Der einarmige Pianist | Beschreibung und Metadaten

Der einarmige Pianist von Oliver Sacks - Informationen zur Ausgabe

Wer nach einem Buch von Oliver Sacks aus dem Themenfeld Sachbuch sucht, findet mit Der einarmige Pianist eine Ausgabe mit präziser inhaltlicher Positionierung. Über Musik und das Gehirn fungiert als präzisierende Ergänzung zu Der einarmige Pianist und macht die Zielsetzung des Buches schneller erfassbar. Die vorhandene Beschreibung macht deutlich, worauf Der einarmige Pianist den Fokus legt: Music can move us to the heights or depths of emotion. It can persuade us to buy something, or remind us of our first date. It can lift us out of depression when nothing else can. It can get us dancing to its beat. But the power of music goes much, much further. Indeed, music occupies more areas of our brain than language does–humans are a musical species. Oliver Sacks’s compassionate, compelling tales of people struggling to adapt to different neurological conditions have fundamentally changed the way we think of our own brains, and of the human experience. In Musicophilia, he examines the powers of music through the individual experiences of patients, musicians, and everyday people–from a man who is struck by lightning and suddenly inspired to become a pianist at the age of forty-two, to an entire group of children with Williams syndrome who are hypermusical from birth; from people with “amusia,” to whom a symphony sounds like the clattering of pots and pans, to a man whose memory spans only seven seconds–for everything but music. Our exquisite sensitivity to music can sometimes go wrong: Sacks explores how catchy tunes can subject us to hours of mental replay, and how a surprising number of people acquire nonstop musical hallucinations that assault them night and day. Yet far more frequently, music goes right: Sacks describes how music can animate people with Parkinson’s disease who cannot otherwise move, give words to stroke patients who cannot otherwise speak, and calm and organize people whose memories are ravaged by Alzheimer’s or amnesia. Music is irresistible, haunting, and unforgettable, and in Musicophilia, Oliver Sacks tells us why. ([source][1]) [1]: https://www.oliversacks.com/books-by-oliver-sacks/musicophilia/

Einordnung nach Autor, Thema und Ausgabe

Wer Literatur aus dem Bereich Sachbuch sucht, findet in Der einarmige Pianist einen gut klassifizierbaren Titel. Für Recherchen nach Veröffentlichungszeitraum ist Der einarmige Pianist mit dem Datum 08.2009 eindeutig zuordenbar. Der einarmige Pianist liegt in Deutsch vor, was für die inhaltliche Nutzung ebenso wichtig ist wie für die bibliografische Suche. Der einarmige Pianist ist besonders für Leserinnen und Leser interessant, die sich gezielt mit Veröffentlichungen von Oliver Sacks beschäftigen möchten.

Worum geht es in Der einarmige Pianist?

Im thematischen Kontext von Sachbuch setzt Der einarmige Pianist laut Beschreibung auf folgende Schwerpunkte: Music can move us to the heights or depths of emotion. It can persuade us to buy something, or remind us of our first date. It can lift us out of depression when nothing else can. It can get us dancing to its beat. But the power of music goes much, much further. Indeed, music occupies more areas of our brain than language does–humans are a musical species. Oliver Sacks’s compassionate, compelling tales of people struggling to adapt to different neurological conditions have fundamentally changed the way we think of our own brains, and of the human experience. In Musicophilia, he examines the powers of music through the individual experiences of patients, musicians, and everyday people–from a man who is struck by lightning and suddenly inspired to become a pianist at the age of forty-two, to an entire group of children with Williams syndrome who are hypermusical from birth; from people with “amusia,” to whom a symphony sounds like the clattering of pots and pans, to a man whose memory spans only seven seconds–for everything but music. Our exquisite sensitivity to music can sometimes go wrong: Sacks explores how catchy tunes can subject us to hours of mental replay, and how a surprising number of people acquire nonstop musical hallucinations that assault them night and day. Yet far more frequently, music goes right: Sacks describes how music can animate people with Parkinson’s disease who cannot otherwise move, give words to stroke patients who cannot otherwise speak, and calm and organize people whose memories are ravaged by Alzheimer’s or amnesia. Music is irresistible, haunting, and unforgettable, and in Musicophilia, Oliver Sacks tells us why. ([source][1]) [1]: https://www.oliversacks.com/books-by-oliver-sacks/musicophilia/ Über die Schlagwörter Psychological aspects, Music, Musik, New York Times reviewed, New York Times bestseller, Nonfiction, Physiological aspects, Musikpsychologie, Musique, Physiology, Physiologie, Brain, Aspect psychologique, Psychological aspects of Music, Neurologische aspecten, Music, psychological aspects, Alzheimer Disease, Parkinson Disease, Aspect physiologique, Physiological aspects of Music, Music, physiological aspects, Alzheimer’s disese, Parkinson’s disease, amusia, Williams syndrome, Musicophilia, the brain, the human experience, music philosophy, Muziekpsychologie, nyt:paperback-nonfiction=2008-10-19 lässt sich Der einarmige Pianist auch in größeren Beständen gezielt auffinden. Die Angabe Hainer Kober (Translator) ergänzt den Eintrag um weitere relevante Personen oder Beteiligte.

Wichtige Kennzeichen dieser Ausgabe

Im Open-Library-Kontext ist das Werk über OL277255W sowie die Editionszuordnungen OL29287136M referenzierbar. Für die eindeutige Identifikation der Ausgabe sind sowohl die ISBN-10 3499624257 als auch die ISBN-13 9783499624254 hinterlegt.

Bibliografische Eckdaten dieser Ausgabe

1. Verfügbare Sprache dieser Ausgabe: Deutsch
2. Verlag: Rowohlt Taschenbuch
3. Untertitel: Über Musik und das Gehirn
4. Primäre Kategorie: Sachbuch
5. Schlagwörter: Psychological aspects, Music, Musik, New York Times reviewed, New York Times bestseller, Nonfiction, Physiological aspects, Musikpsychologie, Musique, Physiology, Physiologie, Brain, Aspect psychologique, Psychological aspects of Music, Neurologische aspecten, Music, psychological aspects, Alzheimer Disease, Parkinson Disease, Aspect physiologique, Physiological aspects of Music, Music, physiological aspects, Alzheimer’s disese, Parkinson’s disease, amusia, Williams syndrome, Musicophilia, the brain, the human experience, music philosophy, Muziekpsychologie, nyt:paperback-nonfiction=2008-10-19
6. Format: pocket
7. Open-Library-Editions-IDs: OL29287136M
8. Kurzbeschreibung: Music can move us to the heights or depths of emotion. It can persuade us to buy something, or remind us of our first date. It can lift us out of depression when nothing else can. It can get us dancing to its beat. But the power of music goes much, much further. Indeed, music occupies more areas of our brain than language does–humans are a musical species. Oliver Sacks’s compassionate, compelling tales of people struggling to adapt to different neurological conditions have fundamentally changed the way we think of our own brains, and of the human experience. In Musicophilia, he examines the powers of music through the individual experiences of patients, musicians, and everyday people–from a man who is struck by lightning and suddenly inspired to become a pianist at the age of forty-two, to an entire group of children with Williams syndrome who are hypermusical from birth; from people with “amusia,” to whom a symphony sounds like the clattering of pots and pans, to a man whose memory spans only seven seconds–for everything but music. Our exquisite sensitivity to music can sometimes go wrong: Sacks explores how catchy tunes can subject us to hours of mental replay, and how a surprising number of people acquire nonstop musical hallucinations that assault them night and day. Yet far more frequently, music goes right: Sacks describes how music can animate people with Parkinson’s disease who cannot otherwise move, give words to stroke patients who cannot otherwise speak, and calm and organize people whose memories are ravaged by Alzheimer’s or amnesia. Music is irresistible, haunting, and unforgettable, and in Musicophilia, Oliver Sacks tells us why. ([source][1]) [1]: https://www.oliversacks.com/books-by-oliver-sacks/musicophilia/
9. Buchtitel: Der einarmige Pianist
10. Externe Work-Referenz: OL277255W
11. Autor beziehungsweise Autoren: Oliver Sacks
12. Veröffentlicht am: 08.2009
13. Weitere Beteiligte: Hainer Kober (Translator)
14. Internationale Standardbuchnummer (ISBN-10): 3499624257
15. Internationale Standardbuchnummer (ISBN-13): 9783499624254

Warum sich Der einarmige Pianist gut einordnen lässt

Durch die Kombination aus Titel, Autorenschaft, Kategorie und Schlagwörtern - also Der einarmige Pianist, Oliver Sacks, Sachbuch und Psychological aspects, Music, Musik, New York Times reviewed, New York Times bestseller, Nonfiction, Physiological aspects, Musikpsychologie, Musique, Physiology, Physiologie, Brain, Aspect psychologique, Psychological aspects of Music, Neurologische aspecten, Music, psychological aspects, Alzheimer Disease, Parkinson Disease, Aspect physiologique, Physiological aspects of Music, Music, physiological aspects, Alzheimer’s disese, Parkinson’s disease, amusia, Williams syndrome, Musicophilia, the brain, the human experience, music philosophy, Muziekpsychologie, nyt:paperback-nonfiction=2008-10-19 - ist der Datensatz sowohl für Suchmaschinen als auch für Nutzerinnen und Nutzer sehr gut interpretierbar. Eindeutige Referenzdaten wie 3499624257, 9783499624254 und OL277255W verbessern die bibliografische Verlässlichkeit zusätzlich.

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