Musik und Melancholie im Werk Heimito von Doderers - Autor, Ausgabe und bibliografische Daten

Musik und Melancholie im Werk Heimito von Doderers - Buchbeschreibung, Ausstattung und ISBN

Wer nach einem Buch von Martin Brinkmann aus dem Themenfeld Sachbuch sucht, findet mit Musik und Melancholie im Werk Heimito von Doderers eine Ausgabe mit präziser inhaltlicher Positionierung. Die vorhandene Beschreibung macht deutlich, worauf Musik und Melancholie im Werk Heimito von Doderers den Fokus legt: The present book consists of two parts, thus embodying the ?two forces? that Bakhtin sees at play in every work of art: form and content. They are accorded equal weight. With regard to form, the book explores the various literary strategies employed by Doderer in his ?Divertimenti,? in as much as they are inspired by musical forms. With regard to content the book focuses on the rather gloomy subjects that dominate the ?Divertimenti.? The aim is to explore in how far these two aspects, i.e. musical form ? a superstructure informed by musical aesthetics ? and melancholic content ? an oppressive atmosphere, the explicit foregrounding of experiences of depression ? depend on each other. The book shows how they form a compelling whole. It is based on a variety of unpublished primary sources that have not been studied before, including an early fragment of ?Divertimento No VI? (?Erwachen fröhlicher Empfindungen bei der Ankunft auf dem Lande?) as well as diary sketches and draft outlines of the composition of the work. The book is thus able to comprehensively explore the musical techniques and strategies of musical composition of the ?Divertimenti.? This thorough formal analysis provides new insights into what Steven Paul Scher has called an area of ?comparative liminality? ? that area in which the conditions are negotiated under which musical techniques can be transferred into ?literature.? The ?Divertimenti? belong to the world of Saturn. By focusing on melancholy and depression ? topics that resonate throughout the Divertimenti and provide the dark undertone of the author?s later works ? the book offers a new reading of Doderer?s work; it brings to light depictions of ?deperceptive? states. This requires a new explanation of Doderer?s own theory of ?apperception? and ?deperception,? and of ?first? and ?second reality.? It will be offered in light of Kristeva?s ?dark sun.? The book explores depictions of melancholy in a broader context and considers potential links between literary and clinical manifestations of melancholy. In view of the intellectual milieu of contemporary Vienna, the present study shows how deeply indebted Doderer?s early works are to Viennese Modernism ? a quality that has been obstructed by the fact that most of these works were only published after Doderer?s death. This presupposes an appreciation of the Wiener Moderne which goes beyond the time span suggested by Gotthart Wunberg?s 1981 anthology, ?Die Wiener Moderne. Literatur, Kunst und Musik zwischen 1890 und 1910,? instead drawing inspiration from ?Wien 1880-1938. Die fröhliche Apokalypse,? a 1986 exhibition at the Centre Pompidou in Paris which, according to Jacques Le Rider, epitomizes the study of Viennese Modernism. Doderer?s receptivity for the intellectual, theoretical, and artistic movements of the turn of the 20th century is shown to be more pronounced than previously assumed. While the ambition of Doderer?s works ultimately transcends Viennese Modernism, a close exploration of the central tenets of this period can highlight various aspects of his early works, especially his uncompromising will to (musical) form Bibliografisch ist Musik und Melancholie im Werk Heimito von Doderers mit dem Erscheinungsdatum 2012, dem Verlag Böhlau und dem Ort xx erfasst.

Relevante Merkmale auf einen Blick

Dass Musik und Melancholie im Werk Heimito von Doderers in Deutsch erschienen ist, erleichtert die gezielte Auswahl für sprachspezifische Recherchen. Für alle, die Bücher von Martin Brinkmann recherchieren oder vergleichen, ist Musik und Melancholie im Werk Heimito von Doderers eine relevante Ausgabe. Auch das Veröffentlichungsdatum 2012 macht Musik und Melancholie im Werk Heimito von Doderers für zeitlich eingegrenzte Suchen besonders interessant. Der Verlag Böhlau und der Verlagsort xx liefern zusätzliche Orientierung bei der Einordnung dieser Ausgabe. Wer Literatur aus dem Bereich Sachbuch sucht, findet in Musik und Melancholie im Werk Heimito von Doderers einen gut klassifizierbaren Titel.

Inhalt und thematische Schwerpunkte

Wer wissen möchte, worauf Musik und Melancholie im Werk Heimito von Doderers inhaltlich abzielt, findet in dieser Zusammenfassung einen ersten Ansatzpunkt: The present book consists of two parts, thus embodying the ?two forces? that Bakhtin sees at play in every work of art: form and content. They are accorded equal weight. With regard to form, the book explores the various literary strategies employed by Doderer in his ?Divertimenti,? in as much as they are inspired by musical forms. With regard to content the book focuses on the rather gloomy subjects that dominate the ?Divertimenti.? The aim is to explore in how far these two aspects, i.e. musical form ? a superstructure informed by musical aesthetics ? and melancholic content ? an oppressive atmosphere, the explicit foregrounding of experiences of depression ? depend on each other. The book shows how they form a compelling whole. It is based on a variety of unpublished primary sources that have not been studied before, including an early fragment of ?Divertimento No VI? (?Erwachen fröhlicher Empfindungen bei der Ankunft auf dem Lande?) as well as diary sketches and draft outlines of the composition of the work. The book is thus able to comprehensively explore the musical techniques and strategies of musical composition of the ?Divertimenti.? This thorough formal analysis provides new insights into what Steven Paul Scher has called an area of ?comparative liminality? ? that area in which the conditions are negotiated under which musical techniques can be transferred into ?literature.? The ?Divertimenti? belong to the world of Saturn. By focusing on melancholy and depression ? topics that resonate throughout the Divertimenti and provide the dark undertone of the author?s later works ? the book offers a new reading of Doderer?s work; it brings to light depictions of ?deperceptive? states. This requires a new explanation of Doderer?s own theory of ?apperception? and ?deperception,? and of ?first? and ?second reality.? It will be offered in light of Kristeva?s ?dark sun.? The book explores depictions of melancholy in a broader context and considers potential links between literary and clinical manifestations of melancholy. In view of the intellectual milieu of contemporary Vienna, the present study shows how deeply indebted Doderer?s early works are to Viennese Modernism ? a quality that has been obstructed by the fact that most of these works were only published after Doderer?s death. This presupposes an appreciation of the Wiener Moderne which goes beyond the time span suggested by Gotthart Wunberg?s 1981 anthology, ?Die Wiener Moderne. Literatur, Kunst und Musik zwischen 1890 und 1910,? instead drawing inspiration from ?Wien 1880-1938. Die fröhliche Apokalypse,? a 1986 exhibition at the Centre Pompidou in Paris which, according to Jacques Le Rider, epitomizes the study of Viennese Modernism. Doderer?s receptivity for the intellectual, theoretical, and artistic movements of the turn of the 20th century is shown to be more pronounced than previously assumed. While the ambition of Doderer?s works ultimately transcends Viennese Modernism, a close exploration of the central tenets of this period can highlight various aspects of his early works, especially his uncompromising will to (musical) form Für die thematische Suche und semantische Zuordnung sind insbesondere diese Tags relevant: History and criticism, Music, Criticism and interpretation, German literature, Themes, motives, German fiction, Philosophy and aesthetics, Music in literature

Edition und bibliografische Einordnung

Auch externe Referenzen sind vorhanden: Die Work-ID lautet OL20933137W, die zugehörigen Editions-IDs sind OL28360220M, OL49260561M. Die Ausgabe ist über den Verlag Böhlau, den Ort xx und das Datum 2012 klar kontextualisiert.

Bibliografische Daten auf einen Blick

1. Internationale Standardbuchnummer (ISBN-13): 9783205788287
2. Verlagsort: xx
3. Open-Library-Work-ID: OL20933137W
4. Thematische Tags: History and criticism, Music, Criticism and interpretation, German literature, Themes, motives, German fiction, Philosophy and aesthetics, Music in literature
5. Externe Editionsreferenzen: OL28360220M, OL49260561M
6. Buchtitel: Musik und Melancholie im Werk Heimito von Doderers
7. Erscheinungsdatum: 2012
8. Kurzbeschreibung: The present book consists of two parts, thus embodying the ?two forces? that Bakhtin sees at play in every work of art: form and content. They are accorded equal weight. With regard to form, the book explores the various literary strategies employed by Doderer in his ?Divertimenti,? in as much as they are inspired by musical forms. With regard to content the book focuses on the rather gloomy subjects that dominate the ?Divertimenti.? The aim is to explore in how far these two aspects, i.e. musical form ? a superstructure informed by musical aesthetics ? and melancholic content ? an oppressive atmosphere, the explicit foregrounding of experiences of depression ? depend on each other. The book shows how they form a compelling whole. It is based on a variety of unpublished primary sources that have not been studied before, including an early fragment of ?Divertimento No VI? (?Erwachen fröhlicher Empfindungen bei der Ankunft auf dem Lande?) as well as diary sketches and draft outlines of the composition of the work. The book is thus able to comprehensively explore the musical techniques and strategies of musical composition of the ?Divertimenti.? This thorough formal analysis provides new insights into what Steven Paul Scher has called an area of ?comparative liminality? ? that area in which the conditions are negotiated under which musical techniques can be transferred into ?literature.? The ?Divertimenti? belong to the world of Saturn. By focusing on melancholy and depression ? topics that resonate throughout the Divertimenti and provide the dark undertone of the author?s later works ? the book offers a new reading of Doderer?s work; it brings to light depictions of ?deperceptive? states. This requires a new explanation of Doderer?s own theory of ?apperception? and ?deperception,? and of ?first? and ?second reality.? It will be offered in light of Kristeva?s ?dark sun.? The book explores depictions of melancholy in a broader context and considers potential links between literary and clinical manifestations of melancholy. In view of the intellectual milieu of contemporary Vienna, the present study shows how deeply indebted Doderer?s early works are to Viennese Modernism ? a quality that has been obstructed by the fact that most of these works were only published after Doderer?s death. This presupposes an appreciation of the Wiener Moderne which goes beyond the time span suggested by Gotthart Wunberg?s 1981 anthology, ?Die Wiener Moderne. Literatur, Kunst und Musik zwischen 1890 und 1910,? instead drawing inspiration from ?Wien 1880-1938. Die fröhliche Apokalypse,? a 1986 exhibition at the Centre Pompidou in Paris which, according to Jacques Le Rider, epitomizes the study of Viennese Modernism. Doderer?s receptivity for the intellectual, theoretical, and artistic movements of the turn of the 20th century is shown to be more pronounced than previously assumed. While the ambition of Doderer?s works ultimately transcends Viennese Modernism, a close exploration of the central tenets of this period can highlight various aspects of his early works, especially his uncompromising will to (musical) form
9. Verfasst von: Martin Brinkmann
10. Umfang: 690 Seiten
11. Primäre Kategorie: Sachbuch
12. Verfügbare Sprache dieser Ausgabe: Deutsch
13. Verlag: Böhlau

Suchrelevante Merkmale dieser Ausgabe

Die Verbindung aus Musik und Melancholie im Werk Heimito von Doderers, Martin Brinkmann, Sachbuch und History and criticism, Music, Criticism and interpretation, German literature, Themes, motives, German fiction, Philosophy and aesthetics, Music in literature schafft eine solide Grundlage für eine präzise thematische Suche.

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