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Der Kampf des Hundes mit dem Jaguar | Buch, Verlag und Erscheinungsjahr

14/07/2026

Lesedauer: 9 min

Schneller Überblick zu Der Kampf des Hundes mit dem Jaguar von Regine Allgayer-Kaufmann mit den wichtigsten Buchangaben. Praktisch, wenn du Titel prüfen oder Ausgaben vergleichen willst.

Der Kampf des Hundes mit dem Jaguar | Buch, Verlag und Erscheinungsjahr

Der Kampf des Hundes mit dem Jaguar im Überblick

Der Kampf des Hundes mit dem Jaguar von Regine Allgayer-Kaufmann ist ein Titel aus dem Bereich Sachbuch, der thematisch klar positioniert ist und für Leserinnen und Leser mit Interesse an diesem Fach- oder Themengebiet besonders relevant sein kann. Der Zusatz bandas de pífanos in Nordostbrasilien : ein Beitrag zur Musikästhetik schärft das Profil von Der Kampf des Hundes mit dem Jaguar und unterstützt die thematische Einordnung bereits auf den ersten Blick. Der Kampf des Hundes mit dem Jaguar wird in der Beschreibung wie folgt charakterisiert: The book is on the music of the *Bandas de Pífanos* in the Northeast of Brazil, a region of excellent conservation of an oral music culture. It is based on field work carried out in 1988, 1989, and 1992 in various places of the region, such as Juazeiro do Norte - CE, Caruaru - PE, Marechal Deodoro - AL, and others. The author studies the process of the composition and the transmission of music on the basis of field recordings from different *bandas* and different places. It came out that the leading instruments, a pair of bamboo flutes called *pífanos*, their specific construction and proper handling provide the experience which is crucial for composition of new pieces and melodies. There are a good many modes or scales imaginable and also used in practice, however, considerable differences were found between the *bandas* studied here. The possibilities to play in different *tons*, modes, are limited by the specific instruments. There is a determinative relation between the repertoire and the construction of the instruments. Yet the repertoire at a high rate depends on the audience because it is mainly their wishes which the musicians try to answer. They customize their repertory. As a result of television and radio programs the popular taste during the last decades has changed and thus the music of the *bandas de pífanos*. This the author does not regret, instead she considers this process being part of a vivid musical tradition and as such the music of the *bandas de pífanos* allows to study the dynamics of change as well as the force of constancy in a given culture Als Veröffentlichungsdatum ist 1996 hinterlegt; verlegt wurde der Titel von K.D. Wagner in Eisenach.

Relevante Merkmale auf einen Blick

Verlagsname und Verlagsort - K.D. Wagner und Eisenach - helfen dabei, die Ausgabe eindeutig zu identifizieren. Das hinterlegte Publikationsdatum 1996 unterstützt dabei, Der Kampf des Hundes mit dem Jaguar zeitlich korrekt zu klassifizieren. Innerhalb von Sachbuch bietet Der Kampf des Hundes mit dem Jaguar eine klar erkennbare thematische Zuordnung. Gerade wer nach Werken von Regine Allgayer-Kaufmann sucht, sollte Der Kampf des Hundes mit dem Jaguar näher betrachten. Die Ausgabe ist in Deutsch verfügbar und damit gezielt für Leserinnen und Leser mit entsprechender Sprachpräferenz interessant.

Worum geht es in Der Kampf des Hundes mit dem Jaguar?

Die Beschreibung zeigt, dass Der Kampf des Hundes mit dem Jaguar klar dem Bereich Sachbuch zugeordnet werden kann: The book is on the music of the *Bandas de Pífanos* in the Northeast of Brazil, a region of excellent conservation of an oral music culture. It is based on field work carried out in 1988, 1989, and 1992 in various places of the region, such as Juazeiro do Norte - CE, Caruaru - PE, Marechal Deodoro - AL, and others. The author studies the process of the composition and the transmission of music on the basis of field recordings from different *bandas* and different places. It came out that the leading instruments, a pair of bamboo flutes called *pífanos*, their specific construction and proper handling provide the experience which is crucial for composition of new pieces and melodies. There are a good many modes or scales imaginable and also used in practice, however, considerable differences were found between the *bandas* studied here. The possibilities to play in different *tons*, modes, are limited by the specific instruments. There is a determinative relation between the repertoire and the construction of the instruments. Yet the repertoire at a high rate depends on the audience because it is mainly their wishes which the musicians try to answer. They customize their repertory. As a result of television and radio programs the popular taste during the last decades has changed and thus the music of the *bandas de pífanos*. This the author does not regret, instead she considers this process being part of a vivid musical tradition and as such the music of the *bandas de pífanos* allows to study the dynamics of change as well as the force of constancy in a given culture Die vorhandenen Tags verdichten die inhaltliche Einordnung des Buches zusätzlich: History, History and criticism, Music, Folk music, Philosophy and aesthetics, Flute, Brazil, Fife and drum corps

Wichtige Kennzeichen dieser Ausgabe

Die verlegerische und zeitliche Einordnung wird durch K.D. Wagner, Eisenach und 1996 präzise ergänzt. Die Open-Library-Zuordnung über OL2843279W und OL747668M verbessert die externe Nachvollziehbarkeit des Werkes.

Wichtige Buchdaten im Überblick

  1. Open-Library-Work-ID: OL2843279W
  2. Veröffentlicht am: 1996
  3. Thematische Hauptkategorie: Sachbuch
  4. Externe Editionsreferenzen: OL747668M
  5. Ergänzender Titelzusatz: bandas de pífanos in Nordostbrasilien : ein Beitrag zur Musikästhetik
  6. Seitenzahl: 320
  7. Schlagwörter: History, History and criticism, Music, Folk music, Philosophy and aesthetics, Flute, Brazil, Fife and drum corps
  8. Inhaltliche Kurzcharakteristik: The book is on the music of the *Bandas de Pífanos* in the Northeast of Brazil, a region of excellent conservation of an oral music culture. It is based on field work carried out in 1988, 1989, and 1992 in various places of the region, such as Juazeiro do Norte - CE, Caruaru - PE, Marechal Deodoro - AL, and others. The author studies the process of the composition and the transmission of music on the basis of field recordings from different *bandas* and different places. It came out that the leading instruments, a pair of bamboo flutes called *pífanos*, their specific construction and proper handling provide the experience which is crucial for composition of new pieces and melodies. There are a good many modes or scales imaginable and also used in practice, however, considerable differences were found between the *bandas* studied here. The possibilities to play in different *tons*, modes, are limited by the specific instruments. There is a determinative relation between the repertoire and the construction of the instruments. Yet the repertoire at a high rate depends on the audience because it is mainly their wishes which the musicians try to answer. They customize their repertory. As a result of television and radio programs the popular taste during the last decades has changed and thus the music of the *bandas de pífanos*. This the author does not regret, instead she considers this process being part of a vivid musical tradition and as such the music of the *bandas de pífanos* allows to study the dynamics of change as well as the force of constancy in a given culture
  9. Internationale Standardbuchnummer (ISBN-10): 3889790682
  10. Verfügbare Sprache dieser Ausgabe: Deutsch
  11. Autor beziehungsweise Autoren: Regine Allgayer-Kaufmann
  12. Publiziert bei: K.D. Wagner
  13. Verlagsort: Eisenach
  14. Buchtitel: Der Kampf des Hundes mit dem Jaguar

Suchrelevante Merkmale dieser Ausgabe

Die Verbindung aus Der Kampf des Hundes mit dem Jaguar, Regine Allgayer-Kaufmann, Sachbuch und History, History and criticism, Music, Folk music, Philosophy and aesthetics, Flute, Brazil, Fife and drum corps schafft eine solide Grundlage für eine präzise thematische Suche.

FAQ zu Der Kampf des Hundes mit dem Jaguar

Worum handelt es sich bei Der Kampf des Hundes mit dem Jaguar?

Der Kampf des Hundes mit dem Jaguar ist ein Buch von Regine Allgayer-Kaufmann, das der Kategorie Sachbuch zugeordnet wird und damit thematisch klar eingeordnet werden kann.

Wann und wo wurde die Ausgabe veröffentlicht?

Die Ausgabe erschien am 1996 bei K.D. Wagner und ist dem Veröffentlichungsort Eisenach zugeordnet.

Wie lässt sich das Buch sprachlich und thematisch filtern?

Über die Sprache Deutsch und die Schlagwörter History, History and criticism, Music, Folk music, Philosophy and aesthetics, Flute, Brazil, Fife and drum corps kann die Ausgabe gezielt in Such- und Katalogsystemen eingegrenzt werden.

Welche Inhalte beschreibt die Kurzbeschreibung?

Die vorhandene Beschreibung lautet: The book is on the music of the *Bandas de Pífanos* in the Northeast of Brazil, a region of excellent conservation of an oral music culture. It is based on field work carried out in 1988, 1989, and 1992 in various places of the region, such as Juazeiro do Norte - CE, Caruaru - PE, Marechal Deodoro - AL, and others. The author studies the process of the composition and the transmission of music on the basis of field recordings from different *bandas* and different places. It came out that the leading instruments, a pair of bamboo flutes called *pífanos*, their specific construction and proper handling provide the experience which is crucial for composition of new pieces and melodies. There are a good many modes or scales imaginable and also used in practice, however, considerable differences were found between the *bandas* studied here. The possibilities to play in different *tons*, modes, are limited by the specific instruments. There is a determinative relation between the repertoire and the construction of the instruments. Yet the repertoire at a high rate depends on the audience because it is mainly their wishes which the musicians try to answer. They customize their repertory. As a result of television and radio programs the popular taste during the last decades has changed and thus the music of the *bandas de pífanos*. This the author does not regret, instead she considers this process being part of a vivid musical tradition and as such the music of the *bandas de pífanos* allows to study the dynamics of change as well as the force of constancy in a given culture

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