Theorie der Gattungen | Buchdaten, Inhalt und Autor

Alles Wichtige zu Theorie der Gattungen

Theorie der Gattungen gehört zur Kategorie Drama und stammt von Michael Thomas Roeder - eine Kombination, die den Titel sowohl fachlich als auch bibliografisch interessant macht. Die Kurzbeschreibung von Theorie der Gattungen zeigt, welche Inhalte Leserinnen und Leser erwarten dürfen: Michael Roeder's A History of the Concerto traces the concerto from its origins in the sixteenth and seventeenth centuries to its incarnation in the present. Basic to the concerto idea is the division of the performance group into two parts - one solo and the other orchestral - but the relationships between these two have undergone fundamental changes over the centuries. In many of the more familiar works from the nineteenth century, the composer frequently juxtaposes a dazzling soloist against a more conservative orchestral voice, but this has not always been the case. The developing concerto form, while always maintaining the dramatic opposition of solo and orchestral forces, evolved many rich variations specific to time, place, and composer. Whether in Vivaldi's The Four Seasons, Beethoven's "Emperor," or Calandrelli's Concerto for Jazz Clarinet, the dual elements of cooperation and contention come into play. The changing role of the soloist; the development of instruments; the evolution of music's function in society; the influence of local, regional, and international culture; and the composer's individual story are all part of Roeder's documentation of concerto history. The book is divided into four sections corresponding to the major historical-stylistic periods of Western music and of concerto development - Baroque, Classical, Romantic, and Twentieth Century. Within these sections, attention is given to geographical regions where strikingly different approaches to concerto style are found. Roeder explores major works as well as the pieces of lesser-known composers whose contributions were important to the changing character of the concerto. A History of the Concerto may be read from cover to cover, but readers may also use the extensive index to focus on specific concertos and their composers. Numerous musical examples illuminate critical points. While some readers may want to study the more detailed analyses with scores in hand, this is not essential for an understanding of the text. Michael Roeder's lucid and detailed historical study of the concerto will inform and delight those interested in understanding this popular and dynamic musical form Theorie der Gattungen wurde am 2005 publiziert und dem Verlag Laaber-Verlag mit Verlagsort Laaber zugeordnet.

Einordnung nach Autor, Thema und Ausgabe

Der Verlag Laaber-Verlag und der Verlagsort Laaber liefern zusätzliche Orientierung bei der Einordnung dieser Ausgabe. Gerade wer nach Werken von Michael Thomas Roeder sucht, sollte Theorie der Gattungen näher betrachten. Innerhalb von Drama bietet Theorie der Gattungen eine klar erkennbare thematische Zuordnung. Theorie der Gattungen liegt in Deutsch vor, was für die inhaltliche Nutzung ebenso wichtig ist wie für die bibliografische Suche. Mit dem Erscheinungszeitpunkt 2005 lässt sich Theorie der Gattungen sauber in einen bibliografischen Kontext einordnen.

Inhalt und thematische Schwerpunkte

Theorie der Gattungen lässt sich inhaltlich innerhalb von Drama verorten und wird in der Beschreibung wie folgt umrissen: Michael Roeder's A History of the Concerto traces the concerto from its origins in the sixteenth and seventeenth centuries to its incarnation in the present. Basic to the concerto idea is the division of the performance group into two parts - one solo and the other orchestral - but the relationships between these two have undergone fundamental changes over the centuries. In many of the more familiar works from the nineteenth century, the composer frequently juxtaposes a dazzling soloist against a more conservative orchestral voice, but this has not always been the case. The developing concerto form, while always maintaining the dramatic opposition of solo and orchestral forces, evolved many rich variations specific to time, place, and composer. Whether in Vivaldi's The Four Seasons, Beethoven's "Emperor," or Calandrelli's Concerto for Jazz Clarinet, the dual elements of cooperation and contention come into play. The changing role of the soloist; the development of instruments; the evolution of music's function in society; the influence of local, regional, and international culture; and the composer's individual story are all part of Roeder's documentation of concerto history. The book is divided into four sections corresponding to the major historical-stylistic periods of Western music and of concerto development - Baroque, Classical, Romantic, and Twentieth Century. Within these sections, attention is given to geographical regions where strikingly different approaches to concerto style are found. Roeder explores major works as well as the pieces of lesser-known composers whose contributions were important to the changing character of the concerto. A History of the Concerto may be read from cover to cover, but readers may also use the extensive index to focus on specific concertos and their composers. Numerous musical examples illuminate critical points. While some readers may want to study the more detailed analyses with scores in hand, this is not essential for an understanding of the text. Michael Roeder's lucid and detailed historical study of the concerto will inform and delight those interested in understanding this popular and dynamic musical form Die vorhandenen Tags verdichten die inhaltliche Einordnung des Buches zusätzlich: Symphony, Opera, Histoire et critique, Dramatic music, Concerto, Concertos, Instrumentale muziek, Music in the theater, Concerten (muziekwerken), Solospel

Wichtige Kennzeichen dieser Ausgabe

Im Open-Library-Kontext ist das Werk über OL4313978W sowie die Editionszuordnungen OL3467614M, OL17925480M, OL3996539M, OL3636223M referenzierbar. Durch die Kombination aus Laaber-Verlag, Laaber und 2005 lässt sich die Ausgabe sauber verorten.

Bibliografische Eckdaten dieser Ausgabe

1. ISBN-10: 3890071376
2. Externe Work-Referenz: OL4313978W
3. Verlagsort: Laaber
4. Kurzbeschreibung: Michael Roeder's A History of the Concerto traces the concerto from its origins in the sixteenth and seventeenth centuries to its incarnation in the present. Basic to the concerto idea is the division of the performance group into two parts - one solo and the other orchestral - but the relationships between these two have undergone fundamental changes over the centuries. In many of the more familiar works from the nineteenth century, the composer frequently juxtaposes a dazzling soloist against a more conservative orchestral voice, but this has not always been the case. The developing concerto form, while always maintaining the dramatic opposition of solo and orchestral forces, evolved many rich variations specific to time, place, and composer. Whether in Vivaldi's The Four Seasons, Beethoven's "Emperor," or Calandrelli's Concerto for Jazz Clarinet, the dual elements of cooperation and contention come into play. The changing role of the soloist; the development of instruments; the evolution of music's function in society; the influence of local, regional, and international culture; and the composer's individual story are all part of Roeder's documentation of concerto history. The book is divided into four sections corresponding to the major historical-stylistic periods of Western music and of concerto development - Baroque, Classical, Romantic, and Twentieth Century. Within these sections, attention is given to geographical regions where strikingly different approaches to concerto style are found. Roeder explores major works as well as the pieces of lesser-known composers whose contributions were important to the changing character of the concerto. A History of the Concerto may be read from cover to cover, but readers may also use the extensive index to focus on specific concertos and their composers. Numerous musical examples illuminate critical points. While some readers may want to study the more detailed analyses with scores in hand, this is not essential for an understanding of the text. Michael Roeder's lucid and detailed historical study of the concerto will inform and delight those interested in understanding this popular and dynamic musical form
5. Buchtitel: Theorie der Gattungen
6. Externe Editionsreferenzen: OL3467614M, OL17925480M, OL3996539M, OL3636223M
7. Primäre Kategorie: Drama
8. Erscheinungsdatum: 2005
9. Verlag: Laaber-Verlag
10. Verfügbare Sprache dieser Ausgabe: Deutsch
11. Thematische Tags: Symphony, Opera, Histoire et critique, Dramatic music, Concerto, Concertos, Instrumentale muziek, Music in the theater, Concerten (muziekwerken), Solospel
12. Verfasst von: Michael Thomas Roeder
13. Umfang: 320 Seiten

Auffindbarkeit und bibliografische Präzision

Theorie der Gattungen profitiert für die Auffindbarkeit besonders von der Verbindung zwischen Michael Thomas Roeder, Drama und den Tags Symphony, Opera, Histoire et critique, Dramatic music, Concerto, Concertos, Instrumentale muziek, Music in the theater, Concerten (muziekwerken), Solospel, weil dadurch eine starke semantische Einordnung entsteht.

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