would render visible the unity of being in his pictures. Divided into several sections, the exhibition traces the development of both artists from 1910 onward : from their first encounters in Tegernsee, Sindelsdorf, and later Bonn, to their early preoccupation with the theory of color, their work within the Blue Rider, and their participation in important exhibitions, such as those staged by the Cologne Sonderbund and the Erster Deutscher Herbstsalon. In its portrayal of the journeys they undertook together, their reciprocal visits and gifts, and the execution of arts and crafts works, the exhibition also attests to the key role played in their deepening friendship by the two artists' wives, Elisabeth Macke and Maria Marc. Their bond culminated in 1912 in the mural Paradise, jointly painted in Macke's Bonne studio. The exhibition also shows in some detail how Macke and Marc incorporated the ideas of Fauvism, Cubism, Futurism, and Orphism in their work as well as the positions they adopted on the notion of non-representative art. Out of these influences and ideas each evolved an art of his own, a trajectory that the exhibition documents right up to the final pictures produced in 1914, when the catastrophe of war brought an abrupt end to their lives and work."--Foreword Ergänzend helfen die hinterlegten Schlagwörter dabei, August Macke, Franz Marc thematisch schneller einzuordnen: Correspondence, Exhibitions, Artists, Art, german, German Painting, Art, exhibitions, Macke, august, 1877-1914, Marc, franz, 1880-1916

Ausgabe, Identifikatoren und Referenzen

Für die eindeutige Identifikation der Ausgabe sind sowohl die ISBN-10 3868322558 als auch die ISBN-13 9783868322552 hinterlegt. Die Open-Library-Zuordnung über OL20005736W und OL44717264M verbessert die externe Nachvollziehbarkeit des Werkes. Verlag, Ort und Datum - Wienand, Köln und 2015 - bilden zusammen einen wichtigen bibliografischen Kern dieses Datensatzes.

Bibliografische Eckdaten dieser Ausgabe

1. Verlag: Wienand
2. Kurzbeschreibung: [August Macke and Franz Marc] conducted many long and involved discussions about the goals of art, coming to both similar and different conclusions. These dialogues enabled each of them to stake out his own position and provided the impetus driving their exchange. While Macke's art referred directly to the world he saw around him, his images deriving their authenticity from the sensual presence of that world, Marc sought to arrive at a spiritual understanding of the world and strove to develop art forms that would render visible the unity of being in his pictures. Divided into several sections, the exhibition traces the development of both artists from 1910 onward : from their first encounters in Tegernsee, Sindelsdorf, and later Bonn, to their early preoccupation with the theory of color, their work within the Blue Rider, and their participation in important exhibitions, such as those staged by the Cologne Sonderbund and the Erster Deutscher Herbstsalon. In its portrayal of the journeys they undertook together, their reciprocal visits and gifts, and the execution of arts and crafts works, the exhibition also attests to the key role played in their deepening friendship by the two artists' wives, Elisabeth Macke and Maria Marc. Their bond culminated in 1912 in the mural Paradise, jointly painted in Macke's Bonne studio. The exhibition also shows in some detail how Macke and Marc incorporated the ideas of Fauvism, Cubism, Futurism, and Orphism in their work as well as the positions they adopted on the notion of non-representative art. Out of these influences and ideas each evolved an art of his own, a trajectory that the exhibition documents right up to the final pictures produced in 1914, when the catastrophe of war brought an abrupt end to their lives and work."--Foreword
3. Ergänzender Titelzusatz: der Krieg, ihre Schicksale, ihre Frauen
4. Umfang: 167 Seiten
5. Primäre Kategorie: Sachbuch
6. Autor beziehungsweise Autoren: Volker Adolphs, Annegret Hoberg
7. Externe Work-Referenz: OL20005736W
8. Verfügbare Sprache dieser Ausgabe: Deutsch
9. Thematische Tags: Correspondence, Exhibitions, Artists, Art, german, German Painting, Art, exhibitions, Macke, august, 1877-1914, Marc, franz, 1880-1916
10. Open-Library-Editions-IDs: OL44717264M
11. Verlagsort: Köln
12. Buchtitel: August Macke, Franz Marc
13. Internationale Standardbuchnummer (ISBN-13): 9783868322552
14. ISBN-10: 3868322558
15. Erscheinungsdatum: 2015

Suchrelevante Merkmale dieser Ausgabe

Die Verbindung aus August Macke, Franz Marc, Volker Adolphs, Annegret Hoberg, Sachbuch und Correspondence, Exhibitions, Artists, Art, german, German Painting, Art, exhibitions, Macke, august, 1877-1914, Marc, franz, 1880-1916 schafft eine solide Grundlage für eine präzise thematische Suche. Eindeutige Referenzdaten wie 3868322558, 9783868322552 und OL20005736W verbessern die bibliografische Verlässlichkeit zusätzlich.

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